We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
* Limited to 200 * Field recordings realized by Thomas Tilly, at Saül and on the Rorota road, French Guiana, May 2015. Composed using field recordings, electronic sounds and microphones dysfunctions, from 2015 to 2018 by Thomas Tilly.
Recorded at GRM Studios, Paris, 2015. Edition of 300 copies. "La Gueule Du Loup" explores raw improvisation in a crude, almost cruel manner. On stage the two musicians build musical sets free of pre existing structures or recorded sounds. The electronic matrix arises from the modules and is immediately propelled into the atmosphere. The two unpatched modular sythesizers first suggest a virgin circuit. Patches are built during the performance. Cosmetic memory plays a secondary role here, catapult…
* Stunning collaborative work of field recordings and electronics by Jos Smolders and Jim O'Rourke * What if sounds were to fold in on themselves? Quite quickly after being 'born', even. Only to be released back into the 'normal' world of linear projection and moving waveforms from a resonant source to the ear drum to hearing and listening, some album length later? Through a looking glass of sorts, as if emerging from an anechoic chamber through the backdoor. From absolute silence into all heari…
First collaborative album by Philipp Bückle and Martijn Pieck (Cinema Perdu), grown out of their shared track for the Moving Music compilation. The vocabulary fuses field recordings with heavily treated modular synthesis to construct what the artists call a fictitious urban landscape on the other side of the door. Seven pieces unfold as a soundwalk through a city that does not exist - landmarks, brief encounters, machine sounds, muffled hallways - shot through with provisional sparks of light.
Second solo album by Gagi Petrovic, mastered by Jos Smolders. The pieces are performed on GEST, an instrument Petrovic designed himself with STEIM: a light-sensor interface that translates hand gestures breaking light beams into commands for a granular-synthesis environment built on audio recordings. The album frames itself as an exit from arbitrary expectations of what music should be, foregrounding intuitive performance and indeterminate structure within a precise compositional architecture.
*Limited to 70 hand-numbered copies. Yellow cassette with purple imprint. Comes in regular jewel case and fold-out-poster style 150gsm paper covers.* Bardo Todol are Pablo and Nico Picco, an Argentinian duo whose diverse set of musical ideas claim their own territory in the wider area of contemporary experimental music. The use of repetition -a generally common compromise in creating lengthy and abstract compositions- is absent in the various aural incidents that take place in the album, descrip…
Tip! ** Edition of 500 140gm vinyl in a natural translucent colourway ** ‘’之 / Of is a word that can be used as a preposition to express the relationship between a part and a whole. It is an unfinished tone, a broken sentence, a start and a whole. It is sustainable, full of potentials and longings.’’ London based performance and sound artist Li Yilei shared an experience familiar to many migrants during the past year of Covid-19 chaos. With their UK visa set to expire, and family back in China, …
** In Process of Stocking. Limited edition of 50 copies. ** Laboratorio Palestro presents Querimònia by S. Querimònia is two field recordings taken in two different times and places split into N. 2 audio cassettes. All audio involved in the making of the release was recorded live between Summer and Autumn 2019 in Genova by S. Tape 1 was recorded in the port area during dock maintenance work phases. Tape 2 was recorded in city center public gardens during a warm morning of June. Zoom H2N hand rec…
Debut album by the young Belgian composer Ryan Van Haesendonck, mastered by Stephan Mathieu. The pieces grew from a week spent on the quiet beaches of Normandy, then continued in Brussels after his move from Antwerp. The vocabulary combines field recordings of church bells, improvised organ sessions, urban recordings of the new city and saxophone passages by Silke Bull, layered into eight short pieces. Cinema-informed ambient on the theme of solitude and self-preservation.
** Edition of 100 ** Site specific recordings accompanying and responding to the ambience of central Düsseldorf in summer 2018. Trippy business. Perhaps trying to charm and dowse particles of ancient Kraftwerk from the city’s balmy air “Jono Podmore writes… “After the release of our 7" single ‘Miss Slipper’ / ‘Lewes’ on Psychomat Records in 2017 it was time for another release in keeping with our spirit of adventure and interrogation of established forms. We'd played a few improvised shows which…
Slowdive’s Simon Scott is back with a new release on 12k following his collaboration with Marcus Fischer (Shape Memory) and his full-length Below Sea Level. Apart chronicles the emotions of Simon losing his father and how his environment helped process and heal.“On 3rd April 2020 my father was pronounced dead from Covid-19. 48 hours after this devastating news I walked through New Decoy, a nature reserve in the Fens, and heard the vocalisation of skylarks. Their songs rang out across the resonan…
**2021 Stock** Alex Keller and Sean O'Neill have created performances and installation pieces together since 2015. Using field recordings, vintage telephone test equipment, and magnetic oscillators, among other tools, their work addresses the agents and artifacts of change in the urban (and acoustic) realms. The resultant audio is a potent brew, seamlessly merging drone, musique concrète, phonography, and various electronic intrusions.
"Kruos" is the duo's debut release. It was developed between…
**Minimax CD in full-color digipak. Edition of 200.** Exploded View is a stand-alone piece exploring the intricacies of manipulated micro-samples by two veterans in the art of sound collage. Colin Andrew Sheffield & James Eck Rippie work with turntables and samplers (both vintage and modern) in their ongoing experiments with the re-contextualization of found sounds. "Exploded View" showcases the duo's focus on fragments of audio - the shards of samples broken apart and re-shuffled, like the cut-…
**Released in a six-panel Digipak. Edition of 509 copies.** Matt Shoemaker's first full-length album for Elevator Bath is Soundtrack for Dislocation, an entirely self-contained account of a fantastically abstract and intensely personal vision. As with much of Shoemaker's work, this is an album permeated with a very potent sense of unease. And despite the fact that the use of field recordings is very minimal here, there is a no less organically tangible quality which only contributes to the feeli…
**Packaged in a six-panel digipak, released in an edition of 200 copies.** Previously unheard brilliance from the late Matt Shoemaker. Work on "Mercurial Horizon" was largely completed during an incredibly fruitful period from 2008-2012, during which Shoemaker produced albums for The Helen Scarsdale Agency, Ferns Recordings, Mystery Sea, and Elevator Bath. He went on to finalize the material which would become "Mercurial Horizon" in 2015. Though unreleased until some five years after completion,…
**Full-color picture disc, released in an edition of 216 copies. 2021 Stock** A welcome return from Dale Lloyd with this, his first new release in three years. Akasha_for Record is a two-part composition, filled with highly dynamic intricacies very carefully arranged. Rich micro-detail meets subtle emotional resonance in a spellbinding work created specifically for the vinyl format. Akasha_for Record is an opulent listening experience, indeed, and one that will reward close, repeated scrutiny. T…
**Full-color picture disc, released in an edition of 233 copies. 2021 Stock ** Much of Matt Shoemaker's recorded output prominently features the use of field recordings (see his "Tropical Amnesia One" CD), but in this case he has eschewed such grounded measures and has instead sculpted a two-part puzzle which seemingly exists on some other plane(t). Layer upon evolving layer of sonic phenomena is still the methodological trademark, but the content is almost entirely electronic, lending a great d…
The first words of Toshiya Tsunoda and Taku Unami’s liner notes to the double CD under consideration here are, “Wovenland became a band.” It should be noted that Wovenland was the name of an earlier album by Tsunoda and Unami, the digipak’s spine still credits this recording to the two individuals. And while it is within Unami’s skill set to pick up a guitar and play a song, nothing like that happens on Wovenland 2. The notes continue: “Our band activities are mainly editing in a studio. Our goa…
Caught somewhere between environmental sound studies and surrealist sonic architecture, Sugai Ken helps mark the 30th release of Field Records with an ambitious new album. Commissioned by the Dutch Embassy in Tokyo, Tone River is the product of a year's intensive work between artist and label, created in part to examine the relationship between Japan and the Netherlands with regard to water management. While its doors to the Western world were closed during the 17th and 18th centuries, Japan kep…
* Edition of 200 12" Gold Vinyl. Hand numbered. * Joni Void & N NAO are the respective monikers of surrealists Jean Néant and Naomie de Lorimier from Montréal, Québec - who found each other in 2016 through a poetry-reading/performance by Naomie in Jean’s home at the time, a DIY loft-venue known as The Plant. This would lead to numerous events involving both, there and in many other Montréal underground spaces, until both finally worked on a collaborative piece for Joni Void’s album “Mise en Abym…