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French coldwave act Corps Diplomatique comes to Dark Entries with Dans Ta Nuit, a collection of tracks recorded between 1984-1987. Founded in Marseille by Olivier Aubin, Marie-Eve Bensussan, Patrick Loubet and Nicolas Pélissier, Corps Diplomatique remain shrouded in mystery. The band only released one 7” during their time, 1988’s Paradis I, in addition to appearing with three tracks on the La Muse Vénale compilation, a holy grail for devotees of the French coldwave. Dans Ta Nuit brings us nine t…
Infinite Expanse is excited to announce the reissue of Holland Festival, the soundtrack for The Theatre for Moveable People, Objects and Music, originally performed live in 1983 during the Holland Festival at the City Theatre in Amsterdam. This first-time vinyl edition captures the essence of an audacious and provocative Fluxus art event which remains a landmark in the Dutch avant-garde scene.
The recordings, captured over four consecutive nights, were edited at the Exart studio in IJmuiden and …
Tip! Unique wooden boxset limited to 99 copies worldwide, containing the following 3 albums by Paul Schütze, which will be also available separately:
AKT21 Paul Schütze – Deus Ex Machina 2LP -> out in February 2025AKT22 Paul Schütze – The Anihilating Angel LP -> out in January 2025AKT23 Paul Schütze – New Maps Of Hell 2LP -> out in December 2024
Some of the best ever Tribal Ambient Dub albums, originally released on the famous Australian Extreme label. All albums are brilliantly new mastered and…
Collector, seeker and storyteller Charles Bals brings his curatorial finesse to Hamburg's Bureau B with 'Ambientale', a journey into otherworldly sounds from the years 1983 - 2000. Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic & enigmatic, 'Ambientale' is a stranger you've only…
*300 copies* Zahgurim was a TOPY-affilated band formed in the mid Eighties by Paul Ackerley and William Vince. They recorded one album, "Moral Rearmament" for Dossier side label Atonal. It was produced and mixed by Paul Ackerley and William Vince with Simon Crabtree and Julian Gilbert (both of Bourbonese Qualk) at The Old Ambulance Station, Old Kent Road, London on October 24 and 25 1984. This new and first digital edition celebrates the 30th anniversary of a classic Industrial album. A lot of p…
WRWTFWW Records presents its third collaboration with Japanese electronic/ambient/synth-pop crew Interior, this time with the release of band member Daisuke Hinata’s forgotten solo treasure from 1989: Tarzanland. The feel-good/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip. Available on vinyl for the first time ever, Tarzanland is late 80s California sun-soaked kankyō ongaku, minimalistic proto-chillwave, the s…
Double LP edition. A classic from Haruomi Hosono’s late ’80s and ’90s abstract electronica period, Medicine Compilation From The Quiet Lodge is a sublimely inviting ambient album with touches of acid house, downtempo pop, and ethereal trip-hop. Standout “Laughter Meditation” opens up the album with gorgeous zither and kalimba from Laraaji, a peaceful 4-to-the-floor beat, and spoken word. Medicine Compilation from the Quiet Lodge features ultimate ambient music that invites listeners to another w…
Another favorite from the Haromi Hosono canon. This was the score for the first animated adaptation of The Tale of Genji, a sprawling piece of 11th century literature written by noblewoman Shikibu Murasaki, considered by many to be the first modern novel in recorded history. (Isao Tomita later write his own symphonic adaptation of the story.) The anime was directed by Gisaburō Sugii, and while it only covers a small part of the epic storyline, the score is highly ambitious.
Unlike much of Hosono…
Another fine out-of-print album from 1984 from the Japanese bassist/keyboardist. This one is mellow and quite easy to get into. All music composed by Yoshio Suzuki. Suzuki plays all the instruments on tracks 3-10. Musicians: Yoshio Suzuki (all tracks): Acoustic & Electric Pianos, Synthesizers, Upright & Electric Bass, (also Linn Drum machine on tracks 3-10) On Tracks 1 & 2 only: Toshihiko Inoue: Soprano Saxophone Kazumasa Akiyama: Electric Guitar Jun Saitoh: Percussion Hideo Yamaki: Simmons Drum…
2024 repress; LP version. This is the third album by Einstürzende Neubauten, also known as Halber Mensch, originally released in 1985. The album opens with the startlingly oppressive, almost fully a cappella title track, with contrapuntal, atonal, en masse chanting. The album progresses to include quite a repertoire of electronically-generated sounds, finding the band developing their mishmash of industrial experimentation matched by terrifying clangs, stomps, and of course, the theatrical, poet…
This was his first studio album in four years since his last album, "Endless Talking", and the first release since moving to Epic/Sony Records. This work was the result of sessions and collaborations with Arabian musicians, with an inclination towards the 'world music' that was gaining attention at the time. Deployed often in pop culture as punchline, Hosono takes such sight-seeing and transforms it into a metaphor for sample-heavy electronic music, drawing from various cultures and weaving them…
Tip! Following their 2024 reissue of Hiroshi Yoshimura’s classic album, Surround, Temporal Drift proudly presents the first-ever reissue of Flora, Yoshimura’s underappreciated ambient classic.
Flora was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura’s passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works Green and Sorround, wherein Yoshimura continues to play with the ambience of …
Masahiro Sugaya is a Japanese composer with a prolific career in music for film, television, and the performing arts. Renowned for crafting soundscapes that invite deep contemplation, his music blends synthesizers, field recordings, and traditional Japanese instruments, achieving a delicate balance between minimalism, ambient, and folk influences.
In addition to his experimental compositions, Sugaya has been a pivotal figure in Japanese television and cinema. He collaborated with NHK, Japan’s n…
"Paul Schütze’s debut album from 1989 sets his stall out from the start; with a cyber update on Jon Hassell’s notion of ‘Fourth World Music”. Schütze’s music always sounds like it could be an alternative soundtrack to ‘Blade Runner’ (be aware fellow purists, I did state “alternative”), and this album is probably the perfect candidate if in some other dimension the Vangelis OST was no longer deemed satisfactory (such a dimension surely cannot exist). The listener feels like they’re walking throug…
The peerless Dark Entries is back with another comprehensive new collection, Deep Entries: Gay Electronic Excursions 1979-1985, which is a well curated collection of ten rare queer synth tracks that explore the hidden corners of gay musical history. They span a pivotal period of six years and the songs range from sultry to angsty to camp with plenty of lovely 808 snares and textural analogue synths. This period in particular saw the gay community having to deal with the onset of the HIV/AIDS cri…
Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums Sc…
Deaf Lions is the recording project of T.S. Vickers who was based out of the San Francisco area. Although only active for a short period during the 1980s and early 90s, Vickers pioneered an enigmatic style of industrial / ambient utilizing early digital sampling techniques, Roland Juno compositions, and reel-to-reel tape loops.
Cassettes by Deaf Lions were self-released under the Stolen Art Productions imprint, though 1987’s “Copia” saw an official label release with Al Margolis & Sound of Pig. …
As first released in 1987 it served fittingly as a requiem or death rattle to the ZI recording project - not quite a compilation but a repurposing of both familiar and unreleased material, juxtaposed with choral music and stolen dialogue from Tarkovsky. 6-panel CD digipak includes Side A and B as indexed tracks as well as an extended "Nichts" session.
Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, Objects In Mirrors Are Closer Than They Appear. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and th…