"inhabit" the second release by Stefan Prins on Sub Rosa, brings together four recent, large-scale compositions in which traditional instruments-from bass woodwind trio to electric guitar and symphonic orchestra-merge seamlessly with electronics, feedback, and field recordings. 'inhabit' once again serves as a testament to how Prins, whose work is performed worldwide by some of the most celebrated musicians, ensembles, and orchestras, continues to stay attuned to the pulse of contemporary music. His compositions offer a refreshing, gripping, and consistently surprising exploration of the increasingly porous boundaries between the acoustic and electronic realms.