We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*2022 Stock.* The Stockhausen Edition no. 105 contains chamber works recorded between 2011-15. In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1…
*2022 Stock.* The Stockhausen Edition no. 102 contains five new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and…
*2022 Stock.* The Stockhausen Edition no. 101 contains four new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday an…
*2022 Stock.* Hoffnung (Hope, 9th Hour from Klang, for string trio, 2007) and Glanz (Brilliance, 10th Hour from Klang, for septet, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to cr…
*2022 Stock.* Balance (7th Hour from Klang, 2007) and Glück (Bliss, Eighth Hour from Klang, 2007) are both wind trios which adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly h…
*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related a…
"As I perceive it, in much of Magnus Granberg’ work, going back as far as projects such as Sheriff, there’s an in-drawing nurturing of self. However one may read the beautifully poetic, frequently melancholic nature of the titles of the pieces, this …
Through her novel approaches to texture and melody, German-American composer Johanna Magdalena Beyer (1888–1944) became one of the most distinctive modernist voices of the mid-20th century. Beyer was the first woman known to have composed for electri…
*In process of stocking* Radiolorians (2018) finds Pisaro-Liu drawing inspiration from another gifted observer of this world-in-variation, the German zoologist, naturalist, and philosopher Ernst Haeckel (1834–1919), who promoted and popularized evolu…
*2022 stock* "Any resemblance between these pointillistic chamber compositions and Schoenberg is purely coincidental. Delicate as to texture, curiously dispassionate as to mood, these mostly notated woodwind, string, and piano chamber works are motiv…
"The Coronation of Poppea by Claudio Monteverdi garnered the interest of Gian Francesco Malipiero, who emphasized a second copy of the manuscript found in Naples in the rooms of the Conservatory Library, and showing a series of pages not included in …
"In the works of Martón Illés from the early 2000s, physically perceptible energy, gestural force, and visual conceptions of the sonic are already present. After 2010 the composer drew further implications from these for his work: since then, his mus…
Defining the character of a composer’s music is always hazardous, especially if the composer is restless. But around Stefano Scodanibbio’s music we often return to the concept of wandering, which moreover reflects his life. This is testified by his w…
Painted Lights, a new album of compositions by Kui Dong is now available on Kairos Music. The record, which features performances by Juliet Petrus, Deirdre Brenner, Third Coast Percussion, Arditti Quartet, Koehne Quartett, Volti, Piedmont East Bay Ch…
music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein’s experience as a teacher and performer…
Starting with his music of the 1960s and early 1970s, with works such as For 1, 2 or 3 People (1964), the Prose Collection (1968–71), and Changing the System (1974), Christian Wolff (b. 1934) quietly re-invented chamber music. He created music in whi…