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1998 release ; duo set by incapacitants’ fumio kosakai & ikuro takahashi “based on stan brakhage movie "dog star man"” ...a single, monolithic piece of itinerant synthesis, never quite getting into harsh noise realms, instead a continuous ghostly blur of steely electronics ... something of a neglected classic by now ...
Jaime Fennelly-oscillators, bass drum, electronics. Chris Forsyth-guita. Shawn Edward Hansen-EMS synth, the brothers zoto. Chris Heenan-contrabass clarinet. Recorded at Improvised & Otherwise Festival, Brooklyn, NY, 5-7-06 by Seth Misterka (track 1), Experimental Intermedia: A Festival With No Fancy Name, NY, NY, 3-13-05 (track 2. )'Minimal, evocative low-level evacuation of space-time ala the lurkingest MEV sides, AMM, Space Machine et al from a group that features Jaime Fennelly on sine wave o…
Minimalist sound artist CM Von Hausswolff gives his two cents on the state of overdevelopment in various urban environments the world over in this, his second disc for the Sub Rosa label. It's hard to say precisely how the music here relates to town planning: Von Hausswolff concentrates on conjuring the kind of stark, austere glitch-driven soundscapes found on his work for labels like Raster Noton, using what sounds to be entirely synthetic sources, so again, it's difficult to establish any conc…
Iannis Xenakis is without a doubt one of the major figures in the development of music in the 20th century. In 1957, he joined Pierre Schaeffer and others at the GRM (Groupe de Recherches Musicales) in Paris, and it was there that Xenakis composed his early works for electronic tape. Xenakis' distinct sound is already apparent in 'Diamorphoses' (1957) which incorporates sounds of distant earthquakes, car crashes, jet engines, and other 'noise-like' sounds, and 'Concret PH' (1958), based on the s…