États des lieux
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
Voice
On Voice, Sofia Jernberg compresses a lifetime of radical vocal exploration into a stark solo document, treating the larynx as full‑spectrum instrument - from split tones and pitchless friction to fragile lyric shards that hang in charged silence.
A Broadcast Of Your Silence
And I sing again. This time I won’t whisper,
because this time it’s for you. I hear about you on the radio,
and I’ve seen the pictures of the boss and his henchmen—
Hatred and determination in their eyes.
Their actions leave no doubt:
to them, you are garbage.
The history that came before echoes faintly.
And here, routine carries on.
On the radio,
a broadcast of your silence.
'A Broadcast of Your Silence' came about almost by accident, after several failed attempts to write for solo do…
Rörane
Rörane showcases an adventurous blend of free improvisation and jazz-rooted exploration from Swedish experimental ensemble stalwarts. Recorded with bassist Nina de Heney, pianist Karin Johansson, and drummer Henrik Wartel, the project melds deep spontaneous interplay with Bothén’s decades-spanning creative voice in avant-improvised music. A boundary-pushing sonic journey that reflects both the collective’s empathic interplay and their shared drive toward expansive musical expression.
Jeux de mains
Jeux de mains, a striking new album from acclaimed double bassist Joëlle Léandre and inventive composer-performer Rémy Bélanger de Beauport, arrives as a vivid exploration of spontaneous musical conversation. Recorded with immediacy and an acute sense of shared risk, the record captures two master improvisers at the peak of their creative powers.
Across the album’s immersive tracks, Léandre’s visceral arco, percussive pizzicato, and fearless extended techniques meet Rémy Bélanger de Beauport’s t…
Portal (LP)
Rare 1983 album on the tiny Lumina Records of solo music for saxophone, clarinet and ocarina played with extended techniques bridging contemporary classical music and free jazz. Copy with authograhed inscription.
Entrega / Batelages
Two cassette releases by Mexico City experimentalist Rolando Chia, heard by almost no one on their original release, now appear on vinyl for the first time. Batelages and Entrega - sound collage, concrete texture, extended guitar - two lost chapters of the Latin American underground.
Two Thousand Sacred Steps
*200 copies limited edition*
Chris Abrahams - Steinway grand pianoMark Wastell - cymbals
Recording engineered by Andrew LisleVortex Jazz Club, London, 8 May 2025
Grazing (Two Live Cello Solos)
This solo release captures Hannah Marshall at her most immediate and expressive, presenting improvisations that pulse with presence and physicality. Her playing radiates warmth and curiosity, offering thoughtfully shaped improvisations that feel both spontaneous and deeply grounded.
Silence is a Sharpened Blade / Ashes / The End Site / A Pearl in the Jaw / Flautas Ahogadas para Jacobo Grinberg
*75 copies limited edition*
DNZ122 Drew Wesely – Silence is a Sharpened Blade
Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence i…
Idutydu
Frantx is a glit-noise band based in Paris that creates music in a dimension of hyper-speed where individualities get blurred, immersed in post-internet sonic drifts. The four members of Frantx explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. Frantx was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music …
Polyvalent Creativity
Polyvalent Creativity is a new CD release on Confront Recordings featuring free improvisation by bassist Dominic Lash on electric guitar and percussionist Mark Wastell on drums and percussion.
The album comprises four tracks: "Potential," "Commitment," "Activation," and "Fulfilment," blending jazz improvisation with rich, textural soundscapes. Reviews highlight its unconventional approach, starting with tuning-like sounds that evolve into emotionally resonant free jazz.
Critics praise the duo's …
Guitar Recordings V
*2026 stock. 15 copies limited edition* In just 22 minutes, Steve Touchton redefines what a solo guitar record can and should be. The brilliance of 'Guitar Recordings V' lies in Touchton's ability to completely liberate themself from the inherited legacy of the instrument, discovering an entirely new perspective on both the guitar and the amplifier it resonates through. The opener, 'Apparitions,' features ghostly chimes that resemble the timbral scope of a prepared piano, subtly frosted with rad…
Big Gamble
*2026 stock. 10 copies limited edition* Although Jackson and McLean spent many of their formative years playing in an array of dubious named and increasingly outsider rock groups, ‘Big Gamble’ is the first time they have ever made music purely as a duo. In the intervening years since their last band activities together. Jackson founded Thraa and began to focus on prepared guitar experiments in a series of aurally challenging and investigative solo records issued on his own Fr33zehead imprint. Mc…
Bristol Sessions
*2026 stock* Bristol based musician Luigi Marino & Manchester based musician David Birchall got together back in March 2024 to lay down what became the ‘Bristol Sessions’, their 1st recording as a duo. Cut in Marino’s living room, crafted from his percussion & DIY circuits, with Birchall’s Ebows & banjo. Creating interwoven tension & cinematic drone, Marino & Birchall subtly blend ambient saturation & dissonant intonation.
Tertous
*100 copies limited release* Tertous is the first album by the duo formed by Mélanie Loisel and Rachel Langlais. It consists of seven acoustic instrumental pieces recorded at GMEA in Albi (France). A double bassist with a classical background, now engaged in free improvisation and experimental forms, Mélanie Loisel also develops the solo project Borguefül, in which she explores a ritual, transfigured double bass at the crossroads of imaginary languages and reimagined traditions. Rachel Langlais,…
Poems without Words
*40 copies limited edition* Poems without Words brings together fourteen improvised guitar solos by Xu Cheng, recorded over twelve years. Xu Cheng first emerged in the Shanghai underground in the early 2000s, as an early member of the harsh noise project Torturing Nurse. He went on to become a versatile sound artist working across a wide-ranging array of influences, from Fluxus event scores to Buddhist sutras. The project originated in Xu Cheng’s attempt to restore a broken instrument he had pic…
Bill Nace Plays the 2 String Taishogoto
Bill Nace turns a traditional two‑string instrument into a focused sound laboratory, contrasting a feedback‑touched, spiralling first side with a pared‑back, bodily repetition that slowly blooms into vast harmonic space.
Radis
Black Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontes…
Microcosm
Big tip! *2026 stock* Recording Kang Taehwan’s music, his underground practice room has been the place where he has spent the most time with his saxophone and remains his most familiar space. The concrete and brick finishes, high ceiling, and asymmetrical structure in all directions create a unique reverberation. Because the shape of the room is irregular, the acoustic balance shifts constantly from side to side and front to back depending on the pitch.
Although Kang’s performance is on a single…