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The new album from 400 Lonely Things, produced by William Basinski, is a dark ambient, sample-based séance to the Banning Mill -- a real-life decaying "mansion" and haven for artists, freaks, and misfits in the backwoods of the American Deep South in the 1970s-1990s -- and an extraordinary piece of art that lived there. An archaeological excursion in found sound -- wandering through the art and memory of a real place, Mother Moon is an origin story for 400 Lonely Things. In the '90s, Craig Varia…
*200 copies limited edition* "In our oversaturated digital age, where ubiquitous media connections enable instant gratification and a continuous flood of competing interests, we often make snap judgments as we multitask through masses of incoming information. Technological advances were supposed to unleash creative thinking, but this deluge has instead led to an erosion of our creativity and attention. In many ways, the idea of a 'long-form' music is unsuitable for and out of phase with our time…
*70 copies limited edition* "Here are our musical ambitions given form by electric guitars, keyboards and digitally recorded loops. Here are also the ambiguities and uncontrollable elements of life. You’ll hear the late summer wind in the background, the wind-chimes hanging from the garden shed, the kids’ feet walking over the gravel, their voices in the distance. Both worlds make this single-take live recording a whole." - Opal SatelliteRecorded on August 22nd, 2022 in Hämeenkyrö, Finland
*50 copies limited edition* One Instrument presents Galun's new album, composed by Russian artist Sergei Galunenko, who currently resides in Estonia. Titled "Golos" (meaning "voice" in Russian), the album reflects Galun's belief that the voice is the most crucial musical instrument, with each individual possessing a unique one. Galun's project relies solely on his voice to create all sounds, using beatboxing and special vocal skills, with some effects added to create electronic sounds. The resul…
*300 copies limited release* Superior State is the second Leitmotiv Limbo album released by Port Adelaide’s De la Catessen Records, after the 2022 CD Spiritual Disturbance. This time, Leitmotiv Limbo’s isolationist studies have been bumped to vinyl, which feels like the perfect format for these twelve miniatures. The project of Adelaide artist Elijah Värttö, Leitmotiv Limbo has, over the past few decades, tracked a history of quietly insistent experimentation, embracing several technologies – in…
"Exquisitely performed by the Benaud Trio … a meditative stillness and a quality of confiding sincerity … heightened by the unpredictability with which notes appear and disappear … there are special joys here.” - Graham Strahle, The Weekend Australian
Soccer Committee has always been an consistent exercise in restraint, and offering space. And on ‘♥ /Lamb’, this approach has been taken to perfection. The arrangements are still minimal, with plenty of time for the tones and melodies to resonate with maximum impact. Mariska Baars still carefully selects each note, and lets the sound evolve with precise care. Her songs are definitely rooted in the folktradition, but at the same time very ‘ambient’, in the true sense of the word. And still: there…
Tokyo's experimental musicians Toshimaru Nakamura and Suzueri collaborated on a CD released in April 2023 on the Italian experimental label Superpang. Includes two improvisational songs using piano, mixer, and self-made instruments.
*200 copies limited edition.* «13 Visions» is a series of compositions by Clara Lévy, performed by herself on violin. They are conceived as an imaginary meeting between two composers whose musical aesthetics share many common traits, despite the centuries separating them: Hildegard Von Bingen (c. 1098 – 1179) and Pauline Oliveros (1932 – 2016). The two composer's respective visions are thus intertwined by Levy in a cycle of thirteen pieces for solo violin. Somewhere between composition, arrangem…
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
This 12" is the sonic result of a psychogeographic action which took place in Zurich's underground water system at the beginning of winter 2020-2021. This is a purely acoustic recording. Recorded and mastered by Rafal Skoczek. Photography by Mark Siumin. Design by Maximage
*2023 stock. 300 copies limited edition.* The acoustic architecture of a specific space are explored through its surrounding sounds, subtle acoustic phenomena and the human voice. Resonances and reverberations are emphasized and prolonged through vocal interaction with sound space and not-conventional different microphone techniques. In this project Galarreta & van der Putten want to make the acoustic reflections audible, more than the direct source that generate it. The frequencies, amplitude, …
Conscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.
To understand tuning systems, to peer into the infinity of microtonal compositional strategies, is to imagine a sense of musicality that extends far out beyond the familiar harmonies of the western ear. Iranian composer Siavash Amini, a self-confessed tuning obsessive, has dedicated much of his musical investigations over the past half decade to unlocking new relationships between harmonic events. Moreover, he has sought new timbral relations too and in doing so has honed a particular sonic-aest…
*100 copies limited edition* An absolutely gorgeous long-form piece for trombone, its sustained tones billowing into spectral rumbles that open up trance-inducing harmonic spaces. Simultaneously monumental in scale and introspectively meditative, This Is What People Think Mountains Look Like leaves the brain swirling for days with its reverberations. The venue is vital to the overall recording given its reverberant nature, allowing Barbier to follow the sound of their own trombone as it develops…