Bill Nace Plays the 2 String Taishogoto
Bill Nace turns a traditional two‑string instrument into a focused sound laboratory, contrasting a feedback‑touched, spiralling first side with a pared‑back, bodily repetition that slowly blooms into vast harmonic space.
Truly, Slightly, Overflowing, Whereabout of Good Will
On Truly, Slightly, Overflowing, Whereabout of Good Will, Keiji Haino and Reinhold Friedl strip everything down to voice and piano interior: incantatory howls, whispered fractures and scraped strings tracing a stark ritual of tension, silence and imploding song.
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Embrace 4: Orakelstücke / Aquin
On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.
Embrace 3: Magnetron / Quarz / Obsidian
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.
Embrace 2: Chains and Grain
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
Embrace 1: Jupiter Storm / Partial Intersect
On Embrace 1: Jupiter Storm/Partial Intersect, Polwechsel with Magda Mayas and John Butcher fold fixed media, stopwatch scores and free low‑string improvisation into a dense, shifting topology of resonance and friction, pushing their chamber‑reductionist language into newly electronic and spatialised terrain.
Scratch Music (book)
Very rare introduction to Scrath Music edited by Cardew including "scores" by the composer himself, Lou Gare, David Jackman, Christopher Hobbs, Howard Skempton, Tom Phillips and many other British musicians and artists, published by Latimer in 1972.
Stratégies Obliques III
Tip! *200 copies limited edition* The Stratégies Obliques series continues with two previously unreleased tracks. Still based on the principle of randomly drawn cards invented by Brian Eno and Peter Schmidt.
The Flicker
*50 copies limited edition* "Tony Conrad has always been a constant inspiration for both Glen and myself and one of the main reasons we started making drone music in the first place. When Paul Williams contacted me last year about the relaunch of Table Of The Elements, I proposed a screening of the Tony Conrad documentary followed by a performance of our duo Mertens & Steenkiste. As a filmmaker myself, I wondered if it would be possible for us to score one of Tony’s films, more specifically his …
Den falmede dag
A new year, some fresh Kashual Plastik. Absolute organic. The campfire is burning, FM radio in the air, with not so frequent frequencies. Gently waiting for the flood that brings no water. An accordion weeps, an organ cries, sweet acoustic guitar chords, a dancing piano, a shy voice, singing intimate stories. Sacred white noise in the off. Bits of found sounds in the accounts. Reverbs reversing. All in happiness, so full of melancholy. Dream music for open-eyed musers. Right from the Scandinavia…
Radis
Black Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontes…
Die Dritte Ebene
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon alone.
Live at Issue Project Room
On Live at ISSUE Project Room, Loren Connors and Alessandra Novaga turn the guitar into a nearly weightless medium, tracing an improvised, slow‑burn dialogue of tremors, silences and ghost‑melodies that feels less like a concert than a séance for two.
Drugs Are Nice
Originally self-released during 1990, a tapestry of noise, girls talking into tape recorders, pre- and post-song material.
Pieces For Broken Piano
Pieces for Broken Piano turns a weather‑wrecked 1916 Gebrüder Stingl grand into an accidental “prepared” instrument, as Miroslav Beinhauer navigates new works by Terry Riley, Philip Glass, Milan Knížák, Gordon Monahan, Elliott Sharp, Milan Gustar and Yoon‑Ji Lee written specifically for its fractured voice.
Issue 86 (Magazine)
Audion 86 arrives as a concentrated blast of deep listening culture, a 44-page A4 issue that treats the margins of rock, jazz and experimental sound as its natural centre. First published on 6 February 2025 in simultaneous printed and pdf editions, the magazine continues Audion’s long-running refusal to follow fashion, pursuing instead what its editors call “explorations in sound and music” - the points where history gets strange, regional scenes bloom in isolation, and aesthetics mutate far fro…
Improvisationen (LP)
The magnificent group of Egisto Macchi, Ennio Morricone, Franco Evangelisti, John Heineman, Mario Bertoncini and Walter Branchi on DGG's famed "Avantgarde" contemporary/electronic music series including a rare electronic piece, released in 1969. Essential.
Der Langwierige Weg In Die Wohnung Der Natascha Ungeheuer (LP)
Great 1971 avant-garde/jazz/electronic extravaganza featuring Gunter Hampel, Stomu Yamash'ta, Willem Breuker and others, released on DGG in 1972. With insert.
Atem / Morceau De Concours (LP)
1972 LP on EMI Eelectrola with two great pieces for trumpet and electronics performed by Edward H. Tarr.