NK012
*150 copies limitede edition* Originally released by Umor Rex on cassette in 2015, NK012 documents the first-ever musical meeting of Berlin-based musicians Aidan Baker (Nadja, Canada), Andrea Belfi (Italy), and Erik Skodvin (Svarte Greiner / Deaf Center, Norway). Now, more than a decade later, the album is available on vinyl for the first time, newly remastered for the format by Rafael Anton Irisarri. This marks the third release in a series of four special, limited reissues to be released in 20…
Displaces
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
Far Away Worlds
*2026 stock. 150 copies limited edition* Sounding waves between the inner and outer spaces, electromagnetic forces from the breathing ether.
Athanor
*150 copies limited edition* Within him lies a chamber made of attention rather than walls. There, a quiet warmth works without flame, loosening certainties, refining what has settled into form. Nothing is forced; everything is listened into being. A tone, a shadow, a fragment of light; each pass through him as trace rather than possession. The world is not captured but accompanied, allowed to breathe, to fade, to re-emerge altered. In this inward vessel, transformation is a discipline of patien…
L'Anticristo (O L'Accettazione Del Male)
*2026 stock. 150 copies limited edition* This new album titled "The Antichrist or the Acceptance of Evil" is a project that is particularly important to me. It's a difficult theme, discussing violence, which exists in each of us, and how we make it seem normal by accepting and justifying it. Unfortunately. It is an imaginary story of a person—whether man or woman doesn't matter—who, by experiencing violence, discovers themselves.
Can I Stare at You Publicly?
*300 copies limited edition* Berlin-based percussionist and vocalist Teresa Riemann presents Can I stare at you publicly?, a new collection of solo works for percussion and voice. The pieces are meticulously composed, while their origins lie in improvisation, and improvisation remains part of the way Riemann performs them. The compositions stay open, allowing her to interpret them differently each time and keeping the music in a state of movement rather than fixing it into a final form.
On “The …
Anoxia
*2026 stock* The second L A N D album, Anoxia, sees Daniel Lea return alone with an outing that marks a shift from the industrial-inflected jazz-noir of 2012's Night Within into distinctly new terrain. Mixed by Ben Frost at Greenhouse Studios, Reykjavík; mastered by Rashad Becker at D&M, Berlin. CD packaged in a combination offset/screenprinted jacket. "Anoxia" means "total absence of oxygen," and in Lea's hands the term heralds aural environments that are full of the dreams of humanity yet may …
Drëun
This is supposed to be a 40th anniversary reissue. Well, it's still this but with year of a delay.. Well, it's still it but with year of a delay. It was told enough about the early Metgumbnerbone recordings. We just keep some quotes here.
"It’s hard to imagine anything more haunting than the folk horror ritual sounds which Metgumbnerbone conjured forth in the Ruins of Industry." - Kristian Olsson, Shock Tilt
"Working mainly with percussion, Metgumbnerbone evolves an improvisational continuum tha…
Free Jazz Dell’Inferno (No Self, No Swing, No Jazz)
Úgjü is a sound reflexes. A guttural protosonic babble or screech. The first phase of language acquisition among humans. Úgju, is a powerfull “Name" from something like a deity in that secret universal spoken language in the first months of life by all the newborns of the world; a protolanguage that transfers all the ancestral codes together with our DNA ... like a biologic operating system installation. So “Úgjü” is the beginning, and “Sectas” (in the sense of all religions) that destroyed…
If I'm Not A Woman Why Do I Ache Like One
If I'm Not A Woman Why Do I Ache Like One is performed using a Roland FP-30 digital piano and a pedal board. The title relates to my experience of being on the receiving end of misogyny as a gender fluid, transmasc person. I always feel a level of gender dysphoria whenever I am perceived as a woman, but when that perception is paired with misogyny it adds a whole other layer of anger and ache. Being told I am less than because someone perceives me as female not only makes me feel dysphoric, it a…
Azoth : Music For The Pyramis Harp
The trio Bolt Of Void reveals signals that arrive across warped space-time. Their alchemical soundings glide through ancient forms, pulling the listener in and out of a lucid state of being. It is in this arc of descending and ascending motion that spirit is congealed from the fog of nothingness. Through a hypnogogic portal the ear is met with something intimately close and delicate, and also evading perception along a distant horizon, heard but unconfined. Sound in its ability to be perceived a…
Burning Song
Kali Malone's first solo album since All Life Long, recorded over two nights on the Bach Organ of Leipzig's Thomaskirche with Lucy Railton and Stephen O'Malley. Seven pieces that abandon canon form for a slower, more intuitive unfolding of chords, steps and bridging tones.
Stiltje
An album consisting of four magically shimmering instrumental works. Moreover, both the album and its sleeve are more or less transparent—in other words, the especially perceptive music lover can truly see the light through the sound.
AO is still a well-kept secret from Gothenburg: a new name from the Swedish underground, yet with long tentacles reaching back through the ages. AO creates an intelligently playful and playful music, with many dizzying points of entry, winding rooms, and smiling ex…
Swerve Of Shore
Composed, Performed, Recorded By Mark E Kaylor. Instrumentation includes : analog drum machine, drums/percussion, piano, vibraphone, c tenor sax, c & Bb soprano sax, trombone, tuba, tenor guitar, electric guitar, analog oscillator, bass clarinet, tenor recorder
Arid Parallel
*2026 stock* "When two desert ecosystems collide, the arid terrain blossoms with thriving biological and geological diversity, generating the feeling of existing in two superimposed universes at once. It is deeply appropriate that Cecyl Ruehlen and Derek Monypeny–living, respectively, in the Sonoran and Mojave deserts–would meet at High Desert Soundings festival in Wonder Valley, CA, not far from where those vast southwestern deserts converge. This fated introduction, along with the duo’s shared…
Fluid Crystal
*2026 stock* composed & performed by chelsey lee trejorecorded, mixed, and mastered by andrew weathersrecorded at wind tide | littlefield tx | on the fall equinox | sept 2024photos by chelsey lee trejo | design and layout by cecyl ruehlen & chelsey lee trejo
Gate
*2026 stock* Bolt of Void was sleeping in the dark, earthen soil for almost 7 years, and like the locust, the group emerged again, anew -- Gate is a wormhole, unlocked ceremonially -- A star-gate traversal that reaches terminal velocity and the feeling of moving forwards, backwards, and not at all become the same. Centered around extreme noise, drone clusters, and atonal portal jumping, the trio's dense sound is powered via three expanded lap steel guitars, bells, and resonant metal. Bolt Of Voi…
Live In Japan
Bolt Of Void // Performance DocumentRecorded Live AtDuct // Nagoya JapanSubstore // Koenji-TokyoJuly 2026
Errands
Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…
Pierced (June17th)
To be pierced is a process of change: what’s inside opens to what’s outside, and vice-versa. 'Pierced (June17th)' is a document of such a process, a series of reorientations following a rupture.