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** Edition of 250 ** In his essay ‘The Meaning of My Avant-Garde Hillbilly and Blues Music’, Henry Flynt talks about how his music should be analysed as an intellectual tribute to the music of the autochtone, setting aside plain folk references, but adopting academic insights to mold the music one makes as a folk creature. Much of Flynt’s discourse applies to the music of Glen Steenkiste’s Hellvete. Over the past twenty years he has been thoroughly investigating both the ethnic musical language …
Tim Gick's already-warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A-side; kicked off with the familiar sound of the Dobes' synth throb and Love-cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat top of the record's b-side.
Ringing modular syn…
Edition of 300. Highly atmospheric industrial drones and haunting, cinematic treatments on this amazing, previously unreleased score from L.I.E.S./ Gravats mainstay Krikor Kouchian for Jean Epstein’s silent 1920’s French avant garde classic, a big tip if yr into Eliane Radigue, Ø, Kevin Drumm, Elodie. Krikor summons spooked-out and glacial sounds in this superb, as-yet-unreleased soundtrack for the 2014 redux of Jean Epstein’s pioneering, silent 1920’s avant-garde cinema classic. The 1927 fil…
“Like La Monte Young and The Incredible String Band stuck in an elevator." In the process of relocating to Den Bosch's Willem Twee Studios, The Transcendence Orchestra let love slip deftly out of its gate and reverberate around the walls of the studio's main hall, a high ceilinged former synagogue in the city's old town. Working intensively to capture its echoes, they coaxed it to appear in pipes and strings, directed it through resonant circuits and shepherded it round the room with beaters, ho…
**CD in gatefold carboard wallet, 300 copies. To be released in mid July 2020.** Ocean Front Property represents a desired experience juxtaposed with a banal reality. The work investigates the idea of longing to be somewhere else, a mirage of aspired imagery and sound, made within the landlocked province of Alberta, where the nearest ocean is over 1000 kilometres away. The objects, spaces and sounds act as metaphors, part of a concrete existence they reside in, but contrasted with the imagined e…
Tip! **50 copies** "Many people all around the world hear strange sounds emanating from the sky, or from the depths of the ocean, or from deep underground. In many cases these sounds remain unidentified while science still can't provide an explanation for this phenomenon. This album lies somewhere between musical fiction and the reality of field recordings. It runs from unidentified sounds heard in Finland and Canada, to possible sounds of deep water mermaids, and the sounds broadcast by the And…
Tip! **200 copies** "Many people all around the world hear strange sounds emanating from the sky, or from the depths of the ocean, or from deep underground. In many cases these sounds remain unidentified while science still can't provide an explanation for this phenomenon. This album lies somewhere between musical fiction and the reality of field recordings. It runs from unidentified sounds heard in Finland and Canada, to possible sounds of deep water mermaids, and the sounds broadcast by the An…
**100 copies** Tropical Syndroms is the second album by Thé Déluge, a.k.a. Vincent Caylet, also known as Cankun (Not Not Fun / Hands in the Dark). Like his debut album Forest Structures (Umor Rex, 2017), this new installment is an amalgam of sounds generated through multiple devices and analog synthesizers, loops and layers creating an incredible mix of textures, sounds that can almost be touched.In Caylet’s work, there is always a certain familiarity in the tones, there is an implicit nature pr…
**100 copies** In just a few years and with a handful of releases, the Canadian producer better known as Yves Malone has earned himself a reputation. In The Beginning of Nothing he continues working with many layers of analog synths and a keen sense of drum machines to create atmospheres and textures extracted from late twentieth-century collective fears of a dystopian future. Created as a sort of score to an internal elegy, Yves Malone creates soundtracks of the daily fear, regret, and resignat…
Earn is Matthew Sullivan, known to some already as Privy Seals, his extremely harsh noise project, collaborator with underground ambient artist Sean McCann, owner of the cassette label Ekhein, one half of the group 1958-2009 and former member of the legendary Deep Jew. A prolific gentleman with an ear for blissful engulfing tones and radiance that go beyond ambient or shoe gaze. His project Earn stands as a testament at his ability to use minimalism as an approach to guitar playing to find sound…
Italian sound artist Giulio Aldinucci returns with his third album on Karlrecords: "Shards of Distant Times" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders and Ruins" (2017) and "Disappearing in a Mirror" (2018) which both made it onto several year's best lists.
"For the fifth entry in our Collector’s Series we enlist the skills of Japan-based musical connoisseurs, Ken Hidaka, Max Essa, and Dr. Rob. Their compilation Oto No Wa sets out to map the evolution of chilled Japanese sounds across 3 decades. Collecting 14 tracks, produced by a wide range of artists. From ambient pioneers to dance-floor veterans. Roping in 9-piece reggae band, Little Tempo, percussionist Kotani Kazuya, and organic, psychedelic collective, Olololop.Beginning in the late 1980s, th…
**100 copies** "Mortar Devotions is the new collaboration between Nona Et Decima (Manuele Frau, Nicholas Pucciarelli) and Aleksei Tsernjavski alias Огни. From the Finnish capital, Helsinki, the trio gives life to Operazione Piovra: The Lead Chronicles, a work inspired by the darkest pages of Italian history, in particular the "years of lead" and the war between the mafia and government. The five tracks are conceived as if they were the soundtrack, divided into parts, of a film or a television se…
2011 Release. Die Stadt and Janet records are extermely happy to announce on the release of the new Fovea Hex album. "There have been few albums that I remember waiting so impatiently for. Several years have gone by since Clodagh Simonds' first transmission under the Fovea Hex umbrella and finally a full length has appeared. Continuing on from an exceptional string of EPs and singles, Here is Where We Used to Sing finds Simonds and her ever shifting group exploring different aspects of their son…
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…