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"Paul Schütze’s debut album from 1989 sets his stall out from the start; with a cyber update on Jon Hassell’s notion of ‘Fourth World Music”. Schütze’s music always sounds like it could be an alternative soundtrack to ‘Blade Runner’ (be aware fellow purists, I did state “alternative”), and this album is probably the perfect candidate if in some other dimension the Vangelis OST was no longer deemed satisfactory (such a dimension surely cannot exist). The listener feels like they’re walking throug…
The peerless Dark Entries is back with another comprehensive new collection, Deep Entries: Gay Electronic Excursions 1979-1985, which is a well curated collection of ten rare queer synth tracks that explore the hidden corners of gay musical history. They span a pivotal period of six years and the songs range from sultry to angsty to camp with plenty of lovely 808 snares and textural analogue synths. This period in particular saw the gay community having to deal with the onset of the HIV/AIDS cri…
Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums Sc…
Deaf Lions is the recording project of T.S. Vickers who was based out of the San Francisco area. Although only active for a short period during the 1980s and early 90s, Vickers pioneered an enigmatic style of industrial / ambient utilizing early digital sampling techniques, Roland Juno compositions, and reel-to-reel tape loops.
Cassettes by Deaf Lions were self-released under the Stolen Art Productions imprint, though 1987’s “Copia” saw an official label release with Al Margolis & Sound of Pig. …
As first released in 1987 it served fittingly as a requiem or death rattle to the ZI recording project - not quite a compilation but a repurposing of both familiar and unreleased material, juxtaposed with choral music and stolen dialogue from Tarkovsky. 6-panel CD digipak includes Side A and B as indexed tracks as well as an extended "Nichts" session.
Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, Objects In Mirrors Are Closer Than They Appear. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and th…
Dark Entries summons Philadelphia synthesizer scribes The Ghostwriters to rouse their ambient masterwork Remote Dreaming. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. Following their debut album, Ob…
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies.
In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and ado…
The seductive sounds of Portugal swing to Dark Entries on Rock Rendez Vous: Música Moderna Portuguesa 1985-1986, a compilation of vintage Iberian synth, wave, and postpunk gems. The legendary club Rock Rendez Vous (RRV) opened its doors in Lisbon in 1980, heralding a new era in the Portuguese underground. Although touring acts like Killing Joke, Danse Society, or Echo & the Bunnymen graced its stage, RRV more vitally served as ground zero for a new generation of Portuguese bands, one simultaneou…
Picture disc reissue of the 1984 studio album by French singer and songwriter Serge Gainsbourg. On this album, Serge Gainsbourg used American musicians to achieve a funk-heavy rock sound. The album was controversial due to its very sexual lyrical content, with homosexuality and prostitution as the subject matters on many of the tracks.
Japanese composer Hiroko Matsuzaki began her classic music career as a flutist, and from 1985 to 1987 she worked as a studio musician as a flute/synthesiser player based in London, gaining an excellent reputation abroad without passing through the Japanese music scene. Simon Jeffs of the Penguin Cafe Orchestra heard this work and decided to participate in German electronic musician Rhodelius' Pink, Blue and Amber. This is the first time reissuing the lost work she produced only 100 copies before…
Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition. In 1974, he produced two ground-breaking albums. "Pick A Dub" was one of the first official dub albums ever, and is still considered to be one of the greatest mom…
A truly stunning masterstroke with almost no equivalent, "The Amygdala Expedition", by the Hungarian musician and musicologist, László Hortobágyi, weaves a singular world of myth and imagination at the boundaries of New Age, Ambient, experimental, and ethnographic music. Drawn from a body of work that first began to emerge during the late '80s and early '90s
Back in print! 2024 reissue. After a stint learning the dub craft from innovator King Tubby in the late '70s, Scientist began mixing his own sessions, coming up with a more wide-ranging and effects-riddled sound than that of his mentor. One of a handful of choice Scientist albums on the Greensleeves label, Rids the World of the Curse of the Vampires (1981) not only ably displays the mix masters varied approach, but clocks in as one of his best outings. While Scientist heeds Tubby's minimalist ca…
Back in print! 2024 reissue. The cosmic theme is well-served on these ten effects-riddled tracks, with the rockers-style material littered with all manner of stratosphere-breaking sounds from the mixing board and strategically adorned with snatches of ghostly echo and pneumatic percussion. It's certainly an appropriate mood for a post-apocalyptic battle involving cartoon machines. Another essential dub album from the legendary Scientist, originally released in 1981.
Back in print ! 2024 reissue. With this 1982 album, Scientist delivers one of his most progressive mixes, deconstructing the originals down to their skeletal base and adding just the right amount of mixing board-generated Echoplex and reverb with his patented minimal sound. A landscape resplendent with steely piano, depth-charge drums, and futuristic dub effects; a mind-warping yet eminently enjoyable way to check into dub central.
Scientist's name can be found all over any dub record collection; he was a protégé of King Tubby, and many would say that when dub fell on quieter times it was Scientist who breathed new life into it. His pared-down mixing style suited the dancehall reggae sound that arrived as the '70s rolled into the '80s. This 1982 album includes the priceless dub of Johnny Osbourne's classic "Give a Little Love," as well as further cuts of the likes of Hugh Mundell and Wayne Jarrett. Scientist is always in c…
Double LP version. Black vinyl. Einstürzende Neubauten present their new album Rampen (apm: alien pop music). Since the band was founded on April 1, 1980, Einstürzende Neubauten have been shifting the parameters of mainstream and subculture to make the inaudible audible -- perhaps the unheard as well. This experimental field research, spanning more than four decades, is now entering the next stage. In its 44th year of existence, the band is going back to its roots while redefining itself. It's a…
*200 copies limited edition* "Al-Azif is the second work of Capricorni Pneumatici. Released on tape in 1987, the album was recorded in an underground location containing a group of vitrified cement tanks that created an extremely deep reverberation and amplification of sounds. The tanks were very large, some with a capacity of 500/800 quintals, others smaller. They had openings both above ground level and below the ground at depths of 5/6 meters. Thus, the sound had a very unique and impressive …