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This is the 3rd record of Ambienti Coassiali on ADN, this time officially shared with Riccardo Sinigaglia. Riccardo was already active on all tracks of "Spare Rooms" but here he is mentioned in the main titles. Side A consists of two long tracks and starts with "Guitambient 1" where a subtle treated guitar slowly crawls accompanied by small percussions, flutes and noises. Ten minutes wrapped in a calm climate evocating an ethnic eastern feeling. "Guitambient 2" proposes an intense interchange be…
Recital is pleased to publish the first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors. Joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin), Darkness was recorded in the summer of 1998 on a Tascam Porta-5 in Loren and Suzanne’s Brooklyn living room, and issued the following year as a limited CD by Secretly Canadian.
The tender gloom of Let the Darkness Fall sounds like a broadcast of som…
*2023 stock* What once started as a series of mixes has been expanded into this compilation, which brings together genres like electronica, modern minimalism, folk, post-rock, avant-garde or modular music. Compiled by Martin Riedler
For the 36th installment of our Catalytic Artist Albums series, we are excited to present an exclusive collection of improvisations on nylon string guitar by the exceptional, Tashi Dorji. Recorded over the month of August, this record showcases Dorji's most recent work and explorations on the guitar. We hope you enjoy it as much as we do!
Tip! Early acoustic guitar improv performances from the Bhutanese expat, who’d come to Asheville, NC to study in 2000 and discovered worlds of anarcho-punk and avant garde such as he’d only dreamed. Having made recordings of his newly-located improvisational conception, he intuited a desire to go deeper in his explorations of the recorded sound of the guitar, melding and colliding traditional music with his feeling for the range of textures within.
*2023 stock* "Phill is a sixty-something New York-based minimalist composer and multi-media musician and director of Experimental Intermedia, a foundation born in the flames of 1968's barricade-hopping. He says: 'What I am doing with my music is to produce something without rhythm or melody, by using many microtones that cause movements very, very slowly.' The stills in the booklet are from slides taken in China, while Niblock was making films which are painstaking studies of manual labor, givin…
*111 copies limited edition* Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electro…
*200 copies limited edition* A series of electroacoustic/acousmatic perfomances by TeZ (known for his collaboration with Clock DVA and the works on 13/Silentes with Fabio Orsi), based on live processing of acoustic sounds and field recordings. The improvisation with hybrid DIY and traditional folk/ethnic instruments, environmental recordings and archive audio clips is expanded through a series of generative filters, delays, pitch shifters and harmonisers, orchestrated in ever changing feedback l…
From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles. Fred Frith, as an infusion of energy and inspiration. 'Something about this Landscape was commissioned by Ars Musica in 2018. I composed the piece during a residency at Lou Harrison's s…
Live At Loft Shinjuku Tokyo Japan 23 July '81 (with Totsuzen Danball) is a jazz related improv/composition music live album recording by Fred Frith released in 1982.
'It was a rainy day at the recycling centre in Leitrim. There, amongst the tangle of discarded kettles and broken down toasters, I first laid eyes on her: a CRB Elettronica Ancona - Model: Diamond 708 E Electric Keyboard. She waited, resolved to her fate of slowly oxidizing in the drizzle before being crumpled into the back of a lorry heading for the landfill. Or maybe, she waited, knowing I would come. I smuggled her into the back of my van and brought her home. For years, she sat untouched in …
One of the most exhilarating shows he’d ever done, guitarist Chris Sharkey came away from his performance at the Fusebox in Leeds feeling alive. Just a few days before the world would slow, and two weeks before life in London would stop, keyboardist and 577 mainstay Pat Thomas, drummer Luke Reddin-Williams and Sharkey would go on stage to play for the first time together, having discussed and planned nothing. The improvisation, a gamble, worked. Recorded in one 50-minute track, one album, the pr…
Murmurists is a group of artists which convenes periodically to perform large-scale multi-media events using texts and graphic-scores composed and directed by Anthony Donovan. This CD, recorded over a significant span of time, draws upon such live and studio performances, channelling these years of diverse activity into a brand new work. Call it music theatre, sound design, documentary – as you will.
I like slow work. This is the third, and I think concluding, iteration in album form of an inten…
On this album Lucie Vítková and Merche Blasco explore cyborgness through their relationships with their instruments. Lucie perceives the accordion as an extension of their body - sound, matter, and movement locked in a self-generating cybernetic loop. Merche built Anette, a 3D printer, as her interlocutor and companion in the performance space; in return, Anette printed thimble-microphones Merche wears on her fingers, which render the machine's unique electromagnetic voice audible to human ears.…
"A couple of months before lockdown, the housing block where Tom White lived got covered in scaffolding. Residents were left in a building veiled by translucent white netting for months on end. This composition was made in this specific urban lockdown context: the fridge whirs, birds chirp on scaffold poles, electromagnetic activity & tape loops reverberate on the eardrums, within the home and out into the world. Composed of archive and site specific sounds, spring 2020. Medina Vibrations was o…
Recording live on a rainy night at Brussels in October 2017 “Pray For Your Prey” will capture your attention with it’s s striking power. An eclectic mixture of noise, experimental, free jazz and improvised music blended exemplary together creating a volcanic atmosphere.
"We have here three musicians with such a rich shared history that they might as well share the same blood. Each an accomplished solo artist in their own right, there’s a vibrant track record of collaborative work as well, with others and among themselves. The Gunn-Truscinski Duo has been a formal going concern for nearly a decade and a half, producing a fabulous string of albums for this label. Truscinski and Nace, along with Jake Meginksy, make up xo4, a group dating back to the early days of …
2023 repress. "In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly d…
2023 repress; LP version. "It's been ten years since Bill Orcutt released A History of Every One (EMEGO 173CD, 2013), a compendium of hacksaw renditions of American standards on acoustic guitar -- and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of e…
Throughout their legendary, decade-long run, The Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this year with the firs…