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Hypotaedium is a 45-minute acousmatic composition consisting of 11 parts. The piece was conceived utilising the seven reverberation chambers at Tou Scene and the performance was recorded by Gaute Granli. This is Kjetil Brandsdal and Thore Warland’s fifth album and also the fifth in a series of records on Drid Machine Records featuring hand assembled and foil stamped Procédé Heliophore covers. Much like the source material that is re-worked, looped and cut-up throughout the piece itself, the cove…
*2026 stock* Hand marbled LP covers with foil embossing and screen printed info. Each cover is unique. Marbled vinyl.
Kjetil Brandsdal: Record players/sound effectsThore Warland: Percussion/sound effects.
Recorded at Consulatet, Stavanger. Benefits & Savings recorded live at RIMI/IMIR Scenekunst, Stavanger. Recorded and mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. Foil by Bokbinderiet Erland. Thank you: Gaute Granli, RIMI/IMIR Scenekunst. F…
*70 copies limited edition* This album invites quiet self-reflection within a carefully defined space. It traces the subtle movements of introspection, guiding the listener through a gradual journey toward a serene and final state of awareness.
Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.
*200 copies limited edition* Erik Klinga’s second entry in his Thanatosis trilogy is darker, more dystopian in its bloom. Where his debut glowed with incandescent warmth, Hundred Tongues absorbs the unease of the present and yet throws a flash of light, albeit blinding. Composed at Malmö Art Museum on the 16th-century Genarpsorgan, threaded with his Buchla synthesizer, field recordings from Skåne and Öland, and a deliberate, focused touch, it reads as one long form: episodes that coil, return, a…
In the ever-expanding universe of ambient and minimal electronic music archaeology, certain discoveries feel more significant than others - those rare moments when a previously overlooked recording emerges to fill gaps we didn't even know existed in our understanding of the genre's evolution. Stroom's reissue of Milan W's Leave Another Day represents precisely such a revelation, offering contemporary listeners access to a work that exemplifies the sophisticated minimalism that flourished in expe…
*200 copies limited edition* Pefkin is the alter ego of Gayle Brogan, a Sheffield-based creator of slowly-unfolding, ritualistic hymnals that draw deeply on landscape, nature, and the histories that bind them. Her sound is built from a mesmerising layering of voice, viola, analogue synths, harmonium, melodica, zither and field recordings manipulated with a kaleidoscopic array of effects. Hereby she blurs the boundaries between folk, psychedelia, and experimental music. Over the years her work ha…
On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou channel their friendship and atmospheric artistry into ceremonial focus. Spoken-word environments and orchestral imagination flow like tributaries into a unified stream, resulting in a collection of dreamlike songs and soundscapes anchored in sea, sky and stone. Through electro-acoustic instrumentation, voice, and environmental sound, Water Poems invites listeners into a subconscious space somewhere between everyday intim…
*170 copies limited edition* "Between September and November of 2024, I turned to sonic art making to cope with personal grief and to reestablish a sense of purpose after a family loss. Like a ritual, I developed a weekday routine, working in my studio from 1:30 to 5:30 PM consisting of field recording and improvisation with sine waves and objects. From this material, I composed six pieces that emphasize continuity and repetition, drawing on coarse, low, and deep resonances to embody the rituali…
*60 copies limited edition*
Recorded by Michael Thieke June 23, 24 2020 at Studio Wache, Berlin
Michael Thieke - clarinetYorgos Dimitriadis - drums, electronics
*60 copies limited edition*
All tracks composed / edited and mixed by Lorenzo Abattoir and Federico Dal Pozzo, September 2024
Sound samples by Michelle Anelli (Double Bass on track 2),Mauro Sambo (Saxophone on track 4),Riccardo La Foresta (Drums on track 5).
Tip! Algol is a new electroacoustic trio formed by Christian Lillinger (Germany), Elias Stemeseder (Austria), and Camilo Ángeles (Peru). The project was born during a collaborative tour and recording sessions in early 2024, between Mexico City and Guadalajara, and has since expanded with performances across various cities in Europe and Latin America. Conceived as an open system of real-time sonic construction, Algol operates at the intersection of composition, improvisation, and electroacoustic …
In Millesuoni, Deleuze Guattari e la musica elettronica (2008), Emanuele Quinz distills some of the key ideas on the nature of sound formulated by Deleuze and Guattari over the course of their work. Central among them is the dynamic of territorialization and deterritorialization—a strategy of appropriation and subsequent release, activated in the alternation between refrain and music.
A child humming alone to ward off the fear of the dark is engaging in a process of territorialization, marking a…
This triple disc release documents Stefan Goldmann's earliest electroacoustic works. These clear-cut algorithmic compositions, mostly created between 1999 and 2001, were built entirely with the TC Fireworx processor's internal synthesizer and effects. Generated and recorded anew for this release with the original programs, a central component of Stefan Goldmann's sound aesthetic is revisited and becomes available in pure form for the first time. His proprietary Fireworx algorithms feature pr…
On Repercussions, Kakuhan and Adam Golebiewski tangle sampler, cello and hyper-physical percussion into a 10-part suite of splintered rhythm and scraped resonance, a hallucinatory electroacoustic organism that keeps mutating between dance impulse, free improv and liquefied drone.
Clarity, more often than not, is a lie, a red herring. Truer, it seems, are blurred images and misty conceptions. Music history as a whole is undecipherable. Zooming in may bring some sense of understanding but many lineages lie far beneath the surface, made of obscure stories and oblique connections, like the ones that tie Joan La Barbara, Meredith Monk, Robert Ashley & Jacqueline Humbert - a scrawny branch in the genealogical tree on which now sits Thelma Cappello. Its motto reads: “voice is a…
How good does it feel to pull back from time to time? To really shed excess, more-ness, and follow a single path with intention? The exploration of one thing can illuminate corners of the world overlooked by minds pushed in increasingly omnidirectional cycles of want. Tone Keepers is a collection of four compositions by flutist, composer, and sound artist Rachel Beetz that follow a straight line into unexpected territory. Each piece revolves around a simple but inventive technique for generating…
*100 copies limited edition* ‘Einde Were’ is the debut solo album by guitarist Nicolas Van Belle, recorded in late 2024 at Zinnema in Brussels. It will be released as KR007 on Klankhaven Records on vinyl, accompanied by a booklet of texts. At its core a mourning record, the central theme of this album is as old as time itself: the existential crisis that follows a breakup, loss, and/or farewell. Nicolas Van Belle transforms this universal aspect of life into a ten-part musical epitome, in which …
On their new album Fata Morgana, an illusory trip of emotion and confrontation, Belgian duo schntzl conjure mirages of fleeting realities while diving headfirst into a trance-driven, confrontational digital sound. Fata Morgana unfolds like a hyper-visual journey, constructing enveloping dreamworlds through trance-infused live electronica. Yet trance here is present not in form but in essence—an intensity, a state of being. It may stir the same emotions as club music, but schntzl express them in …
* Special embossed, die-cut sleeve with 56-page booklet - 200 copies on black vinyl * Aude Van Wyller (aka Oï les Ox, aka AI les Axes) joins forces with acclaimed poet Lucy Van, author of The Open (2021) and Australian Women's Historical Photography (2024). This debut collaboration weaves together Van Wyller's ambient mutations with Van's incisive, luminous words.
In Material, words reach for the image, sounds reach for the word, and one thing becomes another. The result is an intimate, tactile …