Country Tropics
Released in 2021, Country Tropics was the first offering from Old Saw. At the time, no one was really certain who was behind the lush and textured arrangements of a soon to be beloved ensemble of New England based musicians. 5 years and 4 albums later, the group announced that their fall 2025 double album, The Wringing Cloth, would be their last. An outpouring of affection and adoration for what the group had accomplished followed, with many noting just how unique a space Old Saw occupied with…
Sans Visage
Félicia Atkinson first saw Les yeux sans visage (Eyes Without a Face), the 1960 horror film by Georges Franju, when she was a teenager, around the turn of the century. At the time she was frequenting arthouse movie theaters, immersing herself in cinema, and she was encouraged to go by her father. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision…
Dissectologists
*100 copies limited edition* Compelling new collaborative works from longtime musical colleagues going back to the early 2000s in Austin with The Weird Weeds. These deftly paced pieces enhance the artist's now highly evolved and nuanced sonic palettes, venturing thoughtfully into warm and hypnotic sound fields merging two very unique approaches to abstract guitar Sedimental’s connection with these artists is long running, having released the final Weird Weeds album in 2012 that featured both Rus…
On Dark Silent Off
*2026 stock* Radian creates a field of tension between extreme dynamics, freely improvised parts and meticulous construction, an inherent contrast between soft sounds and sharp edits. Radian’s recording/creative process takes a central role in shaping the pieces. It is a two-fold process of creating material through improvisation, sound experiments and processing on the one hand, and a routine of carefully selecting and editing this material on the other. It is often the case that mere snippets …
Distorted Rooms
*2026 stock* Vienna has a storied history as a ground-zero for new music. Radian, who calls Vienna home, embodies the city’s spirit of innovation. Martin Brandlmayr (drums, electronics), Martin Siewert (guitar, electronics) and John Norman (bass) are stalwarts of the European contemporary music community. Radian’s angular, expansive music delights in tension and contradiction, sound and silence, improvisation and composition. The trio employ a singular and wholly unique sense of microtonality. W…
Diffraction
*2026 stock* Diffraction is the amplified reflection, across a wider sonic territory, of what takes place within the making of DDK’s music. A composition written for the GGRIL, in which the three musician-composers weave their texture by juxtaposition, by overlay, in parallel, always within the musical material itself. But Diffraction truly comes to life only through close collaboration with the GGRIL performers, where each person’s character becomes raw material. A compositional process intimat…
Rhabdolith
*2026 stock* Music primarily for saxophone and electronic sounds with an intermission for electronic sounds and AI text to speech synthesis. High quality audio, in stereo, divided into two sections, as this music was initially intended to be released on a cassette tape
The equipment used on this record are the following: Selmer Series III Soprano, Make Noise 0-Coast, Koma Electronics Field Kit and Field Kit FX, Ableton, Keith McMillen Qunexus, Landscape Stereo Field, AKG C411, Critter and Guitar…
Double Bubble
*2026 stock* Named one of 23 artists who are “changing the sound of classical music” by the Washington Post, Ben Roidl-Ward has been praised for his “dazzling technique” (The Sydney Morning Herald), “breathless virtuosity” (Bandcamp Daily), and “astounding flexibility and range” (The Double Reed). He is the Assistant Professor of Bassoon at the University of Illinois Urbana-Champaign and also holds positions as Principal Bassoonist of the Chicago Sinfonietta, the Illinois Symphony, and the Champ…
Birds Measuring Space
During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies of cave-dwelling Guacharos (Steatornis caripensis), Juan Guillermo Garcés, director and founder of the Rio Claro sanctuary, allowed me to access a secret location outside of the reserve, home to what ornithologists reckon is one of the largest known…
Bright Lights, L'il City
Bright Lights, L'il City was recorded from November '22 until August '25 in Chicago, Kilkenny, Cork and Glasgow. Played, Recorded and Mixed by Sam Scranton and Neil Quigley
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 3 - The Stray Sod
The Kilkenny Electroacoustic Research Laboratory (K.E.R.L.) announces the release of the third and final volume of its acclaimed anthology, a richly layered exploration of experimental sound, artistic collaboration, and the cultural phenomena orbiting the enigmatic Kiely cousins, Owen and Tom. Bringing the series to a compelling close, this volume bridges archival research, oral history, and critical reflection, tracing the roots and reverberations of a uniquely Irish avant-garde movement. The b…
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 1 (1965-89)
A curated collection of music and sound experiments from the archives of the now defunct Kilkenny Electroacoustic Research Laboratory.
Pas de la Demi-Lune
"Halfway between the Summer Solstice and Autumn Equinox falls the pagan Lughnasadh festival marking the beginning of the harvest season in Ireland. Pas de la Demi-Lune was originally composed and performed for this festival in a celebration event organized by Phelim Ó Laoghaire. For that occasion, Dylan performed the piece in the river crossing leading to the Brennanstown Dolmen in Co. Dublin, a megalith portal tomb estimated to have been erected sometime in 4000-2500 BC. They chose to record in…
Kite
*200 copies limited edition* Mysterious lycanthrope and sound-explorer from Gothenburg, Sweden and surrounding forests - behind the name Ratvader is the composer Oscar Sidoff Rydelius. Discreet Music crossed paths with Oscar for the first time during 2025, a chance meeting that resulted in the enchanting 14-track album Kite now released on Gustaf Dickssons in-house imprint Frihetens Förlag. Evocative and strangely moving soundtrack-style compositions that at times feels like the medieval bastard…
Live at Somewhere
"I call it ‘the Shadow Pattern Vignette’. A fragmentary and pleasingly non-discriminatory exercise in audio capture which, when sequenced, compiled or arranged alongside other such vignettes, leads to the finished work of Nate Ivanco’s Shadow Pattern. You can reach into the hermetic depths of his Hamilton Tapes micro label, recent transatlantic appearances via Infant Tree, Chocolate Monk or adhuman, or indeed, this new LP ‘Live at Somewhere’ and find the Shadow Pattern Vignette. Forever in evide…
Movie
*150 copies limited edition* Filmmaking and music-making share a common element of worldbuilding. Whole cloth, environments are raised in which a perspective can be placed; the viewer, the listener, is taken on a ride into the unknown for a time. Movie, the newest album by DMV-based duo Lifted, is like a film shot with microphones rather than cameras, using the pacing, spatialization, and semiotics of cinematic sound design to lead us through a surreal soundworld that draws as much from Foley ar…
Fragments of Soaring Vessels
The tracks that make up Fragments of Soaring Vessels are conceived as “sensitive vehicles.” Although they seem quite different at first listen, closer listening reveals multiple points of intersection—often overlapping, sometimes paradoxical. The Inexpressible Feeling of Dereliction approaches an attempt at a sonic transposition of a feeling of emptiness and rupture that may arise in an extreme situation, in which a pious person is confronted with a moment of absolute disillusionment regarding t…
Faint Light Blackens
*200 copies limited edition* On his fourth solo album, and debut work for the Psychic Liberation imprint, Henrik Munkeby Nørstebø presents Faint Light Blackens, a negotiation between the atomized instrumentation of the solo trombone is pushed towards a “full range wall of sound” over the concise sprawl of seven distinct acts on two sides of a vinyl record. The seven acts that make up the album were developed specifically for recording within Emanuel Vigeland’s “Tomba Emmanuelle”. The fresco with…
Helt
Formed in 2022, Fjall features a cornucopia of instrumental sounds, both acoustic and electronic, which the group uses to create soundscapes rooted in folk and ceremonial music, together with field recording material drawn from the sounds of the natural world - all mixed together on a canvas of open ended improvisation. This release documents in full two performances by the group, both in front of large and attentive audiences.
Where It Starts, Where It Ends
Beyond the Beat is the debut album of Arthur Fussy/Modular Synthesizer and Judith Schwarz/Extended Drums. Both make up 2/3 of the group Other:M:Other whose debut album was released on Klanggalerie, and whose second album will follow here soon. Arthur also works a lot for the theatre, and Judith plays in many bands, amongst others Gina Schwarz's Pannonica, Mel*E, PRCDR with Manu Mayr (another Klanggalerie release), ChuffDrone (new album coming on Klang in autumn) and Little Rosies Kindergarten.
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