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"Beginning in 2022, I started to process those layered, dense, dry, and beyond-words matters in the form of a voice diary. Gradually, I gathered a collection of 100 modulated voice recordings that were sealed on 50 cassette players. In June, these cassette players were set in my solo exhibition "100 Shits"(一百天的訴辯) staged at Hallucination in Kaohsiung. It allowed the audience to select how they would like the tapes to play. The exhibition also included a musical work entitled "A Cappella," which …
*300 copies limited edition* Recorded in correspondence throughout a calamitous and uncertain 2020, “Eye of the Sea" is a collaborative record made by Tom James Scott of the United Kingdom and Svitlana Nianio of Ukraine. Active since the late 1980s, Nianio has released a treasure trove of diverse and beguiling music under her own name, as a member of the legendary Ukrainian experimental unit Cukor Bila Smerť, and in collaboration with the late musician and instrument maker Oleksandr Yurchenko. F…
*2023 repress. 300 copies limited edition.* Svitlana Nianio has been active in the Ukrainian and Polish underground music scenes since the early '90's both as a solo artist and a prominent member of the now disbanded avant-rock outfit Cukor Bila Smert (Sugar White Death). Her music draws on aspects of modern composition and traditional Slavic music, with songs and experiments from that early period culiminating in the 1999 album Kytytsi (Koka Records, Poland). Prior to that in 1995, Nianio recor…
Anastassis Philippakopoulou - voiceAntoine Beuger - breath
recorded at home in 2022
mastered by Taku Unamipainting by Maria Philippakopouloudesign by Yuko Zamaproduced by Jon Abbey
Tip! LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds shaping the acoustic aura of architectural and natural spaces in endless mirrors, exploring the limits of vocal techniques through site-specific performances. Becoming siren, becoming storm, a rose of resonance for a new world. Music and performance by Janneke van der Putten, except where indicated. All tracks are one-take recordings without electronic effects or overdubs. Artwork design by Margarit…
Nichola Scutton'Interzone (Nonclassical, 2023) takes inspiration in the state of in-betweenness: not awake or asleep, conscious or unconscious, and at the border between daytime and nighttime. Two defined elements emerge fromInterzone: a careful use of electronics, and Scrutton's experimental vocal practice. The album was recorded in two steps, first by the artist herself in her studio in Glasgow, using field recordings and archival materials, resulting in the series of four Interzones which con…
*300 copies limited edition* Anna Schimkat's "Brot und Ro-sen" (Bread and Ro-ses) explores the connection between music, collective memory, and women's struggle for recognition through interviews with women from East and West Germany. The piece includes a score of sound and text fragments based on the interviewees' memories, which was first performed as a sound installation at the ODP Gallery in Leipzig, Germany. It was later performed live by young women at the Gallery for Contemporary Art Leip…
Holy Similaun and Archipel dwell once again in the complex intersection of human memory, time and its perception with "Radicor al flort, espert on'ill il erb, aor Raetia".
Diamanda Galas' debut album "Litanies of Satan", originally released in 1982, reissued on the artist's own Intravenal Sound Operations label. The album has been meticulously remastered from the original Y Records analogue tapes and features the original classic artwork.
Huge Tip! On June 30, 1986, the same day that Diamanda Galás's The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia's so-called sodomy law in Bowers v. Hardwick, criminalizing consensual sex between men. At the time, about 15,000 people were known to have died of AIDS in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of AIDS deaths globally would excee…
*300 copies limited edition* "Chromacolor" is one of those records that immediately feels like home even though it is hard to locate stylistically. Written and recorded by Hanno Leichtmann in Berlin and Madeira between 2020 and 2022, it draws on rhythmic minimalism as a guiding principle and might call to mind organic, instrument-based ambient music, but also incorporates jazzy moments as well as Annie Garlids multi-layered vocals that permeate through these nine pieces.
The foundation for Leich…
*Edition of 100 numbered copies * Fabrizio Testa (Milan 1981) is an Italian musician and experimenter. His records are often a bizarre juxtaposition of different kinds chewed and vomited and finally transformed into "other" music. "Even the stylistic choice of the artwork - a precious and limited homemade cloth bag with a button and cd-r inside - speaks of a lateral approach to the already subterranean dynamics of reference. Stuff (almost) homemade for an intimate, careful, in-depth dimension of…
"Futura Resistenza is pleased to present the latest release from the prolific, restlessly creative composer-performer Anthony Pateras, two side-long pieces – one performed by Callum G'Froerer on double-bell trumpet, the other sung by Clara La Licata – in which soloists are accompanied by numerous pre-recorded tracks of their own instrument or voice, creating acoustic halls of mirrors where the distinction between live performer and recorded accompaniment becomes difficult to perceive. Palimpsest…
* 500 copies, numbered edition. Clear Splatter Vinyl * Reissue of a 1978 LP out on Cramps Records. Demetrio Stratos's research into the field of phonetic and experimental poetry led to his freeing his voice every naturalistic restraint, restoring its depth and dimension. The result of this can be heard in the two recordings of his compositions "Metrodora" and "Cantare la Voce" where what sounds like an instrument is in fact his voice.
*2022 stock.* Everyday experience is never far from Pamela Z’s musical world. Whether it be a typewriter, birdcall, checking in at the airport, or a mess on the street, her creatively quirky imagination transforms it into a moment of profound questioning and wonder. From sonic trifles to complex numbers, the works on A Secret Code – only her third solo album after Echolocation (1988), and A Delay is Better (2004) – span two decades of redefining song. As fellow composer Annea Lockwood writes in …
*2022 Stock.* Urantia (19th Hour from Klang, 2007) is for Soprano and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 16-18. This CD features the soprano vocal of Kathinka Pasveer, rec. 2008. As a bonus, the electronic music is also presented without the soloist part for rehearsal.- Stockhausenspace.blogspot.com
With its new project focusing on the songs of fishermen in Portugal, the FLEE platform attempts to combine in-depth anthropological research with a hybrid contemporary and artistic reflection on an important facet of Portuguese social and cultural history.
Through working songs from the 1940s, 60s and 80s recorded in the Algarve region, the project attempts to document the history of these fishermen, the nature of their hardships and often exploitative conditions, as well as their gradual encoun…
*2022 Stock. In process of stocking.* The new album by critically acclaimed Indonesian duo Senyawa is being co-released by 44 different labels worldwide, and School of the Arts presents a Russian version on cassette. It features the full album as well as two extended remixes: Moa Pillar’s 14-minute heavenly ambient and a 24-minute poisonous drone collage by Ivan Zoloto.
Senyawa’s music combines extended vocal techniques of Rully Shabara and homemade instruments built and played by Wukir Suryad…
Tip! *2022 Stock. In process of stocking.* A turbulent quartet of Oslo-based improvisers brings the house down with two voices, bass, guitar, and drums ⏤ RIYL free voice, skronk, jazz negativity, dub effects, Naked City and Painkiller.
Vocalist Agnes Hvizdalek delivers a unique form of glossolalia (think Monk, Eye, and animal sounds) backed up by noise-rock-influenced axe-grinders from the band MoE: Guro Skumsnes Moe herself on electric bass and voice and Håvard Skaset on guitar. Utku Tavil punc…