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*2026 stock* ...At Last, it's here! During the transitional period in which Coil’s primary leadership (Peter “Sleazy” Christopherson and John Balance) reorganized their creative direction by taking on new membership in the group through their inclus…
*2026 stock* Infinite Fog Productions is glad to announce this vinyl edition of Michael Stearns' Ancient Leaves, one of the most important ambient reissues on the year and a pure gem of early ambient music. Michael Stearns is an ambient music compose…
*2026 stock* The final and complete anthology of Zos Kia recordings known under title 23 is now released on a limited vinyl set with different artwork and remastered specially for vinyl by Martin Bowes of Attrition at The Cage Studio. Zos Kia was for…
From the vaults: essential early tapes, 1973-78, from Cluster and Harmonia's melodic soul. Home experiments and sketches reveal Roedelius inventing his gentle electronic language in real time, a treasure for the devoted.
'Through the desert': Roedelius sets out on solitary electronic wandering. Spare, hypnotic keyboard figures and dry, shimmering textures conjure vast imaginary landscapes, early solo kosmische of quiet, questing beauty.
France's electronic guitar visionary. The Heldon founder folds searing, delay-treated guitar into churning synthetic drift: heavy, hypnotic and cosmic, where krautrock momentum meets sci-fi menace. Pinhas at full intensity.
Kurt Dahlke's debut as Pyrolator. 'Inland' collides sequencers, tape and early synths in short, sharp electronic sketches: playful, political and DIY to the core. The inventive nerve-centre of Ata Tak and the NDW.
'Abroad': Pyrolator's imaginary world tour on synthesizer and tape. Kurt Dahlke maps invented territories in bright, restless electronics, witty, inventive and unmistakably Ata Tak. German new wave at its most curious.
An unlikely trio: Cluster's Moebius, Guru Guru's Mani Neumeier and Die Krupps' Jürgen Engler. 'Another Other Place' grinds electronics, percussion and industrial edge into taut, exploratory grooves, three generations of German sound in dialogue.
Rev's earliest experiments unearthed: cassette recordings, 1973-85. Skeletal drum-machine pulse, raw keyboard drones and proto-Suicide menace, the primordial ooze of minimal electronics, captured as it first formed.
The first solo record from Suicide's synth architect. Rev strips everything to skeletal drum-machine pulse and cheap-keyboard melody, at once brutal and strangely tender. A foundational document of minimal synth.
Martin Rev turns to reverie. 'Les Nymphes' drifts through delicate, looping electronic tone-poems: melodic, meditative and unadorned. The Suicide co-founder in intimate, luminous solo flight.
Rev at his most beatless and beatific. 'Clouds of Glory' floats on cheap-keyboard hymns and shimmering repetition: devotional, lo-fi and strangely sublime. The gentlest, most transporting corner of the Suicide man's solo world.
Suicide's synth architect goes solo and lyrical. 'Cheyenne' trades menace for melody: bright, looping keyboard motifs and toy-box rhythm, naïve and radiant. Minimal electronics with an unexpectedly tender heart.
Finland's cosmic showman in early form. 'Sähkömies' pairs cheap analogue gear with sci-fi imagination: lo-fi electro, wonky disco and space-jazz leanings, all delivered with Jimi Tenor's singular deadpan charm. Homemade futurism.
Felix Kubin and percussionist Hubert Zemler as CEL: analogue synths meet live drums in taut, kinetic instrumentals. Playful and precise, kosmische energy channelled through a restless modern sensibility. Hamburg futurism, dancing.
Der Plan sharpen their cracked pop craft. 'Normalette Surprise' fizzes with cheap synths, tape trickery and gleeful absurdity, the Düsseldorf collective turning DIY electronics into surreal, catchy miniatures. Essential NDW.
Der Plan's riotous debut, a founding shot of Neue Deutsche Welle. 'Geri Reig' is anarchic, homemade electronic pop: dime-store keyboards, Dada humour and pure Ata Tak irreverence. NDW at its most inventive and unhinged.
The Ata Tak pranksters score a film. Der Plan's soundtrack to 'Die letzte Rache' is gleeful, cracked electronic pop: toy synths, absurd humour and genuine invention. The mischievous engine room of German new wave.
Solo home electronics from Liquid Liquid's percussionist. Between 1984 and 1988 Dennis Young taped melodic, marimba-tinged synth miniatures, bright, rhythmic and disarmingly personal. A private cache of downtown-NY DIY.