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Sarah Lipstate’s work as Noveller, the vehicle through which she explores the possibilities of instrumental, primarily electric guitar compositions, has resulted in a rich body of work, one that has elevated her to the level of similar innovators like Vini Reilly and Roy Montgomery. Arrow continues that journey, further developing her darkly beautiful work in songs that combine the tranquility of meditation with elements of tension and unease.
Album opener “Rune” is based around a deep, pulsing …
Here it is: the extended, two-sided edition of Grafts, aka the greatest. A sublime and quietly hypnotic work belied by steadfast conceptual rigour, Grafts (the A-side) is deployed in three parts of cascading yet plaintive multi-instrumental gestures, expanding on the processing and self-temperament techniques explored on Coverdale’s 2014’s A 480 into a more encompassing palette. Uncompromisingly distinct while redolent of modal minimalism, 70s new age, and folk music, Grafts effectively blurs di…
**Edition of 200 copies, black and silver screen-printed sleeve, housed in a heavy duty library style plastic sleeve with re-sealable strap flap** Timber Rattle's most cohesive and essential release, 'Phantoms of Place' is an exploration of physical space, place and tradition, and an interpretation of life and death in the arcane wild. Timber rattle is a kind of "pyche-pastoral" hymnal which seems to be as informed by noise shows in west coast basements or the revolutionary spirit of poet Jean G…
**Edition of 300** Ambient tone loop collage by Mike Adams (Crossroads of America, Burnt Toast Vinyl, Sounds Familyre, Joyful Noise)... special one-time LP that can be played forwards and backwards. Original source tapes provided by MklAnderson (Drekka, Dais Records), Jared Cheek (Flannelgraph), Tyler Damon (Thee Open Sex, Tashi Dorji, Darin Gray), JohnDawson (Thee Open Sex, Magnetic South), Greg Dixon (Quixod), Phil Elverum (Mount Eerie, Microphones, K Records), & Rachel Yoder (Madera Wind Quin…
**Art Vinyl edition limited to 250 copies** Appearing prominently on many of Drekka's releases, including both recent Drekka Lps for Dais Records, Belgian singer, Annelies Monseré has long been a collaborator, muse, and source material for Drekka’s sonic explorations and dream-cinema soundscapes. Primarily the work of Mkl Anderson, Drekka's sound owes debts to the poetic soundscapes of Cindytalk or Coil, to the Artemiev soundtracks for the films of Tarkovsky, and to the gravity of early industri…
**100 copies** Although this is the first full-length offering Mark Trecka has put his name to, he is by no means a new artist. Trecka founded Pillars and Tongues in 2007, has toured and recorded with Dark Dark Dark since 2010, has collaborated with Drekka since 1998, and is an actively publishing writer and artist. Trecka’s baritone voice, rolling piano chords and overtones, handmade cassette loops, and field recordings are simultaneously ambient and dynamic, and have the sense of being a compl…
Slowdive’s Simon Scott debuts his new Index project with a visceral new sound that absorbs and transmutes political, ecological and psychic dread into a caustic, dissonant style of drone and textural sculpture for iDEAL Recordings, a worthy follow-up to last year’s The Sacrificial Code album release on the label by Kali Malone.
Aidan Moffat gets woozily sinister on his first album as Nyx Nótt. "Au Pieds de la Nuit" shows an artist drifting steadily into newer and more esoteric places. This is night music, make no mistake about that.
"Dix Ailes is a musical proposal for 2 female voices, 1 percussionist, 1 electronic device and 1 place with high reverberation. Between minimalist music and pure pop, Dix Ailes plays on an acoustic illusion, that of making indistinguishable the origin of the sound (instrumental, loudspeaking or architectural), based on work on harmonics, frequency vibrations, the physical resonance of the place, psycho-acoustics.Essentially centered on the voice, Dix Ailes addresses the notions of empty and full…
With L’Inattingible, Delphine Dora’s music unfolds by drawing upon a new palette of colors. It will not escape anyone, that after having sung, in foreign, invented languages, or through extended vocal techniques, the musician resorts for the first time, to solely using the French language; and that after having often set texts and poems by other authors to music, she authorizes herself here to sing her own texts and fragments.But beyond these formal enrichments, the new musical ambitions develop…
**90copies** When Dylan Henners debut EP A Reason for Living was released through Phantom Limb in February 2019, it became quite clear that there was more to discover than what the record made us listen to. Electronic Sound Magazine described it as “an ambient delight” and in September that same year he returned with his second EP Stormbird Brother in the Dusk, featuring the Trinidadian steel pan maestro Fimber Bravo. Besides his own work, Dylan Henner remixed other musicians such as Oliver Coat…
For their first album in five years, Zelienople turns on the current time with a record of low key decaying songs wrapped in hypnotic, driving rhythms.
This curious quintet makes sounds that recall the glory days of Nurse With Wound: long, shapeshifting collages of psychedelic murk interrupted by random outbursts of industrial clatter, nightmarish drones, deeply bizarre audio mutations and tangible masses of sticky audio goop of impossibly vague origin. The Sleeping Moustache consists of five ten-minute tracks interspersed with five brief interstitial tracks. Everything blends together well because nothing blends together well; forced juxtaposi…