Kreiselwelle
irr. app. (ext.) is the sound-engineering project of Californian M.S. Waldron, whose liminal slippages and detourned croons have been spotted recently on stage in Nurse With Wound. Yet for all of the antics that are required for the NWW spectacle, Mr. Waldron still dedicates himself in the parallel pursuits of irr. app. (ext.) with a discography that reads more like a wunderkammer of uncanny investigations into futility declared as its reverse.
Kreiselwelle is the third and final installment to …
Scaath Catfish
Songs about the river are a common trope in the history of music. Psalms of being cleansed, being baptized, being redeemed. There are ballads of murder, lost love, jealousy, and all sorts of rank human emotion reflected in the surface of the water. Respect, praise, and worship of the river are other themes often channeled through music as well. Even in the realm of ambient music, digital mimesis of the aquatic is commonplace. Fossil Aerosol Mining Project, in their ongoing archaeological approac…
Peaks
Black Truffle present Peaks by Australian cellist Judith Hamann, her debut release of electro-acoustic music. Known mostly for her live performance work with composers including Sarah Hennies, Yvette Janine Jackson, Alvin Lucier, Tashi Wada, and La Monte Young, here she steps away from the cello, moving into an intimate dreamscape woven from recordings gathered over years of itinerant touring. Peaks is a work in two distinct parts, crossfading between different landscapes and apertures; from roo…
Field Recording and Fox Spirits
What are field recordings? “My memory is not what it used to be, David,” my grandfather, Syd Senior, said to me as we huddled round a fireplace in 1979. Thanks to a cassette tape I have the memory of his gradual loss of memory, hearing him speak of Queen Victoria’s funeral and the severity of patriotism back in those old days, 1901. Syd Senior is long dead, no longer part of the field of living relations but still within the field of memories that can be revived by technology, albeit an old one …
Voor Anderen
**Edition of 150 copies on risograph sleeves** After having released several albums under his Oaktree moniker, de Roover decided to continue under his own name. New name, new music. Where Oaktree combined electronic music with neo-classical elements, his new direction is more centered around abstract, yet playful, sound design. His new EP continues in the same vein but offers a more minimal and quiet approach compared to his first full-length album Leaves which saw the light last year. Voor ande…
Unbeknownst the The Participants at Hand
"Unbeknownst to the Participants at Hand" is Drekka’s second offering in a trilogy of full-length releases on Dais Records. Continuing his work with memory not only as a subject but also as a process, Michael Anderson has culled many of the sounds on this record from the past. But this is not a record of rehashed material or remixes. Rather, Drekka's music is made through continually delving into an archive, digging up and repurposing old recordings, live performances, and forgotten snippets of …
Lost In Spice
**Edition of 400** La Scie Dorée presents a new album by In Camera. In Camera is composed of Christoph Heemann and Timo van Luijk , both experienced and quite active in the contemporary experimental music world. In Camera was formed in 2003 out of a twenty year dialogue between the duo who have recorded two albums together. On these dates, Heemann plays the Moog and manipulates prerecorded sounds live to generate lush electronic drone-scapes while van Luijk symbiotically adds to the visual sound…
A Rose with No Name 'Sorry'
**Edition of 200** Tokyo-based sound artist and improviser Makoto Oshiro carries out live performances and installations in which he creates sound using self-made devices and remodeled pre-existing objects. Beijing-based musician/poet Yan Jun, one of the leading Chinese artists on the experimental/improvised music scene, creates music and produces installations freely utilizing electronics, field recordings and voice.
This album was studio-recorded on February 22, 2017, when Oshiro was visiting …
Comet Meta
Grubbs and Unami are fully in third-mind territory after their touted 2018 debut, Failed Celestial Creatures. From pindrop twin-guitar focus to Grubbs’s piano maneuvering in Unami’s electroacoustic forcefields, to unclassifiable throbs, ceiling fans, and the exultation of the crowd at the NYC marathon, Comet Meta casts a gorgeous avant spell. With resumes as long as their arms, restart their conversation. You'd be forgiven for thinking on occasion of gossamer Gastr-isms. Think instead of Comet M…
Land of Waves
On her 6th album, the French electroacoustic composer Bérangère Maximin explores the idea of a kaleidoscopic world - a sonic aggregation of living creatures, plants, minerals, nature and buildings, using various sound objects, small percussions, synths, electric guitar, voice and electronics.
Acoustic Shadows
SA Recordings present a new LP from the acclaimed New York composer, performer and sound designer Lea Bertucci. A work of three interlinked incarnations, ‘Acoustic Shadows’ began as an event, which then became an album and has inspired a sample library for other musicians.
The Event (recalled by Lea Bertucci)
“Acoustic Shadows I-III was a series of site-specific musical performances and a sound installation that took place in the enclosed hollow body of the Deutzer bridge in Koln, Germany, 2018.…
Oscillations planétaires
Oscillations planétaires was realized in 2017-18 at the composer’s studio in Montréal and premiered on July 13, 2018 on the radio program Klangkunst broadcast by Deutschlandfunk Kultur (Germany). Oscillations planétaires evokes geology. In all the layers that make it, from its core to its surface areas, Planet Earth is inhabited by undulatory motions of extremely varied temporal scales. Some are inscribed in a geological timeframe while others follow a daily cycle. This oscillatory ensemble cont…
Yegl
“The electroacoustic works of Elsa Justel are striking for their rich morphological invention: canvases made of minuscule yet consistently varied sounds; stratified figures made of multiple simultaneous shots, intertwining with one another; tremblings turning into sharp and lightning objects; objects of all sizes, objects so diverse they relentlessly keep hold of your attention. […] This music imitates nothing; it is there, warm and savant, controlled yet free, vigorous and intelligent.” - Horac…
Optical Cadillac - The Granitoid Panics
A split 10inch with Jean-Philippe Gross on one side and Golden Oriole on the other. The first one delivers 7’30” of an impulsive electronic quicksand where everything seems unstable and elusive, with that strange feeling of not knowing if you are moving forward or not, or that experience of a “non-Newtonian fluid” – a fluid you can walk on. In short, we are between immobility and speed, between raw materials and etheric frequencies!
The second Golden Oriole, Thore Warland, drums, and Kristoffer …
Plafond de verre
Lunar Error is a group of musicians based in Lille. They work in the field of drone, continuum but mainly acoustic. After Sêlêne published in 2017 on the same label, they decided to work with Jean-Luc Guionnet who, here, considers contemporary composition for ensemble as a work both plastic and reflexive, using drawing, writing, typography, diagram, plan, non-idiomatic notation, questions of musical writing, interpretation, as well as individual and collective playing techniques, up to the sound…
Laced With Rumour: Loud-Speaker of Truth
Weaving an intricately detailed tapestry of meditative, spiritual jazz and dream electronics, Maxwell Sterling’s astonishing second album "Laced With Rumour: Loud-Speaker of Truth" blooms in the cracks between Alice Coltrane, Talk Talk and Kara-Lis Coverdale, gently coaxing us into a trance-like reverie where the real and artificial morph into one pulsating organism.
Ascua
**200 copies** Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion and electronics, Juan Garcia on double bass, and Ignaz Schick on turntables, sampler and electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.
Recorded by Ignaz Schick at Ausland in Berlin on August 7, 2018.Mixed & Mastered by Werner Dafeldecker in Berlin…
Anáhuac
**CD version** Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion and electronics, Juan Garcia on double bass, and Ignaz Schick on turntables, sampler and electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.Recorded by Ignaz Schick at Anáhuac 33 in Mexico City on May 22, 2016.Mixed & Mastered by Werner Dafeldecker in B…
Luz Azul
**350 copies** "Luz Azul is a group started by LA-based vocal and performance artist Anna Homler (aka Breadwoman) together with musicians Marcos Fernandes and Robert Montoya in 2007. On this record they compose their own mesmerising cosmic universe where the hypnotic speaking in tongue voice of Anna Homler blends mesmerisingly together with the sound of her found toys, intensified by the shamanistic percussion of Marcos and the pulsating electronics of Montoya. As fellow percussionists and sound…
Moov Spot
As after the first Musica Genera Festival here goes the release from the 2nd edition. First performance together by Dörner, Fuhler and Noetinger gives to the listener an unexpectable approach to the electroacoustic improvisation. Sounds of acoustic, analogue and digital instruments form together unique amalgamat of micro details, quality and energy.Axel Dörner: trumpet, computerCor Fuhler: analogue synthesizer, linguaphonesJérôme Noetinger: tape recorder Revox B77Recorded on May 22nd 2003 during…