Mikroton Recordings is proud to present a full length release from three masters of quiet sound. Martin Taxt is a Norwegian musican who plays tuba and runs Sofa label, Andrey Popovskiy hails from Saint Petersburg and plays violin with objects, Kurt L…
Their music generates a hypnotic atmosphere out of musical atoms: sine waves, noise and clicks. Very pure, very fragile, beautifully restrained, creating abstract spaces and voids of many dimensions. Both perform on ppooll, a freeware-project driven …
Jason Kahn, Günter Müller and Norbert Möslang, all from Switzerland, comprise MKM trio, spontaneously founded in 2006 in Tokyo during their Japanese tour. They immediately achieved very fine results and collaborate since then. Their sound hovers betw…
The Splitter Orchester is a Berlin-based collection of internationally respected Composer-Performers which draws inspiration from many genres and is most comfortable in the creative borderland between composed and improvised music. It is a defiant mu…
In 2013, Noid and Matija Schellander travelled from Vienna to East Asia to meet up with Ryu Hankil and other musicians from Japan, Hong Kong, China, South Korea and Europe. Carrying compositions, sound art pieces and workshop preparations in their lu…
Formed in 2011 by Angélica Castelló, Mario de Vega, Attila Faravelli and Burkhard Stangl, the Austrian-Mexican-Italian quartet SQID focuses on live sound art and sound performances that push the bounds of the conventional formats of the concert and r…
Exploration of time, perception and place is the recurring theme of the work of Simon James Phillips. Blage 3 was an extended installation and performance piece curated by Phillips — a one-off five hour uninterrupted improvisation with an ensemble of…
The international quintet Glück combines percussionists of diverse stripes and their individual pronounced ways of playing. The five musicians are internationally renowned as soloists and with various musical outfits. An extremely sound orientated, f…
Walking through the night. I’m not even supposed to be here today, and so is Silent Bob.New news of dying migrants. No attention for the paperless, what can the sailors do when the captain feels mean? Meanwhile Guy Maddin tells us his tales of amnesi…
Rhodri Davies was commissioned by the London Musicians’ Collective to put together an ensemble and present a new work for each of the five nights of the 14th LMC Festival of Experimental Music in 2005. Since then the group has invited a number of mus…
“…for it feels like being overwhelmed by an external force, entering an alien world, but full of glorioles, and this doesn’t happen anytime but dependent on specific preconditions, and it takes a special nature glowing from inside, that’s that. A str…
Can you say something about a quartet for guitars?
Hmm. Where to start?
Well let’s start with why “Affetuoso e sostenuto”? And what about those track tittles: “Ineptitude”, “Awkward”, “Gaucheness”, “Underwhelm” and “Failing”?
Google “Affetuoso e sost…
In Why Is The Sea So Blue Margareth Kammerer continues to explore songs in experimental music contexts, elaborately interweaving lyrics into nine wistful soundscapes. Originally recorded in 2006, with the band consisting of Christof Kurzmann (voice, …
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod…
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remi…
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Mu…
eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed…
The French WPB3 trio explores areas between abstract minimalist contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.
Nusch Werchowska has been involved in improvised music s…
Limmat is the second CD from Günter Müller, Jason Kahn and Christian Wolfarth, following their first album Drumming released in 2005 on Creative Sources. Recorded during one afternoon in Kahn’s Zürich studio, “Limmat” features three unedited improvis…
The ever progressing sophistication of the Internet brings with it not only many positive aspects but also a more and more tangled convolution of data threads, a twisted web that can, like bundles of tangled fishing net, make trawling for and distrib…
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Mösl…
It is now 5 years that I travel to Latin America. My home base in Buenos Aires; and from there to almost all the other countries. When I arrived there first, I did not know much about the music scene, especially about any scene committed to “New Musi…
Cym_bowl is Günter Müller’s fourth solo CD. On cym_bowl he follows even more consequently the idea he already realized on his last album reframed; focused on the sound of one cymbal and one singing bowl; he feeded his iPods with dozens of variations …
**Limited edition of 300 copies, double white colored vinyl, hand-numbered** The Alvaret Ensemble is the improvisatory collective based around Greg Haines (piano), Jan Kleefstra (voice, poems), Romke Kleefstra (guitar, bass and effects) and Sytze Pru…
Merzbow (メルツバウ) is the main recording name of the Japanese noise musician Masami Akita (秋田 昌美, Akita Masami) Since 1979 he has released in excess of 350 recordings. The name "Merzbow" comes from German artist Kurt Schwitters' artwork, "Merzbau". Thi…
"Fean II is the following of the first opus released on Moving Furniture Records in 2018, from some materials of the improvisatory collective Fean based around Jan Kleefstra (voice, poems), Romke Kleefstra (guitar, bass and effects), Mariska Baars (v…
FEN (Far East Network) is a group project made up of musicians from Singapore, Japan, China, and South Korea who play improvised music. It was first started on the suggestion of globally renowned musician Otomo Yoshihide in 2008 for a French festival…
States grew from a live-electronics setup developed by Tijs Ham (Tapage) in 2016: analogue feedback routed through digital manipulation to form a self-balancing, self-generating chaotic system, capable of producing its own deep melodic and textured m…
Follow-up to Atsusaku (2016) by Gareth Davis (bass clarinet) and Merzbow. The earlier theme of mechanical compression is here extended into a meditation on the fears of mechanisation in the natural environment: North Sea wind farms, Southern Californ…
**160 copies with silk-screened NWW patch and insert** Cassette re-issue of the timeless Nurse With Wound debut release from 1979. Described by Sounds at the time as a record that "makes The Faust Tapes sound like Carousel," nothing has changed to al…
Au-delà is a collaborative record by La Scie Dorée and Meakusma. It features eight pieces of music by La Scie Dorée affiliates. For the 2018 Meakusma Festival, La Scie Dorée and Meakusma set up a collaboration that brought performances by Timo Van Lu…
** Last copies... ** Previously unreleased studio material from 1970 recorded a few months after the legendary Wired session. Hardboard linen CD box contains 2 CDs and a 28 page booklet with biography, text and notes (in Dutch, German and English) fr…
Richard Pinhas, the founder of '70s legends Heldon, is one of France's best-known experimental musicians and is a key figure in development of rock music fusing with electronic music. Live at Bam Balam is solo guitar and processing as well as drone e…
**75 copies** A free improvised music duo recorded on February 28, 2018, at Flimflam night in Ryan’s Bar, London. Alan Wilkinson: bass clarinet, tenor saxophone - Tasos Stamou: diy synths, Korg Volca FM, digital horn.
**200 copies** Fean started as a musical artist-in-residence project in a little church in the Frysian village Katlyk. The group consists of Jan Kleefstra, Romke Kleefstra, Mariska Baars and Rutger Zuydervelt (Machinefabriek), who also form the quart…
Terry Riley's Descending Moonshine Dervishes was originally released in 1982. Recorded live in Berlin in 1975, and largely improvised, Riley plays a modified Yamaha organ with variable resistors to facilitate tuning in just intonation. This is a 50+ …
*In process of stocking. 2022 stock.* A winner of electronic music awards in Europe and the United States, Ikue Mori is one of the most respected composers working in the growing field of laptop electronics. A dedicated and passionate perfectionist, …
In his liner notes to Aleph, Terry Riley explains that the work was created as "an improvised meditation on the various meanings of this supreme emanation from the Hebrew alphabet." It was made using a Korg Triton Studio 88 synth with his own sound d…
RED trio made a stunning debut in 2010. In this second album they play with British music veteran John Butcher pushing musical boundaries to the new realms of gripping and exciting kingdom of free improvisation. Rodrigo Pinheiro, piano. Hernani Fau…