Disappointment - Hateruma
Wewantsounds is delighted to announce the first vinyl reissue of Disappointment–Hateruma, the 1976 ALM Records release by percussionist Toshi Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto's first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto's early development as a composer and performer, capturing a period when he was experimenting with …
Soufflements Cardinaux
Soufflements Cardinaux invites the listener into a cartography of breath: Ensemble In(dé)fini map the four directions through extended techniques, hushed noise and prismatic overtones. Winds, strings and electronics trace invisible weather systems, turning each exhalation into a fragile, shifting architecture of sound.
Blue Abstraction: Prepared Piano Project 1985–1987
Blue Abstraction compiles a selection of Jessica Williams’ lost prepared piano recordings. These recordings document the beginning of a vital, solitary phase in her career: a period of intense sonic experimentation that began with physically altering a 6’4” grand piano—creating a new instrument, and from there, creating a new music. The results are breathtaking; from melancholic soundscapes with Satie-esque lyricism to forcefully controlled cacophony, always grounded by the distinct emotional vo…
Nature
"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specializing entirely in gongs, and attended several of her performances. I always tried to imagine how I could combine my own sonic vocabulary with her incredibly rich array, and we enthusiastically agreed to a musical meeting which somehow kept being pos…
A thousand tiny mutinies live
Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio.
Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued…
Already in Heaven
*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …
October Flowers for Joe McPhee
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.
The Wolf at the Door
That Wolf At The Door is a collaborative 2 CD between Henry Kaiser (Califonia, USA; guitar) and P.ST (Prague, Czechia; electronics). The first CD That Wolf At The Door is a solo baritone guitar disc that pays a heartfelt tribute to the late science fiction author Gene Wolfe (May 7, 1931 - April 14, 2019). The album is a testament to the decades-long friendship and mutual appreciation between Wolfe and Kaiser, two creative minds who shared a passion for pushing the boundaries of their respective …
Archipelago
Jonas Kocher returns to solo work with Archipelago, his third solo album, following Solo (2011) and Materials (2009). Across seven improvised pieces, Kocher explores the tension between control and unpredictability, between the organic and the mechanical. The result is a captivating music where precision meet raw physicality, and where each moment unfolds with striking immediacy. Rich in contrasts and textures, Archipelago navigates through resonant chords, fragmented melodies, sharp attacks, ha…
Wadud (Most Loving)
*300 coipies limited edition* This very special and wonderful solo performance by Oxford based Pat Thomas was recorded in Dublin during the first ever Reception Weekend event at the Complex. The piano Pat was playing had been very unique as it had copper plating on the interior giving the piano and strange and magical resonance. Nyahh Records is very grateful and excited to be able to share this performance with the world and to have Pat Thomas added to our list of artists.
Pat Thomas (b1960) s…
Modesty of the Magic Thing
Composer, harpist, improviser, and educator Zeena Parkins has been a mainstay of the Downtown scene since 1984, performing with Fred Frith, John Zorn, Bjork, Ikue Mori, Yoko Ono, Pauline Oliveros, and countless others. Her newest project, years in the making, pays tribute to the fearless American visual artist Jay DeFeo. Zeena captures DeFeo’s bold experimentalism and love of beauty with a lush, exotic extended work for harp and percussion. Performing with her on a unique instrument built by leg…
Learning
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…
One Another
“The body’s relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement.” -Rosalyn Diprose
See You When I Get There
See You When I Get There is Amy Cimini’s first solo viola album. While playing in noise bands and experimental projects for over 25 years, she has developed a sonic palette for the amplified viola that combines overtone-rich distortion with percussive techniques nestled in reverb and delay effects meant to fill large acoustical spaces. Overall, this record embraces noise abstraction as much as a tuneful directness, that evokes Cimini’s fellow experimental string players, historical protest musi…
Immersion Libre
*97 copies limited edition* Free immersion is a practice that consists of freediving as low as possible and then climbing back up by gripping the rope that serves as a guide. No help, no artifice, everything happens with the strength of the arms. The fall into the depths is dizzying and the feeling of freedom, total.
4+1 pieces of double bass played with a bow, without artifice, recorded almost in one go. This record is deliberately abrasive without being aggressive, and reserves surprises of so…
Pressure Sensitive
Paula Sanchez is a musician working with sound in the intersection of experimental music, improvisation and performance art. Putting the body and materials to the limit, in the destruction, composition/decomposition of a mutable sound space. In the pure presence, of an embodied sound that invents relations as it makes its way into nothingness.
This album is the result of performative experimentations with cello and cellophane, and erotic encounters of transparent asphyxiation.
Answers
Tip! Benjamin Bennett has worked as an improvising percussionist for 10 years, touring North America and Europe as a soloist, in various ensembles, and ad-hoc collaborations. He developed a unique approach to percussion which took the lineage of free-jazz, free-improvisation, Berlin reductionism, and extended technique playing as its foundation. In searching for an expanded sonic palette, and more fluid movement between various techniques, he distilled the drumset into a small collection of drum…
Omni
First time meeting of Sam Wenc (US/pedal steel + objects) and Stefano Grasso (Milan/percussion + recorder). The record is one take, broken into 10 tracks, exploring the boundaries of the rhythmic grid, never quite landing inside it, but hovering on its perimeter, through extended technique, melody, and disharmony.
Autotunes
Autoreverse brings together Arnaud Rivière (prepared turntable - we should say damaged or destroyed), a kingpin of the French noise underground as a programmer at Instants Chavirés and Sonic Protest, team player with Otomo Yoshihide, Erik M, and a hundred others, ; and Nina Garcia (guitar & feedback), recently recruited by Stephen O'Malley's Ideologic Organ label after giving the whole of the Paris region a taste for noise guitar solos with her Mariachi project ("Guitar, pedal. That's all’, as h…
Noising Sheng
*60 copies limited edition* Noising Sheng documents Zhang Meng’s attempt to reinvent the Chinese sheng into a noise instrument. Since ancient time, the sheng has been associated with the virtue of “he” central to Confucian ethics, denoting peace, harmony, and conciliation. In the family of Chinese wind instruments, the sheng is a rare member who is able to fix to a certain tune unaffected by playing, and to play multiple notes at the same time. In an ensemble setting, it often functions on the o…