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Pekka Airaksinen’s Vitae Tennis Nest, released by One Point Life, is a striking journey through avant-garde piano and experimental electronics. Recorded in 1998 and remixed in 2015, the album’s first side features solo piano works that channel the improvisational freedom of Cecil Taylor and Lennie Tristano, the mechanical complexity of Conlon Nancarrow, the ritualistic pulse of Igor Stravinsky’s Les Noces, and the hypnotic repetition of Philip Glass. These compositions are marked by intricate, r…
Trost starts a new 7" series called Jukebox Series, specially for one-time collaborations & projects. The paper-sleeve stays the same, labels are changing, and there's artwork by Lasse Marhaug. This time Christof Kurzmann teams up with Sofia Jernberg (Fire Orchestra) on one side, and with Ken Vandermark and Martin Brandlmayr (Radian) on the other for two versions of the beautiful song "Beggars." The lyrics are written by Joe McPhee.
*2022 stock* Original copy of the long out of print LP album. First pressing from back in 1993, Tahta Tarla is a collaborative recording based apparantly upon long wires strung through the woods with the wind activating some of these wires with each artist seeming to be in charge of the production of one of two sides. For Toniutti's half, the scrabbling textures and aeolian drones are mostly left unprocessed with bellowing rumbles, eeries echoing, and peculiar hisses that seem to come from nowhe…
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
Vinyl actualization of a Gary Wilson album originally released on CD in 2008. The second of Feeding Tube's Wilson retrievals (following 2011's Forgotten Lovers, FTR 065LP), the label considers this the most solid of Gary's post-revival albums. While it goes in a slightly different musical direction than the deranged porn-lounge inventions of You Think You Really Know Me (the classic '77 LP, heisted in toto by Beck during his Odelay phase), the naif-ache of the lyrics and the music's laid-back…
Acoustic trio with John Coxon [acoustic guitars] Ashley Wales [found percussion etc.] and AMM's Eddie Prevost. A slowly evolving and spacious piece originating from reading eddie's book 'minute particulars'. "I have a National Trojan guitar from the 1930s that i bought in a little shop in new orleans. I used this for the ‘acoustic trio’ recording with Ashley Wales and Eddie Prevost [amongst many other recordings]. I remember Eddie saying ‘the perfect instrument’ because it has both a membrane an…
Remastered CD edition of Tazartès, Ghédalia Tazartès' 1987 fourth LP. Now available as an expanded individual CD, this edition was previously only available as part of a CD containing both Tazartès and Diasporas, Tazartès' 1979 debut album, which is also now available in an expanded CD edition (TES 088CD). Immersive, transporting, and deeply arresting music from the revered autodidact and audio oddity. If you've never encountered Tazartès before, this is an excellent place to start, welco…
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interesting musicians to emerge on the experimental music scene in the last few years. The musicians combine in a fruitful and intimate exchange, producing a delicate and fragile web of sounds. Four beautifully evolving and carefully paced works.."-Another …
Recorded in the Littlefield Concert Hall at Mills College in Oakland, California, with minimal edits and no overdubs.. Field Transfer projects the sounds from an analog circuit into juxtaposition with facets of raw digital audio. As a performer interacts with the circuit—which consists of two square-wave oscillators activated by pressure sensors and shorting disks—instances of pulsed and modulated sound are triggered in the laptop in a manner that couples the analog and digital sources together.…
At the end of the 1960s, perhaps due to its proximity to Paris, Barcelona had become the forefront of the avant-garde and the entryway in Spain of new forms of cultural expression from Europe and the United States. Musically, that characteristic resulted in a middle-class underground that would play the part of a late local counterculture which gave birth to the so-called Barcelonés progressive rock of 1969-1973. It featured bands such as Máquina!, Om, Música Dispersa, and so on. Material from t…
2013 release ** "Chrs Galarreta (Peru). Very active in the South American experimental scene since 1995. Founder member of the independent label and association Aloardi. The sublime and the uncertainty are present in his actions, he gets them using broken electrical appliances, homemade audiovisual instruments, field streaming, field recordings, feedback systems, the induction of errors in the software-hardware and in the way to play musical instruments. Born in 1979, Anthony Baron lives and wor…
New Lost Knowns is a hallucinatory solo statement by Twig Harper (Nautical Almanac), fusing noise, tape collage, and electronic psychedelia in the tradition of Wolf Eyes and Aaron Dilloway.
2013 release ** "This is the second release from Maurizio Bianchi for Red Light sound. It begins explores the world of tubolar percussion while track two takes a completely different turn using modular synth treatments with Pharmakustik."
Orchestra Works brings together three groundbreaking compositions by Alvin Lucier, each redefining the orchestral tradition through radical explorations of sound, space, and perception. Performed by the Janáček Philharmonic Orchestra under conductors Christian Arming, Petr Kotik, and Zsolt Nagy, with cellist Charles Curtis, this album showcases Lucier’s singular ability to transform familiar instruments into vehicles for profound auditory discovery.
Lucier’s Diamonds uses split orchestras to “dr…
First ever vinyl reissue of this cult album from 1975. Défense de was the first album of Jean-Jacques Birgé and Francis Gorgé, before founding Un Drame Musical Instantane with Bernard Vitet in 1976. They had started to play together while at high school, and on their debut LP they were joined by percussionist Shiroc (who also played in Speed Limit). The album's four tracks were recorded in the family apartment of free jazz producer Sebastien Bernard, who had several nice instruments belonging to…
2013 release ** "The new solo work by inventive French soundartist is the true symphony, divided into several parts titled like 'Adagio', 'Allegro', 'Menuet', etc. but without any hints to traditional instruments or classical orchestration - just the pure white noise structures. A mediactivist, artist-researcher, composer / musician, poet and tongues destroyer, experimental film maker and anarchitect, founder and member of Apo33, Julien Ottavi is involved in research and creative work, combining…
A recording of live performances which brought together two essential figures of the contemporary scene: an oustanding Norwegian composer and vocal artist Maja S.K. Ratkje and a celebrated improviser and composer, former DNA drummer, Ikue Mori. The common sound territory, created together by Mori and Ratkje, balances between quietly growing tension and powerful outbursts of unrestrained, relentless noise. Within this harmony, Ratkje takes adventurous excursions towards the borders and unknown fa…
Alpes is a visionary collaboration between French ensemble GOL and the legendary Ghedalia Tazartes, merging ritualistic chants, electronics, and improvisation in the spirit of Nurse With Wound and Brigitte Fontaine.
Long-awaited duo, assembled over a period of two years as a result of file exchanges between Manchester UK and Austin Texas between 2010 an 2012. Four tracks of powerful electro-acoustic composition from two like-minded musicians who have never met in person. 'This fascinating album manifests both the frustration and invention that can emerge from inter-continental collaboration. It is an album of sacrifice one that subsumes existent tendencies into the creation of a whole beyond individual ide…
On msg rcvd, Neptune employ an array of new techniques and methodologies to explore indeterminacy and difficult phenomena such as feedback. Moving away from guitar feedback, this record features amplified drum feedback as well as the introduction of two new ‘feedback-organ’ machines. Developing their career-long interest in arranging and deploying found sounds, Neptune continues to use their sonically peculiar guitars built from pieces of found metal, but add to this new devices to pick and ar…