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*70 copies limited edition* "On his new album Tongue Ebbing Into a Tenebrist Dusk, St. Louis artist NNN Cook explores the complex terrain of speech and thought, of quiet interiority and the outward expressions that can emerge from it. Following this interest in language, each track title presents a variation on a tongue depicted in a new tint, though the tracks themselves are also chambers for presenting Cook’s unique approach to the Rhodes piano. The instrument here is stripped of its common as…
Maciej Envee Goliński is an artist who probably needs no introduction. He has been working with U Know Me practically since the label's inception. His last album ("Time & Light") made a huge impact worldwide, but we had to wait eight years for the next vinyl release. In the meantime, Maciej has certainly been busy – he has released numerous club singles under several aliases, and has helped record and mix numerous albums from the world of jazz, soul, and electronica. "Wyszymory" is a carefully c…
Violeta García and Hora Lunga return with 4ever, their second album and the follow-up to I’ll Wait For You In The Car Park. Released in 2025 on -ous, their debut received airplay on BBC and NTS and was selected for Bandcamp’s Best Experimental Music year-end list. 4ever picks up where that record left off: in ordinary moments, small scenes and the strange emotional weight of being somewhere between places. But here, these moments are stretched across a much larger, darker screen. A night flight,…
*300 copies limited edition* Pressure is the medium of wind players. Wind instruments all sound thanks to pressure differentials, whether that’s the rush of wind over a lip plate or a steady, buzzing exhalation through pursed lips. Ka Baird and Chris Ryan Williams (HxH) are wind players well- schooled in the power of using pressure and movement to amplify the mystery of an invisible force animating a metal tube. They augment their instruments, flute and trumpet respectively, with electronics, so…
On Phren, Marta Salogni and Stefano Pilia build a shared electro‑acoustic architecture where guitar, tape machines and field recordings circulate like memory in motion. Signals move through modular processes, echoes and Revox loops until origin and reflection blur, turning six slow‑unfolding pieces into a living study of sound, time and feeling.
100 copies limited edition, on white/blue vinyl edition Accessing the history of avant-garde and experimental music from Latin America has always been a complex affair - the true breadth of activity during the second half of the 20th Century sinfully under-documented, the result of political and economic circumstances that unfolded across decades. Over the last years, reissues have begun illuminating the remarkable creative triumphs that transpired in Peru, Chile, Argentina, Cuba, Brazil, Venezu…
*200 copies limited edition* Rope is a collaborative improvisation between musician and producer Al Wootton and musician and percussionist Irene Bianco. Wootton’s hardware processing of various sampling methods, plus guitar, bass guitar and clarinet, provides a counterpoint for Bianco’s experimental treatments of drum kit, bells, vibraphone and other percussion instruments. The result is foggy, dubbed out, glacial, free form compositions that defy categorization.
Hocketus is a new album for violin, cello, and electronics by Gage Salnikowski and Nathan Krahn. Built around a series of original MaxMSP patches, each piece creates a different relationship between the performers. Sometimes the electronics force one instrument to silence the other. Sometimes both players work together around a single sine wave. Other times the system latches onto pitches, interrupts signals, or shifts the balance of control between the musicians. Every performance is improvised…
*2026 stock* It is the meeting between Marc Hurtado, known for his duo project Étant Donnés created in 1977—French experimental and industrial music—and Mark Cunningham from the New York No Wave scene since the late 1970s, under the entity Mars and compiled by Brian Eno in No New-York. The album Infini was born in 2020 and completed in 2023. This particular project is a kind of 360° astral journey—at the speed of light—carried away by grace, madness, fire, and the kaleidoscopic whirlwind of the …
Taking its name from the opening lines of Heinrich Heine's Der Doppelgänger — later set to music by Franz Schubert — Still Ist Die Nacht gathers a sprawling network of collaborations into a single collection, compiled and directed by Aleksandr Popkov.
The release features work by Buna (Yaroslav Krasnov, Aleksandr Popkov), Infinite Source Loops (Aleksandr Popkov, Nadja Sky, Time Consumer), and 0018 (Administration Des Ventes, Nadja Sky, Time Consumer), alongside solo material from Aleksandr Popko…
Fohn conjures a dreamlike landscape of introspective beauty, loneliness and transience from analogue tape and field recordings on new album, Porcelain. A late summer evening in southern France. The dry mistral wind billows the washing that hangs outside the windows on narrow streets, bringing with it the first whispers of autumn. In the distance children are playing in the square, their shouts caught in the dust whipped up by their feet. A bell tolls, the light dies, and a rich, compelling soli…
On The Fullness of a House, Nial Morgan turns cheap fans, glasses and wood into a nervous, breathing architecture of sound. Domestic surfaces vibrate, stall and shimmer, yielding a quietly gripping electroacoustic diary where technical fatigue, spatial resonance and emotional ambiguity are held in fragile equilibrium.
*2026 stock* With Unit of Time, Hans Hulbækmo and Egil Kalman aim to show that we can experience the essence of time through rhythm. How can the perception of time—both for the listener and the performers—be turned completely on its head by rhythm? By zooming in on rhythms from traditional music from around the world, the hyper-focused interplay of free jazz, and the rhythmic structures of just-intoned drone music (which is essentially about resonant intervals built on polyrhythms), these gentle…
Double Amps emerged from a very specific situation. In early February 2025 a short tour through Belgium and the Netherlands took place with Dietrichs. For those concerts a dedicated stereo setup using two amplifiers was developed. Around that configuration a structured set with taishōgoto was built – a framework that allowed space for improvisation and for the sound to unfold freely on stage. A few weeks after the tour, circumstances created the opportunity for a concentrated week of recording. …
*200 copies limited edition* The seventh record from the Open to the Sea project (Enrico Coniglio, Saverio Rosi and Matteo Uggeri), Beyond the Emotional Flood, was created between Venice, Amsterdam and Milan over a five-month period in 2023, during which the three musicians experienced, separately yet synchronically connected, moments carrying an intense emotional weight.
Channeling these experiences into the four Acts that structure the album's 10 tracks allowed them to sublimate the emotional …
“La Proyección”, the debut LP by Jose María Lluch, architect and musician from San Sebastian, appears as a transition, a gradual shift that happened over time. Intimate and innocent, disconnected and erratic at times, the 11 compositions presented here are extracted from recordings spanning 9 years, between 2015-2024. Humbly assorted in his home studio, the music here is for letting your mind drift. The processes of composition, recording, and editing intertwine. Field recordings from daily chor…
Jessica Roch is a London based, award winning composer, multi instrumentalist, sound designer, and improviser. Her solo work moves fluidly across genres, weaving ambient and electronic textures with elements of minimalism, jazz, folk, and experimental music. A classically trained violinist and pianist, Jessica creates music for film, games, and contemporary media, while also collaborating as a session musician with artists including Super Furry Animals. In 2025, she received a Composer Spotlight…
*2026 stock* This concert recording is something of a miracle. Nothing suggested that this album or even the performance it documents—pro- duced in extremis, in the middle of a global pandemic, with ever-chan- ging public health orders—would see the light of day. A few weeks prior to the event, no-one knew if the concert would happen, nor did I know what we would be performing! Really. Almost half of the program was composed four weeks before the show. From the outset, I knew that the set list w…
*2026 stockn* Last time, RLW (Ralf Wehowsky—active years ago on P16.D4 and since then releasing a largely uncategorizable brand of noise music across numerous publications) thrilled us on these pages with his album Satanic Inventions. Now, again on Stephen Meixner’s label Black Rose Recordings, the similarly conceptually dense album Fading Pictures is released.
In the liner notes, Wehowsky describes the close connection between electroacoustics and Cinéma L’Oreille. He understands electroacousti…