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Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this year." - Clive Bell
Virtuosic & highly-acclaimed 45-minute work for two pianos and electronics, Mark Knoop & Roderick Chadwick.
Recorded by Simon Reynell at the University of Huddersfield, October 2024. Edited & mastered by Mark Knoop. The work was commissioned with support from Hinrichsen Foundation, the Vaughan Williams Trust, and The Marchus Trust.
Returning to Die Schachtel with his forth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and electr…
Noriko Baba’s music transforms fleeting details into profound artistic expressions, weaving nostalgia, nature, and her Japanese heritage into evocative soundscapes. From the intimate, lantern-lit glow of Bonbori to the tumultuous echoes of the 2011 tsunami in Shiosai, her works balance delicacy and intensity. 9600 romanticizes the age of steam locomotives, while Au pavillon de (Monsieur) Porcelaine offers a deeply personal meditation on joy and loss through Mahlerian inspiration. With Avant le c…
Didier Rotella’s "Zone Grise" unfolds in a space of perpetual transformation, where sound navigates between density and purity, acoustic and electronic, structure and fluidity. Catharsis combines hybrid instruments and spatialized textures to evoke a dramatic journey of evolution and renewal, while Fragrances draws inspiration from perfume composition, blending musical elements into a rich, multi-layered tapestry. Mogari reflects on ritual and humanity through augmented instruments and poetic ge…
Oriol Saladrigues Brunet’s music crafts intricate interactions between time and communication, turning moments into rich artistic expressions. His compositions treat time as a flexible and multi-layered concept, balancing precision with unpredictability. Musical textures emerge and transform, revealing patterns that are both structured and fluid, creating a space where a dialogue between instruments and ideas unfolds. Through thoughtful exploration of irregularity and balance, Saladrigues create…
bastille musique presents its thirty-third release »Klaus Ospald: Escribí« featuring world premiere recordings by Pierre-Laurent Aimard (piano), Teodoro Anzellotti (accordion), Edicson Ruiz (double bass), WDR Sinfonieorchester and Ensemble Modern, and conductors Enno Poppe, Peter Hirsch, David Niemann and Lin Liao. From a piano concerto and a concerto for double bass with accordion to an ensemble piece and a clarinet sextet, the album combines four of Ospald’s instrumental works from 2014 to 202…
bastille musique presents its thirty-second release »Beat Furrer: Spur« featuring world premiere recordings by Quatuor Diotima, Claudia Chan (piano) and Thorsten Johanns (clarinet). The double album combines Furrer’s complete four string quartets with his piano quintet and clarinet quintet, spanning a period of almost four decades from 1984 to 2021. The WDR recordings are complemented by a 48-page bilingual booklet (EN, DE) with texts by Harry Vogt, Andreas Karl and an interview with the interpr…
bastille musique presents its thirty-first release »Urquiza, Terranova, Rataj, Djordjević, Kranebitter, Glojnarić, Schüttler: Gassenhauer« featuring seven world premiere recordings by the Trio Catch. The album combines new works for clarinet, violoncello and piano by Mikel Urquiza, Daniela Terranova, Jakub Rataj, Milica Djordjević, Matthias Kranebitter, Sara Glojnarić and Mart*in Schüttler, all commissioned for and premiered by Trio Catch. In addition to the recordings produced by the SWR, it al…
2024 stock bastille musique presents its eighteenth release »Bernd Alois Zimmermann: Sinfonien (live)« featuring Emily Hindrichs (soprano), Anna Radziejewska (mezzo-soprano), Bettina Ranch (alto), Peter Tantsits (tenor), Hans Christoph Begemann (baritone), Otto Katzameier (bass), the WDR Sinfonieorchester and Emilio Pomàrico (conductor). The set comprises Zimmermann’s Sinfonie in einem Satz (1951) and Vokalsinfonie (1957-1963) from Die Soldaten, recorded live at the Kölner Philharmonie by the WD…
2024 stock bastille musique presents its seventeenth release »Lucier & Bach: Sitting in a Room« featuring Hanna Herfurtner (soprano, voice), Clara Blessing (oboe), Joosten Ellée (violin), Linda Mantcheva (violoncello) and Elina Albach (harpsichord, organ). The album combines Alvin Lucier’s sound art piece I am sitting in a room with arias by Johann Sebastian Bach (from BWV 61, 1, 58, 199, 57, 36, 248, 68). Recorded in co-production with Deutschlandfunk, the set also includes a 48-page bilingual …
2024 stock bastille musique presents its thirteenth release »Claude Vivier: Lonely Child« featuring five works by Vivier from 1977 and 1980: Lonely Child performed by Katrien Baerts (soprano), the WDR Symphony Orchestra and Bas Wiegers (conductor), Shiraz by Akiko Okabe (piano), Pulau Dewata and Zipangu by the Holst-Sinfonietta and Klaus Simon (conductor), and Love Songs by the Neue Vocalsolisten. In addition to these recordings produced by the WDR, SWR and Deutschlandfunk Kultur, the set also i…
2024 stock bastille musique presents its first release »Claude Vivier: Kopernikus« in a SWR studio recording by the Opera Factory Freiburg, the Holst-Sinfonietta and Klaus Simon (conductor). Besides the CD containing Vivier’s chamber opera from 1979, which he called opéra-rituel de mort, the lavish package includes a 64-pages trilingual booklet (EN, FR, DE) and two photo leaflets with previously unpublished pictures of Claude Vivier as well as the artists during a staged performance.
Time of year and day, light; warmth, coolness; wind, rain; breath of air, babbling of the stream; People and other beings going about their lives: a strangely unpredictable mix of expected and unexpected events that contribute to the precise conditions of the moment in which we find ourselves. The here and now conveys a special feeling and a unique sound identity. Mason enables us to connect with times, places, people and situations that go far beyond the here and now. Mason is one of the most i…
*2025 stock* Olympia 1972 and the musical avant-garde. A look back at the music program created for and around the 1972 Olympic Games in Munich causes astonishment. The people in charge give space to contemporary music. It is quite natural and apparently normal to rely on the avant-garde. This extraordinary musical framework program for the 1972 Olympics has almost been forgotten. The architecture with its transparent, glass tent roof is remembered as a sign of a new, cosmopolitan, modern and de…
"Spektralmaskin, a collaborative album by the Norwegian musicians Jo David Meyer Lysne and Peder Simonsen, owes its name to a sort of prospecting: the process of sliding e-bows—small magnetic motors of adjustable speeds used to sustain sounds, here of Lysne’s own design—along guitar strings to produce harmonics. As these harmonics can occur erratically, the technique rewards the musician patient enough to scoot the e-bow about the string, waiting for the delicate sounds to crest. The duo’s fasci…
Ainon, a Helsinki-based ensemble founded by cellist-composer Aino Juutilainen, returns on We Jazz with their second album, out 6th September. On Within, the four-piece plays music influenced by jazz, contemporary music and classical music, all morphed together into a highly inspired musical vision that echoes the legacy of the likes of Abdul Wadud and Jimmy Giuffre. The music of Ainon might be best described as "avantgarde chamber jazz", with original compositions and the individual voices of th…
After the orchestral piece KlangWerk 11 in 2022, Edition Telemark is proud to present the second LP by Berlin-based composer Erhard Grosskopf (b. 1934), featuring his two string quartets nos. 3 and 4 in previously unreleased recordings by the renowned Pellegrini Quartet, and pressed on multi-coloured Quadratic Mirage vinyl.
Like all of his seminal pieces, these quartets – written after one another in 1998 – exhibit Grosskopf's principle of composing in a space instead of on a timescale, thereby …
Three recent chamber works by the highly-regarded Slovakian composer Adrián Demoč. The title track 'Zamat' is a 10-minute quartet for clarinet, bass clarinet and cello, which uses slightly asynchronous Korean unisons throughout. 'Gebrechlichkeit' is a 25-minute string quartet., „...o protón jasu...“ is a new work lasting 30 minutes for two clarinets, viola and cello, commissioned by Another Timbre for this album.
Eight chamber works by Canadian composer Linda Catlin Smith, beautifully performed by Apartment House. The album is structured around the first recordings of three of Linda's string quartets (tracks 1, 6 and 8), along with a short violin duo, a piece for clarinet, violin, cello and double bass, an early string trio, a very recent work for cello and piano, and a bass clarinet solo written for Apartment House regular Heather Roche. Together the pieces present a compelling portrait of the chamber m…