Land of Waves
On her 6th album, the French electroacoustic composer Bérangère Maximin explores the idea of a kaleidoscopic world - a sonic aggregation of living creatures, plants, minerals, nature and buildings, using various sound objects, small percussions, synths, electric guitar, voice and electronics.
Acoustic Shadows
SA Recordings present a new LP from the acclaimed New York composer, performer and sound designer Lea Bertucci. A work of three interlinked incarnations, ‘Acoustic Shadows’ began as an event, which then became an album and has inspired a sample library for other musicians.
The Event (recalled by Lea Bertucci)
“Acoustic Shadows I-III was a series of site-specific musical performances and a sound installation that took place in the enclosed hollow body of the Deutzer bridge in Koln, Germany, 2018.…
Oscillations planétaires
Oscillations planétaires was realized in 2017-18 at the composer’s studio in Montréal and premiered on July 13, 2018 on the radio program Klangkunst broadcast by Deutschlandfunk Kultur (Germany). Oscillations planétaires evokes geology. In all the layers that make it, from its core to its surface areas, Planet Earth is inhabited by undulatory motions of extremely varied temporal scales. Some are inscribed in a geological timeframe while others follow a daily cycle. This oscillatory ensemble cont…
Yegl
“The electroacoustic works of Elsa Justel are striking for their rich morphological invention: canvases made of minuscule yet consistently varied sounds; stratified figures made of multiple simultaneous shots, intertwining with one another; tremblings turning into sharp and lightning objects; objects of all sizes, objects so diverse they relentlessly keep hold of your attention. […] This music imitates nothing; it is there, warm and savant, controlled yet free, vigorous and intelligent.” - Horac…
Optical Cadillac - The Granitoid Panics
A split 10inch with Jean-Philippe Gross on one side and Golden Oriole on the other. The first one delivers 7’30” of an impulsive electronic quicksand where everything seems unstable and elusive, with that strange feeling of not knowing if you are moving forward or not, or that experience of a “non-Newtonian fluid” – a fluid you can walk on. In short, we are between immobility and speed, between raw materials and etheric frequencies!
The second Golden Oriole, Thore Warland, drums, and Kristoffer …
Plafond de verre
Lunar Error is a group of musicians based in Lille. They work in the field of drone, continuum but mainly acoustic. After Sêlêne published in 2017 on the same label, they decided to work with Jean-Luc Guionnet who, here, considers contemporary composition for ensemble as a work both plastic and reflexive, using drawing, writing, typography, diagram, plan, non-idiomatic notation, questions of musical writing, interpretation, as well as individual and collective playing techniques, up to the sound…
Laced With Rumour: Loud-Speaker of Truth
Weaving an intricately detailed tapestry of meditative, spiritual jazz and dream electronics, Maxwell Sterling’s astonishing second album "Laced With Rumour: Loud-Speaker of Truth" blooms in the cracks between Alice Coltrane, Talk Talk and Kara-Lis Coverdale, gently coaxing us into a trance-like reverie where the real and artificial morph into one pulsating organism.
Ascua
**200 copies** Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion and electronics, Juan Garcia on double bass, and Ignaz Schick on turntables, sampler and electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.
Recorded by Ignaz Schick at Ausland in Berlin on August 7, 2018.Mixed & Mastered by Werner Dafeldecker in Berlin…
Anáhuac
**CD version** Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion and electronics, Juan Garcia on double bass, and Ignaz Schick on turntables, sampler and electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.Recorded by Ignaz Schick at Anáhuac 33 in Mexico City on May 22, 2016.Mixed & Mastered by Werner Dafeldecker in B…
Luz Azul
**350 copies** "Luz Azul is a group started by LA-based vocal and performance artist Anna Homler (aka Breadwoman) together with musicians Marcos Fernandes and Robert Montoya in 2007. On this record they compose their own mesmerising cosmic universe where the hypnotic speaking in tongue voice of Anna Homler blends mesmerisingly together with the sound of her found toys, intensified by the shamanistic percussion of Marcos and the pulsating electronics of Montoya. As fellow percussionists and sound…
Moov Spot
As after the first Musica Genera Festival here goes the release from the 2nd edition. First performance together by Dörner, Fuhler and Noetinger gives to the listener an unexpectable approach to the electroacoustic improvisation. Sounds of acoustic, analogue and digital instruments form together unique amalgamat of micro details, quality and energy.Axel Dörner: trumpet, computerCor Fuhler: analogue synthesizer, linguaphonesJérôme Noetinger: tape recorder Revox B77Recorded on May 22nd 2003 during…
Ashvin
**100 copies** Daksina is a new label rising from the ashes of the glorious Kelippah. Run by Pat Murano a.k.a. Decimus, also member of the No-Neck Blues Band, it presents its first two releases which come as extremely limited vinyl LPs housed in beautiful covers silkscreened by Alan Sherry at Siwa Prints on 12"x24" folded cardstock. On 'Ashwin' Tom Carter and Pat Murano offer two long and mesmerizing suites built on guitars and keyboards in the best experimental tradition that we would expect fr…
Outgrowing The Wretched Cradle
Limited to 300 copies. A wild new collaboration from long time touring partners and Blackest Rainbow buddies Deas & Allett. The record comprises of two side long pieces both with the same approach in terms of playing; Deas plays guitar pulling together his classical sound and his stunning recent experimental approach from his Quadtych releases while Allett does live manipulations, taking advantage of his long experience as one half of Towering Breaker. Deas and Allett seem to consistently push t…
Homotopy To Marie
**Silver & black and silver & white vinyl edition of 300** 'Homotopy To Marie' is the fifth album by Nurse With Wound, originally released on United Dairies in 1982. The album is a step on from the Dadaist rock of 'Merzbild Schwet', with much use of tape manipulation and classical avant-garde techniques, using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to cre…
Novella
The CD album entitled Novella consists of two electro-acoustic, not-experimental pieces composed in 2002 and 2004, and an almost 50-minute long composition from 2007-2009. This is what I noted down in a digital form; it's time frozen, time which has acquired a certain shape which, however, is by no means an emotional rendering of those gone days, hours, and minutes. Aquaforta is only a piece called Aquaforta; it's the result of the artistic relationship with Agata Zubel and Cezary Duchnowski. T…
Explosions
**2020 restock, nice price** Probably the first recording (1965!) of improvised jazz combined with electronic music, as well as playing inside the piano and other new music techniques. Bob James (piano); Barre Philips (bass); Robert Pozar (percussion). Also including Bob Ashley and Gordon Mumma (electronic tape collage). The recording is made of an assembly of estranging electronic sound effects, trite sports commentaries, and the music of a beautifully improvising jazz trio. Bob James has, thro…
Musica Contemporanea Puertorriqueña
A quartet of beguiling Electronic & Tape Music figures from Puerto Rican composer Rafael Aponte Ledée, one of few operating there during the "Golden Era", consisting of pieces completed in the island's first Electro-Acoustic studio between 1974 & 1978. Starting with the ring-modulated & spring reverb-laden "Elvira Gimenez (O Al Otro Lado De Tica...)" things get off to a great start, getting into the same junkyard-sphere as Xenakis' "Bohor" in in its aggregate form of clockwork-innards & shifti…
At The Door
Limited edition of 118 copies. Henning Lahmann on Ezra Buchla's At The Door: "Ezra Buchla creates immersive, intricate, and at times overwhelming soundscapes carried by masterful viola and synth renditions, broken up only by his dark yet soft, almost hushed voice."
Iowa Ear Music
This one’s certainly a mold-breaker; closer in spirit to Cage / Tudor’s “Indeterminacy” than the sort of bedroom solo composer / producer / performer LPs that have been the Creel Pone archetype thus far. Improvisors were set up in 4 different isolation booths in the studio in Iowa State University’s recording studio during the ‘67 - ’75 seasons; these simultaneously-ocurring sound-events captured in real time, then collaged via tape & electronic processing by the studio-head Michael Lytle after…
Collections I, Electronic Music With and Without Instruments
Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…