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Grab the album 1978 by Hikashu - wild experimental rock meets synth-pop energy. You can listen online or download it easy. Tracks like "Puyopuyo" and "Dorodoro" hit hard with weird, catchy vibes. Sax, synths, and vocals go nuts in the best way. Released in 1996 but still sounds fresh. Japan's hidden gem, kinda. Not for everyone, but if you're into odd beats and electronic chaos, this is gold. Oh, and fun fact - they've been called "the Japanese Talking Heads"... which is kinda accurate? Whatever…
On Hélas, Neoboris’s boy‑and‑girl duo turns late‑90s Bordeaux and Pau into a neon scrapbook: punk directness, wave romance, rave afterglow and variété hooks tangled in 15 songs that mourn and celebrate a love that refused to apologise.
*2026 stock* Holiday resort entertainer Tooper Keps takes a break from entertaining the professional leisure class, and reflects their own world back at them with an EP of otherworldly synths and eerie carnivalesque chansons.
Tooper Keps has fired up his trusty Yamaha PSR-11 and PSS-360 to write his first (and probably last) EP, condensing his favourite chord changes from years of distracting the retired and affluent. The result is a collection of floating song structures that revolve like fairg…
*200 copies limited edition* 40 years after its creation, Moß Garten – Sekvensstyrd 1981–1986 arrives as a compelling double vinyl LP, diving deep into the early Swedish DIY electronic scene. Inspired by pioneers such as Kraftwerk, Cabaret Voltaire, John Foxx, and The Human League, Mikael Isaksson developed a distinct sound situated between minimal electronics, industrial, synth wave, and experimental sound art. At its core was the sequencer: pulsing, programmed structures forming the backbone o…
Original US edition on Warner Bros. of the 1984 electronic avant-garde pop masterwork featuring Peter Gabriel, Adrian Belew, Nile Rogers, David van Tieghem, Bill Laswell and William Burroughs among others.
1995 promo-only EP on Warner Bros. with several versions of two strange minimal songs co-written and -produced by Brian Eno, featuring Lou Reed on guitar.
44 years after its original release, one of the most idiosyncratic DIY minimal electronics / synth / new wave records of the early ’80s returns: the legendary 7” by German group Deutsche Schäferhunde (engl. German shepherds)—now remastered and reissued for the first time as a one-sided 12” on Anna Logue Records. Recorded in the winter of 1981/82 between rehearsal space, provincial disco and bar nights, and a humble four-track setup, these tracks capture the raw spirit of a generation that simply…
*50 copies limited edition* Electronic songs composed, performed and produced by Benjamin Adams in Cologne 2024/2025. Mastered by Marcus Zilz at Mount Wobble Studio. Song 1, 7 and 8 originally composed for the performance on miraculous things heard by Constantin Leonhard. Song 8 includes samples of the Ringing Rocks of Montana, recorded and provided by Kevin Stahl.
Local Distorsion is a French duo formed in 2012 consisting of Cyril (vocals, lyrics, synthesizer) and Caroline (vocals, lyrics). Explicitly described as an "illusory collective concept," the project draws on surrealist and nihilist literature, metaphysics, and the aesthetics of the 1980s DIY scene as filtered through a contemporary sensibility. Rather than claiming a fixed identity, Local Distorsion operates across different group names and tonal approaches to move freely between coldwave, minim…
On Synth Pop Art, The Toy Shop turn Paul Klein’s one‑man Leeds project into a sharp, neon‑lit partnership with Philip Walsh, distilling early‑80s UK minimal synth, big‑chorus ambition and nearly‑was pop history into a tight set of lost singles.
On The Blackwing Sessions, Demos 1982/83, Robert Marlow opens the vault on his pre‑Peter Pan Effect sketches, capturing Basildon synth‑pop at source: raw Vince Clarke sequences, Eric Radcliffe grit, and songs caught mid‑mutation between bedroom dream and major‑label mirage.
On Fluorochrome, Sara Ayers turns a tiny kitchen studio into a prism for synth‑pop, ambient and art‑song, layering her own voice and machines into intimate electronic miniatures that feel both handmade and quietly otherworldly.
On Sad Songs, Scott Alexander steps away from American Music Club into a one‑man synth lab, fusing Eno‑tinged ambience, noir synth‑pop and fuzzed‑out psychedelia into a solitary, homespun detour that never repeats itself.
On Synth Pop Art, The Toy Shop turn Paul Klein’s one‑man Leeds project into a sharp, neon‑lit partnership with Philip Walsh, distilling early‑80s UK minimal synth, big‑chorus ambition and nearly‑was pop history into a tight set of lost singles.
1989 double live set in which besides the 80's hits Battiato revisits some pieces from his earlier experimental period from albums like Sulle Corde Di Aries and Clic. Original and only Italian edition on EMI.
Original and only 1982 edition on EMI of the classic groovy classical/synthpop album by Battiato's teacher and violin player with heavy involvement of the experimental/pop composer. Never re-issued on either vinyl or CD. With original innersleeve.
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while al…