Makrophonie 1
The first album by Kontakt der Jünglinge since the release of their CD n (DS63) on Die Stadt back in 2003, Makrophonie 1 is also their very first studio album. ItÔs the result of various scores which were developed before and during miscellaneous live performances. These worked out structures were then taken to the studio, where they were concentrated and received their final finish. Makrophonie 1 can be described as KDJ music in highly-concentrated form. The album was recorded at Audiplex Studi…
Tonstich
Amelie Duchow’s interest in electronic music grew in the 90s being close friend to several Munich DJs. Getting into a “new world” of DJing and underground clubbing, she soon started to develop her own music style, continously searching for new international electronic and contemporary sound material. In 2003 moving from Munich to Italy her slow minimal ambient sound, presented under her moniker Fräulein Amelie, entered directly into various locations in Florence. In 2005 she presents her DJ set…
Silencer
Eldritch electro-acoustic explorer and uncompromising sound artist Luke Younger aka Helm presents his first new material since his Impossible Symmetry (PAN 027LP) album. Issued as a split release between PAN and his own Alter label, Silencer documents four studio actions conducted in the wake of his renowned LP, charting the alchemical relationships between base, stripped-down rhythms, cruddy electronics, and acousmatic source material manipulated on cassette tapes. Features foghorn brass fro…
Great Dose Of Monotonous Techno
Calling someone "ahead of his/her time" is straight out of Music Marketing 101 and is a claim that rarely holds much merit. On occasion, though, it's a phrase that is entirely appropriate and accurate. Joel Brindefalk was as integral a part of Sweden's premiere off-kilter dance label, Börft, as anyone outside its founders, Jan Svensson (FRAK, etc), Birre Isgren (FRAK, etc), and, eventually, Joachim Nordwall (Skull Defekts, etc). While Brindefalk's work under monikers such as Contemporary …
Prototype EP
*The debut by Black Sites, a collaboration between Hamburg based artists Helena Hauff and F#X* Black Sites' 'Protoype EP' debuts the rapidly ascendant DJ/producer Helena Hauff and her Golden Püdel pal, F#X in a proper rugged warehouse showdown. From their base at Hamburg's unanimously adored nightclub they've brewed an uncut take on classic hardware funk importing inspiration from Drexciya to Unit Moebius and blending it with a direct dockside attitude demanding a physical response. Thei…
New Release (1)
*Regis and Haswell finally debut their Concrete Fence project - 12" mastered and cut by Rashad Becker at D&M, pressed on 140g white vinyl which itself is housed in a silk screened pvc sleeve with artwork by Bill Kouligas & Russell Haswell* Regis & Russell Haswell's Concrete Fence is a tantalising proposition for noise and techno freaks. As a duo they first rallied under the aegis at the 2012 Blackest Ever Black party in London's Corsica Studios with an improvised live set that veered bet…
Kilo
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
Audio.nl
Following the succes of the Komet Audio.NL CD, the second release to re-issue old records from the by the now legendary Audio.NL label involves the two 12' records by Goem, as well as the only 7' on that label by Goem and Jos Smolders. Goem started out late 1995 as yet another solo project by Frans de Waard who cobbled together a demo using an ancient device called the student stimulator (a basic pulse machine) and some sound effects. Intended to be just a few tracksone-off project, it attracte…
MP3 Deviations #6+7
Yasunao Tone creates music by means of disrupting MP3-files. Sound files that were corrupted in the MP3 generate error messages, which are then utilized to assign various lengths of samples automatically. Feeding also different play back speeds creates a sound which is always different – unpredictable and unknowable. The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt…
Punani Xerrameca
Last coy, slight wear due to storage. The 7th part of Evol’s Punani series contains two pieces for solo computer edited from live recordings at: Superdeluxe, Tokyo (12.01.08), Fylkingen, Stockholm (26.02.08), CAPC, Bordeaux (24.05.08), and SND Studios, Sheffield (03.12.08).The word “xerrameca” is Catalan for “babble”. Key words: simulated speech synthesis, fractals, algorithmic composition, noise.Contains 2 locked grooves.EVOL is a computer music project by Roc Jiménez de Cisneros (Barcelona, 19…
Unitxt
This latest Alva Noto production is quite excited and rhythmical, especially in the first part (tracks 1 to 10), shaking the audience through multiple communication codes, modulated in sound frequencies that are always well synchronized, touchy and reactive. This seems to be the ultimate recording; an elaborate and synthetic frontier, a computation of the "musical text" fashioned by multiple interfaces and software integrations. When listening to "unitxt", even the unaccustomed listener is immed…
The Drive
Billed as a soundtrack to an imaginary road movie this latest album from Jon Egeskov's Pixel project (his third in all) reaches into your subconscious and yanks out whatever images are lodged in there. Using a basic palette of miniscule percussive elemnts and delicately manipulated amplifier hiss Egeskov instils a sense of gentle motion, sounding out dream-like engine noise that propels the listener down whatever shady lane they're prepared to venture down. The floating hum and crinkled analogue…
Basis
'Basis' is based on recordings of acoustic instruments. All sounds were processed and layered into compositions by Steinbrüchel. Through this processing Steinbrüchel revealed hidden structures and melodies and isolated them, creating new melodic and organic textures without losing the soul of the original. These seven tracks reveal a new side in his music. Tonal harmonics have never before played such an important role and each track contains layers of subtle shifting and interweaving melodies, …