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Supersilent's 15th album and their first since 2018: a gatefold double LP with 15 tracks and 64 minutes of new improvised music, on Smalltown Supersound.
Merzbow at pocket size: two two-minute parts of harsh noise recorded at Munemihouse in March 2026, cut into a 5" lathe disc in a folded cover sealed with a hand-numbered sticker. Fifty copies, a goat on the sleeve.
“…pretty wild… with aspects of surrealism… a strange sort of pathos… a kind of absurdity… a kind of muted spectacularism…” — Neil Luck
Nonclassical presents the latest instalment of the Outside the Lines-compilation series, co-curated with artist and composer Neil Luck, out on limited edition cassette and digital on 23rd October. Outside the Lines Vol. 8 brings together a seemingly disparate group of UK-based artists working in the gaps between composition, spoken word, performance art and elect…
"Flam" kicks off with a cinematic drone, followed by what sounds like water torture droplets, and a cacophony of clocks, and music boxes from childhood, and maybe something underwater. Something like a title arrives on the aural screen as GTD get down to the kind of business we love them for: that querying conversation between Steve Gunn’s guitar and John Truscinski’s drums and percussion, though here they venture into new territory, as Steve explains— “This 'Flam' session was open and experimen…
Each composition on Padesip, the debut project from Brussels-based electronic artist Gijs Milius, splices together disparate ways of seeing and hearing. Though most of the songs are between 2 and 3 minutes long, they feel rich, embodied, and surprising, full of left turns and tiny moments of tension that you want to comb through the composition to hear again. Listening to these curious and tactile compositions feels a bit like using a viewfinder toy to flip between images of lakes, canyons, and …
What happens over the lifecycle of a commodity? Where do its components come from? How are they extracted, processed and put together? Where does it travel? How is it used, thrown away, re-used, broken apart and reconstituted? These are the questions at the heart of Rubbish Music’s Symphony of Waste. Over four years as Rubbish Music our practice has intervened in modest ways in the lives of discarded commodities. Packaging has lived on as instruments, tin cans have been re-purposed as tools for …
Tip! Spartiti Spariti is a composition in which diverse practices and experiences converge and overlap: the processing of ‘concrete’ sounds, magnetic-tape collage, field recording and the manipulation of acoustic instruments. At its core lies a profound investigation into the ecology of sound, understood not as mere phenomenological documentation but as a radical experience through which identity is rediscovered. The work’s genesis is deeply rooted in the composer’s biographical memory and in th…
Three Lobed and Sunburned Hand of the Man have a long history. The label has been releasing the group’s output for nearly two of its three decades of making music. As Sunburned has picked up momentum again in recent years, the label’s been right there, releasing the highly acclaimed "Pick a Day to Die" in 2020, and in late 2022 reissuing a 20th anniversary edition of "Headdress", the classic and confounding first Sunburned LP. Label head Cory Rayborn acted as the catalyst for storyteller Kelly D…
*50 copies limited edition* Surrealist artist Hazel Cline deciphers wings of sapphire on the illusory screen of human eyes. Asymmetrical images harpoon jewelled fragments of bird skeletons changing into circling swarms of bees.
*50 copies limited edition* Radical soundcollages by Bart De Paepe (Ilta Hämärä), Ignace De bruyn (Bokrijk) and Erwin Van Looveren (W Ravenveer) spit onto marine saliva landscapes. Mummified recordings that shatter art brut localism from the dream's forge, scratching exausted fingernails along liquid silent stone surfaces echoing the dementia of fiery skies.
*250 copies limited edition* Venus is a new LP by Swedish group Organ of Corti and marks their fifth release on Dead Mind Records. For the occasion, Chinese-American vocalist and musician Audrey Chen enters the magnetic world of Mattias Gustafsson, Dan Johansson and Joachim Nordwall. While tape turns and circuits hum, these six pieces slowly unfold. Familiar fragments are repeated until they lose their origin. Synthesizer tones drift through layers of magnetic residue, while Chen's voice appears…
*100 copies limited edition* Corpse Magnetism is a collaborative project between Rudolf Eb.er and Johnny van de Koolwijk. Rooted in ritualistic sound practices and primitive outsider aesthetics, the duo creates immersive pieces built from organic drones, handmade instruments, decayed textures, primitive percussion and improvised field recordings.
Rudolf Eb.er aka Runzelstirn & Gurgelstøck is widely known for founding the radical outsider art project Schimpfluch-Gruppe in 1987, as well as being i…
Tip! *200 copies limited edition* Here at last is another entry in FMOA’s ‘Cozy Mysteries’ series: collaborations between artist duos focusing on acousmatic processes, and sound freed from “conceptual” moorings and imposed meanings. Alan Courtis, who appeared as part of our label’s “Audio Postcards” series, returns here for a set recorded in Nantes with Julien Ottavi. Both are storied veterans of music based in experimentation, “extended” technique and the creative re-use of previously un-creati…
The Portuguese percussionist turns drums and cymbals into generative sources: seven tracks of spectral tones, sub-bass rumble and warbly VHS tones, shaped by electronic manipulation and by the chromatic dissonance of Carlo Gesualdo.
Cults have always had their own soundtracks: songs written to win over, to bind, to manipulate, repeated until they settle beneath thought, becoming core belief and identity. In the disquieting afterlife of such music, CULTurally appropriated songs and revisited memories begins. The new album from Zürich-based experimental electronic duo Perverts in White Shirts (Nathalie Dreier and Dave Phillips) is a two-hour cringe-pop journey of disarming, catchy tunes. A post-fringe hauntology for those sha…
Big tip! A pioneering figure in Japanese improvisational music, Toshimaru Nakamura has collaborated and performed with artists including Otomo Yoshihide, Sachiko M, Keith Rowe, David Sylvian, and Christian Fennesz. Personally curated by Nakamura himself, this Early Best Album traces the formative years of his singular musical journey.
Through the groundbreaking technique he developed known as the No-Input Mixing Board, Toshimaru Nakamura has established a truly unique musical language. For nearl…
*250 copies limited edition* Campsite Love calls you to wander a timeless path of rural rustlings and misty atmosphere. Created by the minds behind Jazzhand and Haudat/Monocyclocybercilia, the album combines hands-on field recordings with ambient soundscapes. Rattles, resonances, and small details gathered along the way gradually blend together, carrying the listener deeper into a dreamlike summer-night haze. The campfire burns yellow.
Eight Untitled pieces by Francisco López made in 2011 from field recordings gathered around the world, from Tokyo and the Amazon to Bogotá and Lima: short snapshots and processed collages of animals, objects and weather. Limited to 444.
A later album by the French avant-garde trio DDAA, active since 1977: six restrained, elaborate '(a)tonal songs & noises', 51 minutes, with Christine Coënon on voices. Oversized A5 gatefold cover, limited to 444 copies.