We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Electronic /

Chronoradial
2025 stock ** "In the world of sound library and production music French Avant-garde composer Patrice Sciortino is both unique and universal. His astounding late 1960s and early 1970s recordings for the prestigious Musique Pour L’Image and PSI labels receive their first serious reissue and reappraisal here. Cellos growl and twist with an air evocative of Bernard Hermann, choirs hiss and howl like Alessandro Alessandroni’s ‘I Cantori Moderni’ and the whole thing is as dexterous and playful as Enn…
Avventure Lontane
Mostly known for his intense drone performances and as bass/guitarplayer for the ultrasonic noise trio MIR, Papiro seems to slip into a different persona when left unattended with a bunch of old Synthesizers and the privilege of overdub. The nine tracks show Papiro’s affinity for melodies and complex arrangements and will please followers of early seventies electronica like Walter Carlos (A Clockwork Orange), Cluster or Bruce Haack. The LP comes in a silkscreened glow-in-the-dark cover.
Grosses Wasser
Recorded in 1978, Grosses Wasser was the fifth album by kosmische musik pioneers Cluster (their seventh if you include the two Eno collaborations). At this stage in the band's lifespan Cluster was a duo, manned by Hans-Joachim Roedelius and Dieter Moebius, although Tangerine Dream's Peter Baumann acts as co-producer, helping craft some of the group's most experimental material since they swapped their 'K' for a 'C' in the early seventies. Nowhere is this air of sonic exploration more apparent th…
Transamorem - Transmortem
Transamorem - Transmortem was premiered on March 9, 1974 at The Kitchen in NYC, where the music programmer at the time was Rhys Chatham - this was right before his guitar phase. During this period, 'Transamorem - Transmortem' was presented along with other compositions by Eliane Radigue in a linear mode of listening, although the piece had originally been conceived, during its composition, as a sound installation. Of course, both modes of listening are possible, and each works marvelously in its…
You can't get there from here
Robin Rimbaud aka Scanner is a conceptual artist, writer, plasticien sonore and composer working in London, whose works traverses the experimental terrain between sound, space, image and form. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit mus…
Dagger in the Road
Another chapter of the drone odissey by our Danish favorites releasing two side-long tracks of black magic. Side A was previuosly released on a limited tour-tape by their own label Into the Lunar Light and sounds like the musical score of a horror film sang by a gathering of hungy wolves in a windy cave. On side B the drone assoult ceases and is replaced by reverbing guitars, obsessive synth melodies and echoed vocals building a psychedelic atmosphere. Released in occasion of their Italian…
Dream request
'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…
Shadow of events
2011 release ** "Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label. The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noise…
Adhesives and grout
Korm Plastics is proud to present the eigtheenth release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative projec…
Whinny Muir
A single, long, deeply moving, slow and expanded drone-track, built on everchanging sonic masses, low frequencies, strong electric/electronic sounds, field recordings, feedbacks, buzzes, hisses, rough distortions, sunken organ chords, subdued inserts of strings orchestral parts. Alternation of progressive crescendos, ambiental stasis, sudden, dramatic and catching dynamic shocks... An involving and extraordinary "trip" across an obscure sonic path, convincingly assembled in collaborative form by…
Delta
Extended sonic fluxes of synthetic nature mixed with delicate acoustic and electric guitars chords and riffs, crowd noises, indefinite and fading melodic "spots" of unknown origin, feedbacks, echoes, pulsations, vibrations, cracklings, rustling waves in continuous movement... But also sudden pauses, unpredictable and improbable inserts of folk blues radio transmissions, crystal clear water sounds, static, wrapping and dramatic electronic weaves, metallic tickings... An extraordinary range of sou…
Cool Cruel Mouth
"Cool Cruel Mouth" is Larsen's 9th full length studio album and marks 15 years of activity with a fine collection of textural, cinematic, haunting, nocturnal songs. Written and recorded in 2010. "Cool Cruel Mouth" finds the band as a 5 piece with the full time addition of lyricist Little Annie "Anxiety" Bandez as the official voice of Larsen. Also featured on "Cool Cruel Mouth" is inimitable Baby Dee playing piano on one of the two featured instrumentals as well as on her own composition "Unhear…
The M.A.L. Tapes
One side full of great Minimal/Synth-Tracks from his early 80’s Tapes „Chemistry“, „Two Faces“ and „Outlaw“ on labels like Grafika Airline and Insane Music; the other side with two mind-blowing and -opening electric-guitar-tracks from 1971-74 which will definately touch your consciousness for music-history and hopefully help re-writing it. Alain Neffe of Pseudo Code / Bene Gesserit (Insane Music) participated on two of the pieces. M.A.L.'s cassettes have been remastered in superb sound quality b…
Demonstro 1981-1986
Slices of Attrition's earliest existence. A Double-Lp with previously unreleased, rare and demo recordings from the earliest days on Third mind records and beyond. From the initial post punk line up to the early experiments with analogue electronics in the bands fledgling home studio. Rescued from forgotten cassette mixes and 4 track tapes, restored and remastered by Martin Bowes, including sleeve notes by Third Mind's Gary Levermore, unreleased photos and artwork and available for the fi…
Phi
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…
Ravedeath, 1972
2025 stock Tim Hecker's latest work approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this new piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wood…
Songs
2006 release ** "Songs is the much-anticipated follow-up to Parisian sound designer and musician Sébastien Roux’s beautiful CD Pillow (Apestaartje, 2004). The simple title of Songs hides a deep work that Roux states is based in mathematics, symmetry (and assymetry) and organized randomness. Songs is a skillfully and beautifully rendered album of gentle and sometimes not-so-gentle acoustic instruments and melodic granular clouds. Each song is titled simply by the instruments that make it, thus st…
Every action
2004 release ** "12k presents Every Action, the 3rd full-length release from the UK’s Motion (Chris Coode) and the follow-up to 2002’s critically acclaimed Dust (12k1019). In addition to his work with 12k (Dust, as well as a collaboration with Doron Sadja on 12k’s recent Two Point Two compilation, and an MP3 only release on 12k’s term. series) Coode has worked with Fat Cat and also released the debut Motion cd Pictures (now out of print) on his own imprint. The work on Every ActionPictures was p…
Ghosts From A Machine
Rapoon is the ethno-ambient solo project of Zoviet France co-founder Robin Storey. The music of Rapoon reflects the fasctination for the minimalistic but rhythmic music of West-Africa and India. Rapoon uses the musical construction techniques of loops and rhythmic repetition as a kind of platform for inducing a sort of trance like reception. The tracks chosen on this Box-Set are tak…
Wunderkammern
David Toop laptop, steel guitar, flutes, percussive devices. Rhodri Davies harp, ebows, electronics, preparations. Lee Patterson amplified devices, field recordings. Recorded by Dave Hunt at Dave Hunt Studio, London, 24 July 2006. Magnificent, tight studio recordings from 2006 by a trio of UK improvisers of different generations, coming together to create a rich and strange soundworld of whispered, scraped and quietly haunting reverberations.