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kÖök continues their journey into the unknown and invites vocalist Sarah Camille and folk musician, Harding fiddler and harpist Tuva Færden into their musical universe. Over a few days in the studio, the four musicians have played and experimented with sound and interplay, and the result is a unique soundscape consisting of poetry, improvised Norwegian folk tunes and extended use of instruments, voice and space.
The music and song titles paint a picture of a gloomy world, but with hope for a bri…
*50 copies limited edition* Franz Kirmann returns to Bytes for his eighth solo album, available exclusively on Bandcamp from October 29 on cassette and download (released on all platforms on November 5). The “Almadies” are long wooden boats used by Senegalese fishermen. It is also the name of the neighborhood where Franz grew up, in the suburbs of Dakar near the Atlantic Ocean.
"These new compositions are the result of sound experiments conducted over the past few months and reflections on the c…
*200 copies limited edition* FOQL, aka Justyna Banaszczyk, returns to Pointless Geometry with a new album after 10 years. It was her record that opened the label’s catalog, and now, symbolically, we close a decade and open a new one with her release. Bug Poems leans towards sound poetry, exploring the voice, touching on strange emotions—the fear of the alien-insect, but also the fascination with it. It is an attempt to capture a feeling. The new album by FOQL is the result of months of research …
Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio.
Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued…
Sound images collected in abstract tales: this is perhaps the aspect that emerges from the explorations of “Aura”, a research in which the continuous recoding of signs is drawn at the same time from the temptation of unlimited semiosis and the structural coherence of musical composition. These pieces reflect a working method that always starts from field recordings and concrete sounds. They may have been recorded in closed or open spaces, in cities or in natural places. Their subsequent digital …
P'derrigerreo is a project by G Patrick Foley and Pierre Plantevin, who live in the United States. Although they look mysterious because they have released few works, they create very interesting sound collages with their unique sense. This work has the texture of a collage that seems to have been made using tape manipulation, and it reminds us the some eerie works of Nurse With Wound while changing their style from sound collage to noise acoustic, the precision of the electroacoustic compositio…
Culmus (Latin for "stalk") marks the latest chapter in an ongoing collaboration that began in September 2023 and continues to evolve. As co-inhabitants of a shared ecological and mental space, Franki Wals and Chang Deng-yao navigate a sonic continuum that bridges the human and the non-human, creating a piece where electroacoustic improvisation productively meets the indeterminate resonances of wind-activated plant matter. These materials intertwine and form a subtly layered aural tapestry, where…
Fractured Landscape Vessels is a collection of deconstructed sonic ceramics. Each of the four pieces is a vessel containing interconnected vignettes of space and place. Inspired by local Cornish landscapes and the drift and drag of everyday life, the work fractures field recordings of various terrain through manipulated gestures and performance. In doing so the process has created an exhibition of partial scenes, obscured photographs and fragmented pieces put back together.
Heavy Cloud is a pro…
Thorsten Soltau is a Germany-based artist who has been working since 2009. Until now his works were released on labels focusing on noise/soundscape such as Auf Abwegen, Gerauschmanufaktur, Chondritic Sound, Sentimental Productions, and so on. Glaciers, dedicated to his lost friend, is a 31.5 minutes long piece and it is filled with ambience and electronic drone. The tones are sometimes gentle and warm, and sometimes melancholy. There are sounds of objects, voices, electronic sounds, and various …
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
Movement, unpredictability and found sound take center stage as Clinton Green and Ernie Althoff bring together turntable constructions and hand-built kinetic instruments. Their joint work finds a magnetic middle ground between gentle percussive chaos and immersive, floating textures—highlighting the overlapping of machine logic and human touch.
Porch Music is a double album uniting Mitchell Brown (Gasp), Paul McCarthy, Joe Potts (Airway), Alex Stevens, and John Wiese (Sissy Spacek) from the Los Angeles Free Music Society, documenting the group's studio session at McCarthy’s studio and their inaugural live set from The Box gallery. Crafted from melting cinematic sounds, this release captures the ensemble's exploratory spirit with artwork by Ace Farren Ford.
As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive sense of poptimism, it’s easy to see how David Cunningham and Peter Gordon immediately hit it off upon initially meeting each other back in the late-1970s at the height of their youthful transgressions. Having initially worked together on the second Flying Lizards’ LP fourth wall, with its ingenious fusion of dismantled rhythms and rearr…
Theo Alexander’s Stable Processes with Slow Ornaments, released by Flung Records in 2025, is a 36-minute single-movement work for viola, bass clarinet, and eight tape players. The composition fuses acoustic and electronic textures, unspooling as a patient meditation on resonance, memory, and the slow shifts of sound in space.
Refracting beatifically through realities and mirages flickering along his aural parade route, Animal Collective’s Geologist rides the high country on a hurdy gurdy of many colours. Via the mystery science of musical engagement, we take his sonic kaleidoscope of encounters into our own experience as we listen. That’s the beauty of Can I Get a Pack of Camel Lights?, the debut solo transmission of the heart and soul and life and times of Geologist.
Microphonies 21 by Marc Billon is a long-form electroacoustic exploration centered on the resonances of a tam-gong. Blurring the line between acoustic gesture and electronic transformation, the work unfolds as a slow, tactile meditation on vibration, decay, and the physical act of listening itself.
Unterhaltungen mit Larven und Überresten by Läuten der Seele (Christian Schoppik) unfolds as a haunting electroacoustic collage. Looping fragments from vintage “Heimatfilme,” field recordings, and diverse instruments evoke a surreal, dream-prone nostalgia. The album balances hypnotic repetition with spectral detail, drifting between tenderness and uncanny unease.
LP with obi strip, incl. booklet. Australian composer Oren Ambarchi and Norwegian guitarist Fredrik Rasten present Dragon's Return, a compelling new score for Eduard Grecner's 1967 Slovak cult film of the same name. Released via Viernulvier Records, this collaboration emerged from a live performance at the Videodroom Festival during Film Fest Ghent in October 2024, where the musicians premiered their improvisational soundtrack alongside the restored black-and-white parable. What began as a singu…
Tip! A dream within a dream - Innocent and whimsical song-craft from a vibrant pocket of the contemporary Italian underground via Naples-born Lucia Sole aka La Festa Delle Rane. New split release between ANF and Tokyo friends Conatala.
It’s impossible not to be totally captivated by this. Lucia’s explorative, imperfect song-writing leans into a sense of cranky, domesticated nostalgia and soft melancholy - songs (you can just about call them that) are just about held together by a loose thread …
*70 copies limited edition* In the mid-1960s, Teresa Viarengo, one of the most vivid memories of Piedmontese folk repertoire, confided this song among many others to Franco Coggiola and Roberto Leydi. The ballad is also mentioned under the title “Un'Eroina nei Canti popolari del Piemonte” (A Heroine in the Folk Songs of Piedmont) by Costantino Nigra. It is a bloody story in which a count marries Munglesa, the daughter of a baker, takes her to his castle and, along the way, confesses that he has …