Heroin
2025 stock ** "Between Christmas 2000 and New Year 2001 producers Ekkehard Ehlers and Stephan Mathieu recorded an album of warm, soft, delicately crackling electronic music in the space of that week. It was christened with the ambivalent title "Heroin" and was released on CD via the label Brombron in 2001 and later in 2003 re-issued on Kit Clayton's Orthlorng Musork on double-LP with remixes the pair had commissioned as expansions.
And indeed, "Heroin" is an album that embraces the happy acciden…
Triangles
2001 release ** "Triangles offers you more of the powerbook electronics sounds we're all digging on so much, and from speaking comparatively from the field as it stands today, Triangles sounds quite good, really amazing, in fact. Despite falling into the, dammit, start saying it -- 'melancholy electronics,' hole that you clearly need filled, Triangles stands on it's own. Need more? Try this -- Triangles occupies the space between powerbook extrapolations (quite reminiscent of the sole person in …
Snake Island
2025 stock ** "Snake Island, the new album from Mona Mur, sees the Berlin-based artist building upon her dark electronic sound with a newfound interest in playing guitar. Collaborating with Ralf Goldkind, Mur balances abrasive elements with moodier atmospherics. Creative production and sound design throughout gives Snake Island an absolutely unique sound. Since emerging in the early 80s, Mur has released albums under her own name and been part of collaborations with such artists as En Esch and …
The Damnation Helix: Zeitgeist Movement Vol. 2
2006 release ** "Annihilvs Power Electronix proudly presents The Damnation Helix, from Wilt. With The Damnation Helix, James P. Keeler sinks to new depths of sonic necromancy. Hearken to the sound of black teeth grinding against the boundaries of the afterlife to send us a message of fear, as the voices of the damned cry out from beneath blankets of charred skin just beyond the threshold of a universe of pure madness. This material ranges from the familiar dark atmospheres of Wilt's previous wor…
Phlegmaticus
1999 release ** "Maurizio Pustianaz is the mentor of Gerstein a one-man sound project that from the mid-80s to the end of the 90s, was creating authentic underground electronic gems. Already in the new century, Pustianaz opted for the most bland and commercial electro, something that he has been doing until now, a real shame. This is his most experimental stage, where he took risks with dense atmospheres, dark electronic sounds, tape treatment, etc... Re-issue of his first cassette released by t…
Solaris
2007 release ** "Debut CD album from Moscow artist Nikita Golyshev. "Solaris" comes in the shape of two long deep ambient pieces with perpetually expanding drones and minimal melodic tones."
Relic Radiation
Edition of 300. Of my first visit to Earth in 2024 I have only the fuzziest recollection, for here I must fall back on my own mnemonic resources. My chief impression seems to have been of sunlight, the authentic, inimitable sunlight of Earth. Organs that have evolved under particular conditions will naturally be most comfortable where those conditions obtain, and thus no substitute, however artful, can provide just those balances of colour and intensity, those alterations of night and day, summe…
Trumpetronics
2001 release ** "Kozo Ikeno is a trumpet and electronics player from Japan. He creates experimental jazz, abstract break beats and field recordings. He is out now with this new album produced in Italy by Braxtone Records. It is a real must for experimental music connoisseurs!!! All compositions by Kozo Ikeno, composed and recorded in 2001"
The Rapture Of Metals
1993 release ** "The title of this CD might erroneously suggest something heavy, abrasive and industrial, but The Rapture of Metals is in part an elegant homage to the metallic gongs of the Indonesian gamelan orchestra. The title track is the most overtly Indonesian, with electronic drones and effects enhancing a traditional gamelan gong pattern. But on several other tracks, Paul Schütze (Laughing Hands) further personalizes his use of gongs, capturing the dreamy, otherworldly quality of Indones…
The Deep
2011 release ** "Kasper T. Toeplitz, known as one half of Le Depeupleur (with Zbigniew Karkowski), is successful with his computer trio on the young Icelandic label Zoar. I think Toeplitz can do whatever he wants, it will always retain his special touch of grey sound. Here we imagine how a channelless TV screen with a crackled image is transformed into music. This scene always appears in my mind's eye when I hear music by Toeplitz. And so it is on The Deep - a fearless escapade of hissing, nasty…
Luz Nacarina
1999 release ** "Javier Hernando: from 1979, as a founder member o the legendary post-punk group from Barcelona Xerox, has produced different works of electronic music under identities like Melodinamica, Sensor, Sinusoidal, or under his own name. Parallel to this, he was cofounder of the label Ortega y Cassette (1981) and made during 10 years the program Los Silencios de la Radio in Radio Pica. Luz Nacarina, his first CD, consist of, in the authorґs own words, "electromagnetic resonances with a …
Cavitation
2005 release ** "The interaction between computer science technology and freeform musical creative process becomes a central point in this international collaboration of three artists from Belarus and USA. The abstract soundscapes are obscured by intricate structures, acoustic phenomena and electronic effects, it’s going to infinity and never repeat itself. The finest harmony of soundfield is credited to the principles of intuitive simulation, realised through the system of computer-aided instru…
A Companion As Glamorous As Sleeping On Wheels
2003 release ** "Not only did Julian Bradley (of Vibracathedral Orchestra) adopt the hilariously cumbersome moniker A Companion as Glamorous as Sleeping on Wheels to use in place of (and/or in addition to?) his own name, he also released this album under his own name, with ACAGASOW as it's title. Lots of shorter pieces here, recorded between 1997 and 2000, released as a CD by the Belgian label Veglia."
Ambiguity
1990 release (RARE) ** "John Watermann was one of the truely underground sound and visual artists. In the late eighties his name surfaced out of knowhere, when a double CD was released by Walter Ulbricht in Germany. Starting out in Berlin, Germany, where he was born, as a filmmaker and photographer, he found out that he needed soundtracks for his films. He started composing music in the mid sixties and moved to Australia in the early seventies. Although he was collecting sound equipment, his fir…
Slowmotion
2007 release ** "The album starts out with some very slow tempo percussion sounds that are accompanied by synths that come and go and refuse to stick around long enough to develop into anything but further ambiance for the song. I have to point out that the percussion in this song reminds me somewhat of Coil, maybe I’m thinking “Black Light District” or some latter period works… I’m not sure exactly why but the resemblance (for me at least) is most definitely there. The next song starts out with…
Atoma Exi Mono
2005 release ** Beautifull compilation of best & rare tracks by this retro-futurist elektro lo-fi and eccentric German composer! Several tracks haven't been available for ages because they where hidden on old and rare 7" records...
Indistinction #2
“indistinction #2” comes from the same session as ‘indistinction #1’ and creates the same immersive pull. here, too, rsn works exclusively with his bass and a series of effect devices - no overbuds. everything is created live in the flow and reflects the intensity of the moment. often everything sounds deeply distorted, then it clears up again and metaphorically lets light into the scenery. the mixture of drone and ambient gives “indistinction #2” a broad and balanced sound palette that is best …
Indistinction #1
The game with quiet and loud is not new, but it has not lost its effect. “indistinction #1” proves this impressively, as the three songs on rsn's debut album create a highly immersive moment. they move and yet remain rigid in their depths. they build up and break down. like a current through which you are sucked - wild, yet somehow safe, always moving forward. if you allow yourself to do so, “indistinction #1” is an excursion into your inner self.
Clarity #1
The collaboration between pianist Merle Louise and rsn follows an improvisational approach, as all the songs were created spontaneously and in a flow. while the use of piano is or has become a main element in ambient music, the sound of “clarity #1” is different. instead of reproducing the typical patterns and harmonies of the genre, two styles meet here and interweave at the moment of creation. the drone and ambient soundscapes of rsn are enriched by piano melodies and patterns that are atypica…
Porosity #1
The permanence and recurrence of “porosity #1” by Rsn creates a kind of meditative permeability. the musical maelstrom creates a seemingly endless surface that develops from the two-dimensional to the three-dimensional. but this surface is porous and has loopholes. it is not a fast ride through this soundscape, but rather a walk - and the landscape hardly changes noticeably, but there is a resolution, a small aftermath. “porosity #1” is slow and deliberate, waiting and gentle.