Since their first release in 2013, the Amsterdam based imprint, Music From Memory, has rapidly emerged as force in the musical landscape, dissolving long standing conceptions of genre and history, with a startlingly catalog of reissues, compilations, and archival works. Their latest LP, Early Tape Works (1986 - 1993) Vol. 1, by Kuniyuki Takahashi, is one of their most exciting to date - redefining what we know about its creator, while challenging the accessible presumptions about the landscape …
An overview of Holger Czukay's solo work and collaborations, also including Canaxis 5 (1969) - a legendary album which fuses ambient, ethnic music and early form of sampling, several years before anybody else started to get to grips with any of those ideas - Movies (1979), On The Way To The Peak Of Normal (1981), Full Circle (1982), Der Osten Ist Rot (1984), Rome Remains Rome (1987) and Radio Wave Surfer (1991). This five-LP set features a 36-page booklet, DVD of movie starring Czukay for which …
This special bundle collects all three Deadline Paranoia albums released by Ongerhoord between 2018 and 2021:
1 / 3 (LP, 2018)2 / 3 (LP, 2018)3 / 3 (LP, 2021)1 / 3 (LP, 2018)
When it comes to music, time and geography can have a strange effect. Divisions form and dissolve. Things which were heard can be forgotten. Things which were not are often remembered. As many of us know, this is increasingly the effect of the reissue market, with its radical reappraisals for history, pulling the lost and o…
2020 repress, originally released in 2013. Recollection GRM assembles Greek experimental composer Iannis Xenakis' works for Groupe de Recherches Musicales circa 1957-1962. "Concret PH" (1958) was assembled for the Brussels World Fair. The industrialist Philips commissioned Le Corbusier's famous "Philips Pavilion": "I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, color, and rhythm." Iannis Xenakis designed the architectural blueprint and composed "Con…
An otherworldly blend of ethereal ambient, new age with inherent discofied undertones - reissued! Pressed at Pallas in a 500 copy run only & comes with a beautiful booklet ! Frederiksberg Records is proud to announce 40th anniversary LP reissue of Lydglimt, done in close collaboration with Klaus Schønning. At odds with the loud musical landscape of jazz, rock and punk which dominated the Denmark at this time in the late 70's, Schønning saw before him a different path. A path leading to the…
**New vinyl reissue remastered from the original 1979 master tapes, packaged in classic Folkways-style tip-on jackets with liner notes.** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the…
An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists". Experimental electronic music is generally expected to be highly v…
Six great pop standards remembered: five pop songs are dissected by sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original. GES (Gesellschaft zur Emanzipation des Samples) active members: Helmut Schmidt, Jan Jelinek Founded: 2009 Headquarters: Federal Court of Justice, Karlsruhe, Germany.
From the GES Glossary:
Sampling: Compositional practice whereby recorded music i…
Easy Listening For The Hearing Impaired is the full length debut album by danish composer and producer Andreas Pallisgaard. The album is released under his solo alias Son Ash. The album is a collection of calm explorative timbral studio experiments for analog synthesizers, sequencers and reel tape. Parts of the material stems from free improvisation, while other parts are composed from more strict organisational principles. The collection of tracks form of a cycle of poetic sonorities. The liste…
**12inch vinyl LP with handprinted covers by Lorenzo Mason Studio, Venice** Tape loops are a closed path, a cyclic river, a ring around a far planet. They’re similar to our memory, continuously reenacting an artefact that belongs to a precise point in time, brought back in a process of recall where that artifact slightly and slowly becomes imprecise and shifted. An unrested repetition carved into an old pavement, in a city where every generation leaves a new mark, a new incision and maintains an…
Deluxe clear 4LP edition, 155 minutes / 8 sides of vinyl mastered and cut at D&M and housed in a heavyweight, beautiful 300gm gatefold sleeve featuring rare archival photographs. This hugely influential, definitive collection from electronic music pioneer and founder of the BBC Radiophonic Workshop, Daphne Oram, has been out of print on vinyl since 2013 and is now thankfully available again via Modern Love sidelabel, Young Americans. Throughout her life, Oram was a wildly original musician, inve…
Trax Test’ is the first ever survey of Italy’s pioneering, visionary and influential label and mail art collective Trax, which ran from 1981 - 1987 as a network for the creation of collaborative projects. The collective included a pre-NWW Colin Potter and some of the earliest work from Masami Akita aka Merzbow, but also had deep connections with the art world; a few trax members went on to become famous designers and artists - Ettore Sottsass of hugely influential Memphis Group even guests on vo…
Zaradny is a composer, instrumentalist and visual artist; Piotrowicz a composer, author of sound installations and virtuoso of analog synthesizers. They founded and curated the Musica Genera festival and label. Noetinger, an improviser, publisher and instrumentalist, specializes in electroacoustic collages full of permutations on his tape recorder and using all sorts of electronics. What connects these musicians are their methods of work: experiment as the basis of action, controlled accidents, …
Official re-issue of Danish electronic music from 1974! Vinyl LP comes with booklet and limited to 500 copies - no repress. Frederiksberg Records announces the first re-issue of ‘Stoned’ which is exclusively licensed from Gunner Møller Pedersen in person and has been carefully restored from the original master tapes. It comes with a booklet of liner notes by Thomas Knak. ‘Stoned’ by Gunner Møller Pedersen is a pioneering partly-electronic composition from Denmark. Gunner believes that it’s m…
The first ever vinyl release available from Ruth Anderson - one of the most fascinating and influential figures in 20th and early 21st century electronic music.
The Japanese producer and DJ Kuniyuki Takahashi is the subject of Music From Memory's latest retrospective compilation with Early Tape Works (1986-1993). Composed of two volumes, the compilations gather together a selection of tracks from a tiny run of privately released tape only albums, highlighting a fascinating early period in Kuniyuki's musical output, one of which little is known. After discovering the world of nightclubs in Japan around 1986, and the seemingly boundless freedom expressed …
** Original copies, still in shrink** Privately released in 1983, respectively, this set covers the early electro-acoustic work of German composer, guitarist, and electronic percussionist Klaus Röder, a student of Milko Kelemen & Günther Becker’s member of the free jazz band Synthesis - along w/ Gerhard Illi and member of Kraftwerk in 1974, contributing to their classic 'Authoban'. Born in Stuttgart, Germany, in 1948, Klaus Röder has developed his interest in experimental music since the 1960s. …
**500 copies** Randall Taylor joins the Beacon Sound roster with his Amulets project and graces us with his finest work yet, Between Distant and Remote. Taylor uses tape loops, guitar, field recordings, and electronic processing to pay homage to the paradox of memory and growth, creating a deeply immersive musical landscape in the process.The album is reflective of the artist’s move from Austin, Texas to lush, green Portland in 2018 and also represents a more intentional and layered recording pr…
With his new record Tape Anthology Vol. 1 Christoph Berg kicks off an album series mainly focusing on works based on tape manipulation. At the same time it marks the inaugural release of his own imprint Monochrome Editions.Christoph is a classically trained piano and violin player whose curiosity and cultural interest are by no means bound to that category, or any others for that matter. For the past few years he has also been broadening his approach to composition by researching and experimenti…
Miguel A. Ruiz is a veteran experimental/electronic musician from Madrid, Spainthat has worked under numerous monikers since early eighties as TécnicaMaterial, Orfeón Gargarín, Codachrom, Dekatron II, Michel Des Airlines, Funeral Souvenir, etc. Some of these projects still active today. Entering the world of Ruiz is a wonder to the mind and ears, each project yields authentic masterpieces of experimental electronic music. "Climatery" was originally recorded in the summer of 1986 and was publish…
Martin Bartlett was an inspiring and original thinker, composer, writer, performer, and organizer. His preoccupation with building aleatoric elements into electronic music distinguishes his work. He devised elegant and open interactions for instrumental performers and computer-controlled synthesizers which included building his own electronic devices and extensive work on the Buchla 400. He worked with or studied under Pauline Oliveros, John Cage, and David Tudor, and collaborated extensively wi…
Fantôme Phonographique present a reissue of Luc Estang and Pierre Henry's Saint-Exupéry, originally released as a 10" in 1959. During his long and illustrious career, the French composer and musique concrète pioneer Pierre Henry created a large amount of incidental music to accompany literary texts, both on record and for the stage, from Jules Verne to Victor Hugo, from Lautréamont to Antonin Artaud. This incredibly rare LP from 1959 is a radio play about the life of French pilot and writer Anto…
Vinyl edition is strictly limited to 1,000 copies. Audio has been Remastered from the original, pre-mastered digital tape transfers. Unlike previous reissues of this LP (both vinyl and CD), remastered for Wergo's 1994 CD edition and narrowing the recording's stereo field, our reissue has been remastered maintaining the full stereo field of the original recording. Brand new liner notes by Morton Subotnick.The original, iconic liquid-light cover artwork by Tony Martin has been re-scanned for full-…
Bartlett built chance into electronic music, worked on the Buchla 400 and made his own devices. He studied with Pauline Oliveros, John Cage and David Tudor, Carnatic singing in Madras, and gamelan in Java. He died of AIDS-related causes in 1993, after years of rejection from labels.
Self-released edition of 100 copies. Marta De Pascalis (Rome, 1987) is an italian composer living and working in Berlin. Her solo works employ analog synthesis and tape loops, incorporating free playing into steady, repetitive patterns. A slow burning organ drone a la Terry Riley, with building and repeating organ lines that coalesce in a sea of pensive harmonics. Killer album!
Henri Pousseur was a Belgian composer, teacher, and music theorist active from the the 1950s on. Influenced by Pierre Boulez, Karlheinz Stockhausen, and Luciano Berio, Pousseur may be lesser known than those contemporaries but his composition and technique is regarded by many as equaling if not surpassing much of the work of those more famous names. Realized in the same Cologne radio studio as much of Karlheinz Stockhausen's most famous work, this collection brings together some of Pousseur's gr…
Beautiful, floating-above-Earth photos from a Nasa space mission adorn this sharp looking digi-pak from Nepless, an Italian label bent on reissuing some of the most lovely of the long lost electro-acoustic pieces. Edgardo Canton was a member of the GRM from 1959 to 1965, and an independent composer who worked there until 1973. This CD collects three of his principal works from the 1960s and another from 1984. “Animal Animal” (1962) is comprised of very quiet and empty deep space floatation produ…
Six acousmatic works by Adam Stanović from 2015 to 2017, made mostly in Sheffield: a remix that lost its source, a parody of the metal-sound cliché, traffic around an old steel furnace, and a birthday homage to Beatriz Ferreyra.
Single-sided "aquatic clear" 7". Includes a copy of the original press release as well as a press cutting from the time. Limited edition of 500 for Uk. As the first and only label dedicated to liberating the private, non-commercial artifacts from Suzanne Ciani's groundbreaking Ciani Musica studio vault, Finders Keepers Records presents the first release of an incredible cryogenically suspended slice of precious, precocious, immersive fledgling synthesis. Ironically well removed from the intentio…
2017 "upgrade" of this early Creel Pone title; this replica edition includes all of the material from Reinhold Weber's two Corona-label LPs, "Elektronische Musik" & "Elektronische + Phonetische Kompositionen" - Creel Pones #009 & #099, respectively - along with everything from his two later Sound Star Ton LPs (again) "Elektronische Musik" & "Computermusik", all on four separate discs. Those who have already acquired the first two titles in earlier sweeps can simply purchase the CP 009-099.2 pack…
Gil Trythall’s two late-60s “Country” themed Moogsploitation LPs are of course the gilded arches that keep the genre airborne, but it’s this 1980 collection on the minuscule, West Virginia-based Pandora records imprint that’s always been the real show of Trythall’screative vision. While “Luxicon II's” gorgeous deep-bass filtering, runaway arpeggiations, & spot-on “Electro” -tinged drum-machine gork is the stuff of legend, I maintain that “Echospace” beats a good chunk of time-lag architect Terry…
It’s raining “Musikalische Jugend Österreichs” titles! This collection of agit-prop tape music & raw tone-combination studies by the Austrian composer Wilhelm Zobl was recorded (with Eugeniusz Rudnik’s invaluable aid) at Studio Eksperymentalne & Vienna’s Institut Für Elektroakustik der Musikhoschule Wien in 1973 & 1971 (respectively) & remains (other than an appearance on a super-weird 1985 collection entitled “Antithesis” - where he appears alongside “Works of Electronic Music” alum Thanos Mikr…
Lovely set of tape-music by composer Jack Tamul, issued in 1980
by Spectrum - not the Wergo sub-label, but the same Bear Mountain-area
powerhouse that released William Hoskins’ “Galactic Fantasy” &
William Strickland’s “An Electronic Visit to the Zoo” the year prior -
“recorded at the Jacksonville Museum of Arts & Sciences."Starting with a series of pieces incorporating acoustic
materials: “Genesis” is a choir piece peppered with synthesizer &
tape-manipulation; “Lament for Gettysburg” is …
Nicolae Brînduș was born in Bucharest in 1935 and swiftly
matriculated through his studies in Piano & Composition at
the National University of Music before embarking on the life-changing
seminars at the Internationale Ferienkurse für Neue Musik, Darmstadt
throughout the late 60s & early 70s; even working at Ircam for a
spell in the mid-1980s. How this formative music, composed & recorded largely during his
Darmstadt phase, has remained so relatively unknown is insane to me; it
has all of…
Fantôme Phonographique present a reissue of The Electrosoniks's Electronic Music, an LP by Tom Dissevelt and Dick Raaymakers's (aka Kid Baltan) originally released in 1962. Tom Dissevelt and Dick Raaymakers were both Dutch composers and electronic music pioneers. Both musicians began their studies at Royal Conservatory of The Hague on trombone and piano respectively, and later discovered the music of Karlheinz Stockhausen and Anton Webern. In the mid-50s Raaymakers began working at the Philips N…
Tint is the first new solo recording from Joe Talia in over a decade. Australian-born but now based in Tokyo, Talia is known to many listeners as a drummer (frequently collaborating both live and in the studio with artists such as Oren Ambarchi and Jim O'Rourke) and as a recording and mixing engineer responsible for dozens of releases across the fields of contemporary experimental music, wayward pop, and jazz. Alongside James Rushford, he is also responsible for one of the most legendary r…
Reproduction of this superb 1978 pressing, realized at the Finnivox-studio & issued on their in-house Fennica Nova imprint, covering early- to late-70s work by a coterie of composers working largely in & around various public & private studios in Helsinki, including Yleisradion Kokeilustudio (Finnish Radio's Experimental Studio), Helsingin Yliopiston Musiikkitieteen Laitoksen Studio (The Electronic Music Studio at Helsinki University Music Department), Osmo Lindeman Kotistudio (Osmo Lindeman's p…
Epic, double-disc edition covering three LPs of formative Electronic Music from Canada; both volumes of the Melbourne-label "Electronic Music By Canadian Composers" series - presenting both cover-variations of each in a metallized variant of the de facto Creel Pone "grid" - then the internal Radio Canada pressing of "Music Canada Vol XIII Electronic Music in Canada." Starting with an amazing, side-length piece by "Sky-Sails" co-author Ann Southam (more about her later in the series) & continuing…
Well ... Mr. P.C. C.P. has clearly taken a peek at my “Holy Grail” list - in it, nestled amongst such unattainable classics as Karel Appel’s “Musique Barbare”, Paul Boisselet’s “Le Robot”, and Il Gruppo Nuova Consonanza’s ill-fated Cinevox-label album is the LP in question; a split release featuring a pair of pieces made at the tail-end of the 1960s at the GRM by Jacques Lejeune and Christian Clozier, respectively. Released as part of EMI / Pathe Marconi’s mythical “Perspectives Musicales” serie…
i have a stipulation in my concert-rider that reads thusly: ‘If the promoters of the show take me to a record store wherein I find one of my personal “Holy Grail” LPs for a reasonable price, I will perform that evening for free. Because of this, people are always asking me about my “Holy Grail” records and offering advice (“French & German electronic music from the 50s through 70s? You mean J.M. Jarre & Tangerine Dream?”, or “Pierre Henry? have you heard this really obscure one; ‘Messe Po…