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Duane Pitre's Varolii Patterns was made with an eight-voicesynthesizer, tuned in just intonation. These consonant pieces exploreshifting polyrhythms that slip in and out of rhythmic focus and "Common Rhythmic Pulses" that carry over as the pattern evolves withina piece.
Artist statement:"While experimenting with microtonal electronics for a piece I waswriting for Zinc & Copper, which would eventually be titled Pons, Icame across a process-based technique that I was quite keen on.Although I would…
"With Eleh having cemented themself as perhaps the modern minimalist, their collaborations have become a fascinating journey into the genre old guard such as Pauline Oliveros and Ellen Fullman as well as platforms for newer artists like Sun Circle, and in this case, Duane Pitre. As usual, Eleh hardcore analogue drones are well matched by Pitre feather-light just intonation harmonics. Both sides reflect different aspects of minimalism past without being pale shadows of those earlier pioneers. In …
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
Dirk Serries is an extremely prolific and creative artist who has a huge amount of music composed solo, under his own name or under the name Vidna Obmana. In addition to solo recordings, Dirk often collaborated with other artists, thus introducing a new quality to his own music. While implementing the next installments of our informal series, we also published a few of them; for example "Traces" in collaboration with David Lee Myers, or "The Shape of Solitude" with Serge Devadder. This time we p…
Cello player and electronic artist Martina Bertoni returns with her 2nd album for Karl: Hypnagogia delivers six new, masterfully crafted tracks between experimental ambient, drone and modern composition.
* Limited Clear Vinyl edition * SoiSong is the stunning but short-lived partnership of Coil co-founder Peter “Sleazy” Christopherson and veteran Russian electronic experimentalist Ivan Pavlov. Though friends since 1997, the project birthed roughly a decade later in Bangkok, where Christopherson relocated following the death of his Coil collaborator John Balance in 2004. Named after the Thai word for ‘two’ along with a notorious red-light district street nearby, the duo dialed into a cryptic lang…
*100 copies limited edition* Recorded during the Summer of 2014. The sounds enshrined here document the final days of Raajmahal. After this there was silence.
*100 copies limited edition* Limited to 100 Numbered LPs housed in thick silk screened cardstock New dimensions of silence,solitude and isolation found us all in the spring of 2020. Herein lies a document of my own personal journey.
Recorded outside and alone
Frog Bones is the original Frogman music that Dean sent to his mate, Supreme Vagabond Craftsman, over which to write a story over in 2015. It was predominantly composed with an EMS Synthi AKS and an Oberheim Two Voice synthesizer, plus some crunky Watkins Copicat tape echo. Much of it didn't make the final album cut. This version has been slightly edited down to a reasonable length.
Noodles is a selection of short jams and demo ideas that were/are to be the basis of a new solo project. But Dean …
The first issue of Moonbuilding, which touched down back in May, was one of those finger in the wind, run it up the flagpole and see who salutes sort of projects. The A5, 48-page full-colour title, put together by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label, went down rather well. There seemed to be a fair bit of saluting and lots of kind words. In fact, the debut issue came within a whisker of selling out. So Neil and Colin th…
*In process of stocking* Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly.
*2022 repress. In process of stocking* Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69 (released in 1970), it's an eminently listenable work where pop-psychedelia and Moog/musique concrete sounds coalesce. Acclaimed upon its original release (one of Rolling Stone's favorite albums of 1970) yet unavailable for over three decades, The Electric Lucifer is presented here for the first time on LP. Remaste…
Tip! *50 copies limited edition. 2022 stock* Turntables prepared with misplaying flexi-discs of Japanese and Pakistani folk music, mediated into precise collages of whirling voices and broken melodies. Specifically composed for the 7” vinyl format, available in a limited edition of 50 lathe cut 7” singles, with full colour hand-numbered covers, each intricately sliced for a kaleidoscopic effect.
'Relativity/Only' is Clinton Green's clearest refinement of the dutiful and curious work he has cultivated over several years in recording his gently automated percussion experiments. Green conjures a celestial zoom view of a very private cosmos, using turntables as a source of movement and various static or suspended instruments and repurposed objects, captured in a softly endless world of binaural ambience. Unable to repeat a single step or rhythm given the mostly hands off methods Green emplo…
*2022 stock. 100 copies limited edition* E-saggila - an enigmatic cult producer in electronics constructing soaring calm from dynamic turbulence as the era of domesticated destruction and creation arrives. Conceived by iraqi-born, canadian sound artist Rita Mikhael, E-saggila has quickly established itself as an unapologetic presence in superseding divisionism in underground music. With prior crucial releases on northern electronics and bank records, the project quickly gained attention among th…
"On their fourth album »Antro Pop«, the Italian duo Ninos Du Brasil fire out of all barrels: the energy of Nicolò Fortuni and Nico Vascellari rolls over this sound with percussion and beats. A track like »Chamada Chienenne« pounds along so stoically in just over three minutes that every beat hammers itself into your brain stem. Tribal, industrial and experimental set the tone, but Ninos Du Brasil do not get bogged down in sound art. All nine tracks remain highly danceable. »Preto Preto« wipes th…
*In process of stocking* It takes several different record labels just to release the incredible amount of material Bryn Jones recorded in his lifetime. This disc was recorded in 1998, some tracks are "pure" Muslimgauze and some are re-mixs of tracks from Systemwide's "Sirius" cd (see also Systemwide meets Muslimgauze "at the City of the Dead" 12"). Nearly all of the tracks have hand percussion in varying tempos and intensities and at least 1/2 make use of electronic noise surges. The sound is…
We have repeatedly surprised you with unusual releases that sound uncharacteristic for wellknown artists. Remember Merzbow with guitars, synth (almost said synth-pop) and drum machine? Well, Muslimgauze's turn came up. Emak Bakia – long out of print masterpieces from 1994. Even in the huge Bryn Jones' discography Emak Bakia really stands out of albums from the period due its rather unique (house-music related) sound and short, by the standards of Bryn Jones, tracks. Like a crossmix between Psych…
From a research work started in full lockdown three years ago, finally sees the light (or darkness) Echi Senza Fine, a remastered collection of sound material by Tasaday.