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Electronic /

House Of Strength
*100 copies limited edition* After Kites, Sister, and Mask, House of Strength marked the fourth collaboration between choreographer/dancer Roshanak Morrowatian and composer Rutger Zuydervelt. The performance — and, by extension, the music — has a strong ritualistic quality and can be seen as an inclusive celebration of both spiritual and physical strength. Drawing inspiration from traditional Iranian percussion as well as contemporary club music, the score bridges old and new worlds, shifting be…
Rr·concerrt
*150 copies limited edition* Like all concerts by Conrad Schnitzler, this one is unpredictable and always captivatingly beautiful. A masterfully crafted mix of four solo works, all located in close proximity to the RR album itself. There are few such works in the entire discography, and most of them are included in our top 100.
Memory
*150 copies limited edition* 'Memory' is a saturated, multifaceted poem, a work of sound art set against a backdrop of shimmering cosmic space. It is a sonic excursion into memory, reflecting both the light and the darkness of our consciousness. Moving forward and transcending many boundaries, Conrad Schnitzler remains true to the mood established at the very beginning of this 60-minute cinematic work.
Convex
Convex is one of a series of LPs that Schnitzler released himself in the 1980s. It is one of his LPs that convey virtually no visible information. Only the title is printed in large letters on the cover of Convex, and in tiny letters that are easy to overlook, it says: "Cover Conrad und Richard." The labels on the original LP indicate that one side is called "Convex" and the other "Concav." That's all the information there is."On Convex, as on many of his other albums, Schnitzler definitely used…
Control
"Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control. The album seems to be a kind of compilation of different musical approaches. Tracks 5…
The Sheer Action Of Fini Tribe: 1982-1987
"The Sheer Action of Fini Tribe" is a colossal retrospective anthology curated and designed by the band. Compiled from the years 1982 to 1987, it includes a wealth of archival photographs, an essay by original member Andy McGregor, who also designed the sleeve, and essays by longtime friend Shirley Manson (Garbage, Goodbye Mr. MacKenzie) and author Alastair McKay, an early champion of the band. The release features the first legendary John Peel Session, produced by Dale Griffin and originally br…
Music To Watch Seeds Grow By 007: Brian D'souza
Opening its second growing season with a new work from Scottish producer Brian d'Souza, also known as Auntie Flo and his ‘Plants Can Dance’ project, the new Seeds release is an ambient composition that draws on botanical research into how sunflowers interact, cooperate, and compete beneath the soil.  ‘Plants Can Dance’ considers the underground world of sunflowers, where root systems engage in complex social behaviours. Recent studies have shown that sunflowers exhibit spatial awareness and a fo…
Lattice of Memory
Lattice of Memory (SW019) is the debut collaboration between Eamon Ivri and JQ. The duo began work on the album while touring Ireland and the UK in 2023, with the process continuing both in person and remotely into a work inspired by the perpetration of nostalgia and augmentation of digital memory. The album spools outwards in different directions from its origins as field recordings, audio ripped online, acoustic instrumentation and improvisation. The result aims to extrapolate the source mater…
Fernande, Cecile
After a series of experiments and scores, Natasha Pirard returns with her most intuitive and personal project yet. Turning inward, she dedicates the work to her mother and late grandmother, whose caring presence shaped her life. A photobook of songs rustling through delicate pages of memory—the album weaves her voice, field recordings, synthesizer, and violin into an ode to the lasting influence of her matrilineal line. Fernande, Cecile reflects on these two women: Pirard lost her grandmother at…
Statics II
2006 release ** Limited edition of 150 copies.
Serie03.mp3
2006 release ** A CDr-mp3 compilation in an edition of 150 copies.. Featuring: Longmo, Kenneth Kirschner, Yuzo Kako, Zimoun, Autobam, Asher, Mahmoud Refat, Pe Lang. "Serie03.mp3” (the unusually calculated follow-up to “Serie01”) offers nine leerraum originals by a wide roster of artists, some of whom are regular guests on these pages. Kenneth Kirschner’s study on silence “november 18, 2004 et al.” has even be discussed on tokafi before and it is a true gift that its magical play with single, sus…
VC:02 / VC:11
*Presented in a custom metal-plate sleeve - with a transparent film overlay* Virtual Culture, the visionary electronic project known for pushing the boundaries of contemporary electronic music, returns with its latest album VC:02 / VC:11. This ambitious release blends immersive synth textures, pulsating rhythms, and exploratory atmospheres to craft a sound both hypnotic and forward-thinking. Virtual Culture’s ongoing dedication to sonic exploration cements this release as an essential listen in …
VC1 : 2024
*2025 stock* Emerging from the cutting edge of electronic music, Virtual Culture presents VC1 : 2024, a visionary debut album. This captivating project melds analogue warmth with digital precision, crafting a sonic landscape that is at once nostalgic and boldly futuristic. Guided by a passion for experimental synthesis, VC1 : 2024 pushes the boundaries of electronic music through its fusion of avant-garde textures, cyberpunk aesthetics, and modern production techniques. Each track invites listen…
Ailleurs
2012 release ** The achievement of Ailleurs is that by mutating its intonation and freeing the bass from its limitations as a purely rhythmic instrument a new interface appears. The reverberating result is of an expansive formula that evocatively builds on expected bull fiddle timbres the way a realistic photograph could be the basis for a surrealistic art. It's the 19th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Palétuvier (Rouge)
2010 release ** Musically, the trio succeed in conveying a true “Heart Of Darkness” soundscape with their playing, painting a dark green hell where we can feel the moss and fungus dripping down our backs, and Werner Herzog is never more than five feet away in his questing canoe. The music also suggests the grandeur, the solitary and unknowable nature of these grand old men of the forest who probably keep the secrets of the ancients locked up in their thick bark. Truly atmospheric! It's the 14th …
À L'inattendu Les Dieux Livrent Passage
2010 release ** Nine pieces of some great orchestral music. Moving slowly, like gentle minimal music, which slowly, over the course of these pieces built up. It combines improvisation (although sparsely here), with minimal glissandi and small melodies, which rise up from those gentle waves of heavily and heavenly layered small orchestral sounds. Think Olivia Block, but perhaps with a bit more improvisation in some parts. Great chamber music, relaxed atmosphere, jolly fine music. It's the 9th pub…
Des Gestes Défaits
2004 release ** Circular remixing, deconstructed concerts. Here, Bernard Falaise is the recomposer, abandoning his guitar in the service of Martin Tétreault's material. Eleven pieces of three minutes each make up this body of music, reconstituted from a raw, dense, purely analogue sonic universe, that of MT. BF undid in order to redo. Result: an audacious remix, clear, precise and digital. It's the 2nd publication - out of 24, one for each hour of a day - produced by &records (Michel f Côté & Fa…
Des Tournages
2008 release ** Originally recorded in 2002 and performed once at l’Oeil de Poisson in Québec City the same year. Fan-CD (mini CD within a transparent full-sized CD), front jewel case is scratched by a microphone 100 times in a circle pattern. Everything revolves around these words: the circle, by the dog. I believe that this word, used by those for whom the earth revolves, is singular: a rigorously extended straight line, plural: an eternally centerless circle which, to advance, turns on itself…
Torn Tongue
2002 release ** Edition of 160 in a 6.75" round three panel cardboard cover. Recorded 1997-1998 in Cambridge, MA and Nijmegen, NL. All sounds taken from the spoken voice of KS, recorded in Gainesville, Florida, in different acoustic environments.
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