Electro/Acoustic, The Referee Has Vanished, Zaat
Lovely set of tape-music by composer Jack Tamul, issued in 1980
by Spectrum - not the Wergo sub-label, but the same Bear Mountain-area
powerhouse that released William Hoskins’ “Galactic Fantasy” &
William Strickland’s “An Electronic Visit to the Zoo” the year prior -
“recorded at the Jacksonville Museum of Arts & Sciences."Starting with a series of pieces incorporating acoustic
materials: “Genesis” is a choir piece peppered with synthesizer &
tape-manipulation; “Lament for Gettysburg” is …
Keyboard Music
Handy, double-pack reproduction offering a pair of Compilations on the Greek Music Box label, the first comprised of key Magnetic Tape & Spectral Computer Music pieces by Iannis Xenakis, Dimitris Kamarotos, Xaris Xanthoudakis, & Vasilis Riziotis, the latter of, essentially, Dark Ambient & assorted "Wave" & "Age" fare by Vangelis Katsoulis, Lena Platonos, "Antitheseis" alum Michael Grigoriou, & Minas Alexiades, each on its own disc inside a "Gatefold" booklet. Released pretty much back-to-back - …
Ciclul „Cosmofonie”
The second title in Creel Pone's 23x survey of Romanian Early
Electronic Music, offering both pieces from the lone Electrecord LP by
Composer Dinu Petrescu, along with a composition from one of the many
Corul Madrigal offerings, here conducted by Marin Constantin. "Space Doina", or possibly "Doina Space (1978)", "music
for symphony orchestra, mixed choir, children's choir, synthesizer,
magnetic tape and electronic modulation" starts off with a gaseous drone
of distant reverberance, seguei…
Maté/Vallancien
One thing I've learned as I've grown and progressed
through music is that there is an incredible wealth of largely
unheralded & seldom-heard music buried deep in the expansive Saravah
catalogue, largely due to the street-level largesse of in-house
engineer Daniel Vallencien, who aside from engineering a large portion
of the canonic BYG catalogue - Don Cherry, Anthony Braxton, Musica
Elettronica Viva, Sonny Sharrock, Sunny Murray, etc. - was crucial in
the development of the label's sound …
Magnetic Fields
Reproduction of this obscure 1977 Private Press stunner
by Extradition, Company Caine, & Phyl Vinnecombe sideman & early
18th Century Quartet member Stephen Dunstan, a key part of Australia's
Electronic Music history alongside Val Stephen, Bruce Clarke, Keith
Humble, Felix Werder, & Ian Bonighton. Steve was a tragic figure; operating across multiple disciplines
before disappearing under suspicious circumstances in the mid-80s while
out retrieving a Moog Modular system, Dunstan was both a c…
Sonnenlicht
LP version. Bureau B present a reissue of Tyndall's debut album, Sonnenlicht, originally released in 1980 on Sky Records. The two electronic sonic inventors Jürgen Krehan and Rudolf Langer founded Tyndall in the year 1980, naming their duo after a light scattering phenomenon in physics. Armed with an impressive array of instruments, devices, and home-made synthesizers, they created free and easy electronic music in the style of the Berlin School (Berliner Schule), much to the liking of the legen…
Third (It's Always Rock 'N' Roll)
Double LP version. Bureau B present a reissue of Heldon's third album Third (It's Always Rock 'N' Roll), originally released on Disjuncta in 1975. Third album from the French space-rock electro combo masterminded by Richard Pinhas. Heldon's darkest work lays another stone in their sonic mosaic: synths, drones, fuzz, and trippy improvisations. There's something wicked happening on Heldon's third album It's Always Rock And Roll. Richard Pinhas's essential attack of searing guitar and space-bound s…
Vain
All analog - no computers or instrument overdubs - The prodigal return of Venezuelan artist Carlos Giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising No Fun Fest and No Fun Productions label, which was home to debut releases by Oneohtrix Point Never, and classics from Haswell and Prurient during the late ‘00s to early part of this decade. If yr into 0PN or Keith Fullerton Whitman, this album f u c k i n g r u l e sCarlos’ first new release i…
Synthesis: Electronic Music 1984-1988
LP version. Dennis Young is best known as the percussionist of the New York band Liquid Liquid, which is known for their piece "Cavern" from 1983, which in turn became very well-known because Grandmaster Flash sampled it and used it as the basis for their hit "White Lines". But Young was more than just a member of the band, he produced plenty of his own music, much of it reflecting his passion for analog electronics. He was fascinated by the pioneers of the genre. In 2016 Bureau B released Wa…
Bload Stations * Syntax Error
Vinilisssimo present a reissue of Polonio's Bload Stations * Syntax Error, originally released in 1987. Eduardo Polonio has been one of the key names of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group of live electronic music; and he was one of the main figures of Barcelona's Laboratorio Phonos since 1976. He was also a …
Allez-Teia (Heldon II)
LP version. Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermi…
Traumland
LP version. Bureau B present a reissue of Tyndall's second album Traumland, originally released in 1981 on Sky Records. The electronic sonic inventors Tyndall pulled out all the stops for their second album. Armed with an impressive array of analog synthesizers, they unleashed the full force of their experimentalist ambitions, weaving synth pop, repetitive bass patterns, laminar sounds, and carefree melodies into a unique amalgam of the Düsseldorf and Berlin Schools. Traumland was released…
Emak
Remastered from the original tapes. Limited edition of 300 ** These three legendary LPs (in their original covers) of electronic music from Cologne were released 1982 - 1985. The Emak project, founded by Matthias Becker, was influenced by German experimental music – from Stockhausen to Can – and by minimal music, musique concrète and ambient music. Some of the tracks presented in this first complete edition of Emak’s recordings became very popular in Germany’s eighties club scene because of the…
The Mysticism of Sound & Cosmic Language
Double CD edition. A previously unreleased series of astounding recordings, made between 1972 and 1973, by the collective Hy Maya, pull the rug from beneath the standing narratives of history. Never before released in any form, The Mysticism Of Sound & Cosmic Language is a revelation in sound. Incredibly diverse - an absolutely intoxicating, immersive journey through collective creativity which shatters the standing narratives, and foreshadows nearly every important movement of counter-…
Terminal Drive
Terminal Drive is studio recording of a mythical piece of electro-acoustic music composed and performed in 1975 by Allen Ravenstine (b. May 9, 1950 in Canton, OH) with assistance from Albert Dennis on string bass. Terminal Drive’s significance in terms of Cleveland underground music cannot be understated and has been cited as partially responsible for Ravenstine’s invitation to co-form the musical unit Pere Ubu in September 1975. Ravenstine gained recognition for his unusual and inventive synthe…
Universel
For the impeccable MAT label, Denamrk’s Central tends hitherto little known ambient aspects of his sound as Palta with a fine selection of feathered rhythms and gauzy, painterly sounds. Nesting amid good company for this kind of thing, Universel quietly unfolds scuttling, jazz-wise geometries and keening subaquatic chords in the title track, then drifts with scratchy tribal drums and tropical greenhouse sounds in Tabt Optagelse into frayed, frothy new age feels in På Gensyn. It would appear…
A Little Electronic Milky Way of Sound
**US import** Ian Fenton’s Frozen Reeds label finally unveil this epic, years-in-the-making the release of Roland Kayn’s fourteen-hour masterpiece, A Little Electronic Milky Way of Sound, as a sixteen-CD boxed set. Mind-bending. Edition of 750. Audio restoration by Jim O'Rourke. Sweet jeezus...Roland Kayn was a composer who rejected composition, a human who gave machines the benefit of the doubt. A German who began making music in the twentieth century with a pencil and paper, Kayn ended up spen…
K, Weeds
Issued “privately” (via his own “Discant Records” - the label’s sole release) in 1971, this was the recorded debut of composer & author (his “Techniques of the Contemporary Composer” was a big help in my post-collegiate years) David Cope, consisting of two side-length pieces for live instruments, demonic loud-whisper vocals, and analog electronic processing (according to the liner notes, Cope played back “early tapes of his own works,altered through a Moog synthesizer at the Electronic St…
Aniseikonia, Zeitsplitter, 4 Etüden
Warped, asynchronous, mid-80s FM Synthesis assemblages, captured at the absolute cusp of the Analogue-Digital transition, from Czech-Swiss Composer Jan Beran. Ages dormant on the Creel Pone shortlist, endlessly vetoed by yours truly for breaking the cardinal rules of comprising a total sum of post-1984 activity (pending a rewrite of the foil-stamp copy) and, specifically, explicitly incorporating the "Devil's Xylophone" amongst its tonal palette. But ah, the times, the times. After a few caref…
Electronic Music in Canada, vol.1 & 2
Epic, double-disc edition covering three LPs of formative Electronic Music from Canada; both volumes of the Melbourne-label "Electronic Music By Canadian Composers" series - presenting both cover-variations of each in a metallized variant of the de facto Creel Pone "grid" - then the internal Radio Canada pressing of "Music Canada Vol XIII Electronic Music in Canada." Starting with an amazing, side-length piece by "Sky-Sails" co-author Ann Southam (more about her later in the series) & continuing…