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After the surprising debut with ‘Monochromatic’, Milano 84 - the musical project of Fabio Di Ranno and Fabio Fraschini - returns with a new album that brings the formula into even sharper focus. Synth pop, new wave, Italo disco acquire a contemporary dimension and an international flavour.
Ultimately, this 1984 EP by the Ruins - of which Spittle DepenDance now offers a valuable reissue enriched with additional material from the period that has remained completely unreleased until now - is a testament to the band's innovative spirit and its role in shaping the Italian new wave scene, landing moreover to international acclaim and acclaim even over the following decades. With its mix of electronic experimentation and dark pop sensibility, it remains essential listening for fans of a…
Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg. The opening track Thankful resides as a direct tribute to the track recorded under his PITA moniker, the timeless 'Track 3'. A track of which the impact has been vast and deep, still rattling the walls of the now enormous worldwide experimental electronic scene. Countless new youth carve and project wildly distorted melodic digital matter which all falls back with a knowing…
This month’s Electronic Sound cover stars are the effortlessly sublime Air and we have an exclusive clear vinyl seven-inch featuring two brilliant remixes of the French duo’s ‘Sexy Boy’ to accompany the issue.
We’re investigating the visual art of John Foxx in this month’s Electronic Sound and we’re bundling the magazine with a white vinyl seven-inch combining two top-notch Foxx tracks – an electropop classic from 1980 and an ambient gem from 1997.
Kraftwerk was formed in 1970 and is widely regarded as a pioneer of electronic music. They built custom-made electronic instruments and utilized cutting-edge equipment to create their signature sound. The album "Autobahn," particularly its title track, brought them international acclaim.
Milan's Palalido, 1981 crackles with Kraftwerk's "Computer World" tour. Robotic rhythms, neon lights, anthems like "The Model" & "Numbers" ignite. A time capsule of synthpop mastery, future sounds live.
Tip!!! We already met Steven Grace with his crepuscular electronic soft-rock album entitled "Eleventh Hour" (HDK 119), now let's get to know him in his most traditionally “kosmische” guise called LOGIC GATE.
Wandering through the desolate lands of the net, under the label of "electronic music", we casually came across Steven's music thanks to the his Logic Gate albums. Our first reaction was: how is it possible that such sweet music is relegated to such a dark and invisible corner of the world w…
2024 Repress. ONE DAY ALL WILL BLACKEN AND BURN. Just as the two-headed basilisks predicted. Lies, Truth, Denial and Envy embodied. Their riddling yet oddly accurate prophecies were put in ink by Anuk Schleger the monk, in the scrolls that now hold many names - The Nameless Scriptures, The Unwritten, The Dirt Pages. And so far, every promise therein has been realized, hence why both kings and beggars now cry and wail. Everything will blacken and burn. The stormy, Endless Sea will boil and flood.…
This month's Electronic Sound cover stars are the one and only Pet Shop Boys and we're bundling the issue with a gorgeous gold vinyl seven-inch featuring previously unreleased live versions of three of the duo's best and biggest tracks.
For this month's Electronic Sound cover story, we've picked out 101 Records Of 1981, a crucial year in the history of both electronic and alternative music, and we have a fantastic green vinyl seven-inch EP featuring post-punk heavyweights The Fall, Jah Wobble and Blurt to accompany the issue. One of the main music talking points of 1981 was the growing number of synthpop bands breaking into the UK mainstream charts, many of them climbing into the Top 10. But at the same time, there was a surge …
"Det Foranderlige Instrument" music for 24 Yamaha DX-7 synthesizers by Danish composer, musician and teacher Anders P Jensen. Departing from its iconic 80s pop sound, Anders P Jensen breathes new life into the DX-7, leveraging complex instrument preparations inspired by musical luminaries like Harry Partch and Björk, resulting in mesmerizing electronic symphony across 12 movements, where the instrument evolves autonomously, challenging conventional notions of composition. Besides Anders P Jensen…
Mostly known for his work as founder, vocalist and main songwriter for The Legendary Pink Dots, Edward Ka- Spel has long forged an equally prolific career as a solo artist given to sometimes exploring similar sonic realms as his group but clearly working at such a pace the need to channel ideas and songs in this capacity must be enforced. And just as well too, because Edward Ka-Spel is one of those rare and exceptional artists whose high workrate doesn’t betray a keen sense of quality control. L…
After achieving some decent notoriety, and not only in Italy, as an electro-pop duo (thanks mainly to the single 'Short Wave, a small 'classic' in the early years of that decade), between January 1982 and March 1983 Ruins morphed into a new five members line-up. With this fresh option, Ruins restructured the previous repertoire and produced entirely new material. The original 4 track recording had remained largely unpublished at the time and seemed irretrievably lost. However, thanks to persist…
The first three Basic Dungeon albums re-released on a single 42-track CD with a 20-page booklet! The "Tunnels & Treasures" saga collected on a single CD
Tip! From the dusty archives of a TV station, a handful of instrumental pieces, originally recorded as musical commentary for a series of historical documentaries. The topic is the Cold War: the areas of influence, the balance of power, the threat of the Third World War, the dream of a future of peace and unity.
*300 copies limited edition* Grain is the third Innode release following on from Gridshifter in 2013 and syn in 2021. A new methodology to make the album is applied yet again from the trio of Bernhard Breuer, Steven Hess and Stefan Németh. The approach is more an anti approach where the trio let the process of creation itself steer the development of the recording, without any prior conceptual agenda. Irregular rhythmic patterns often served as the initial springboard for each piece with Breuer …