De Arbeid / ТРУД
Nazlo Records presents De Arbeid by Wouter Van Veldhoven. One-sided 11" transparent lathe-cut record, silkscreened on the b-side and housed in a hard-pvc 12" silkscreened sleeve limited to 50 copies design by Wouter van Veldhoven, @something.for.nobody and @samopal_studio
Unknown Legacies
Nazlo Records presents Unknown Legacies by If, Bwana and Emerge. Transparent recycled tapes and 2-sided printed j-card edition of 40.
Trinity
Low fidelity concrete music. Oxidized rheostats. Accidental tribulations. Spontaneous combustion music.
Anti Social Realism
*In process of stocking* Anti Social Realism (2012: Bilbao, Stockholm, Lausanne). Mattin in collaboration with Oier Iruretagoiena, Marcelo Expósito, Germán Navarro, Santiago Mostyn and members of the audience at LUFF festival. Length: 116’30”; all-region; subtitle in French, Spanish, English and Chinese
1) Nobody Answered, Club Le Larraskito, Bilbao, February, 11th February 2012; 24’28”2) The Audience Is Not The Mother of Self-Invention, Index, Stockholm, 29th September 2012; 59’39”3) An Audienc…
Otomo Yoshihide, Ryu Hankil, Yuen Chee Wai, Yan Jun, Sachiko M, Yang Ge, Xiao Qiang, Hong Qile, Gogo J, Olivier Heux, Tao Yi, Junyuan
Big Can*In process of stocking* "There was this large, abandoned, cylindrical metal object, maybe an oil tank. In 2009, several people cam to the site and made some noise. They were Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xian Qiang, Hong Qile, Gogo J, Olivier Heux and Junyuan. The sounds chosen are refreshingly non-obvious, no fist-banging on the interior walls. There are soft clocks and drips as well as a number of sustained sounds–whistling, moaning, keening–that don’…
Parade
Parade is organized by Tadashi Yonago and Kayu Nakada living in Osaka. It is an event in the open air for sounds since Aug 2017, that held on an irregular base. Artists play at a spot they choose, such of a road side of downtown, residential area, parks, riverside... And we can listen the performance fused with the situation/atmosphere of the place.
2527
Tip! Takashi Masubuchi (acoustic guitar) and Staytone (modular synthesizer) are musicians based in Tokyo. Both of them are new generation involvers in post onkyo Japanese improvisation music scene, active in Ftarri, Otooto, Permian and other small, quiet, warm spaces. Takashi Masubuchi is also (one of) Permian’s runner, which is specially focus on free improvisation music. This duo has deep collaboration for many years. 2527 are some selections from their 2018 recordings in Permian.
The Vanishing
The Vanishing is the long-awaited return of abstract electronic duo Oren Ambarchi & Martin Ng, in a remarkable collaboration with the acclaimed new music group Ensemble Offspring. Working together with the ensemble in 2013 for a series of concerts & recording sessions, Ambarchi & Ng developed a suite of pieces that build on the distinctive sonic language established by their three previous duo albums - released between 2000 & 2006 - of ringing bell-like tones & sustained hums with a new palette …
The Topography of Ascending Frameworks
"The Topography of Ascending Frameworks marks the final instalment of the Constructions Trilogy; a longform conceptual recording project that explored a large scale idea-based framework to guide improvised composition. The trilogy began in 2011 with The Geography of Collapsing Structures, a study of deconstructive forces as applied to composition. In 2012, Cycle~ 440 recorded The Cartography of Shifting Planes, an exploration of the musical potential of the line and of constant variation through…
Daemon Trances I-VI
This album is about trauma and PTSD. The music portrays the emotional loop... the continuous reminiscing about the traumatic event the never-ending anxiety and paralyzing panic attacks... ... from which a traumatized person simply cannot escape. I call this state the daemon trance (and, unfortunately, I know it far too well...)
Trawler Tapes
Simon Shreeve’s doomiest moniker Mønic follows those killer Burial and Regis reworks from a few years back and adds to his Downwards stripes with a necessary vinyl edition packing both volumes of his recent ‘Trawler Tapes’ series originally issued digitally with his Osiris Music UK label, highly recommended to disciples of Kevin Drumm’s ‘Imperial Distortion’, The Conet Project, Thomas Köner or SAW II. Made on the English south coast and first issued into the strange high summer of 2020 lockdown…
Sol Invictus
**250 copies limited edition** "Jon Doe One is the alias of Belgian composer and double bass player Hannes d’Hoine. His portfolio includes work with many different people and formations (you may know him as a member of Die Anarchistische Abendunterhaltung). Apart from that, he has composed music for dance, film, theatre, and other performances. As Jon Doe One he previously released two titles on Entr’acte. Sol Invictus is released on the Dutch Esc.rec. label. The liner notes tell the tale of d’…
Unichtozheniye
Xambuca does not really exist in the material space time continuum. Instead, Xambuca conceptually feeds on the subconscious figment of a host's imagination; a host that has a tendency to encounter its name or symbols in passing by mere coincidence.
Substunce Sans Scrupule
"Substunce Sans Scrupule" is a dream. A hazy dream born in the emptiness between the words of "Igitur ou La folie d'Elbehnon" by Stéphane Mallarmé. A dream that sought Marcel Proust's lost time and constituted the light and the black void between the single frame of Gregory Markopoulos. It is the birth and the destruction of the work of art, primitivism and science. "Substunce Sans Scrupule" is as much Georgios Karamanolaki's automatic writing on the work of Jean-Marc Foussat as Jean-Marc Foussa…
Monoliths
**200 copies limited edition** "The occasion of this double album is to present the two different practices in my music, live performance and studio work. Although phenomenally coming from a different place, it is a result of years of experimentations to bring a simple yet complete electroacoustic set up both on stage and in studio. The original idea was to compose or perform with acoustic instruments generating sustained sounds in a way that, although electronically manipulated, would retain al…
In Vivo
** Limited edition of 300 copies. Silkscreen printing on 350 gm paper, black inner ** In Vivo is a cross-media collaboration between clarinetist and composer Gareth Davis and Slovenian-born photographer Klavdij Sluban, released on IIKKI. It sets Sluban’s images from throughout his career, primarily of jailed teenagers in prisons around the world, to Davis’s contemporary classical music informed by post-rock and noise music.
Läuten der Seele
**200 copies limited edition** Behind the mysterious name 'Läuten der Seele' comes the eponymous solo debut-album from Christian Schoppik, half of the confidentially acclaimed experimental dark folk duo Brannten Schnüre from Wurzburg (DE). The record is composed of 12 abstract audio collages based on transformed sampled loops from German 50’s Heimatfilme features -a popular domestic genre involving rural settings, romantic tone and simplistic morality, centered on love, friendship and family- j…
Carolina
Tip! * Edition of 100 * 160 gram opaque purple swirl vinyl housed in a 12", semi-rigid picture disc sleeve. 4-1/4" fold over flap & strap. Full color labels. 3.5"x2" Hype sticker. Hand-numbered and autographed by Zakè. Carolina was produced during a four day excursion in several secluded areas in Cherokee and Spartanburg counties, S. Carolina. The primary emphasis in each composition is field recordings captured in the quiet hills of rural Chesnee, solemn wooded areas of Gaffney, and hidden cree…
Syriarise
**2021 stock** With Materiali Sonori Arturo Stalteri released the CD “Syriarise," a work combining two different artistic approaches: an electronic suite with minimalist and ethnic influences and a section dedicated to the piano. This was the first in a long series of projects with the Tuscan record label, which considers Stalteri as one of its most representative artists.
Reime
*Limited to 300 copies* "How can one explain the lasting popularity of the bass clarinet in musical circles from Vienna to Brussels? Perhaps because its frequency range articulates an alternative to conventions of popular music, where "bass" is reserved primarily for rhythmic impulses and the very foundation of the music. Viennese bass clarinetist Susanna Gartmayer's playing can by no means be reduced to just this, rather, it scutinizes the entire sound universe: she can do rhythm and drone, not…