Beaute Des Mirages
Mysterious French outfit The Dead Mauriacs return to Discrepant in full exotic wind force after their sell-out cassette, Cocktails Pour La Fin Des Temps (2016). Beauté Des Mirages picks up on the same themes of frantic, abstract exotica and concrete cocktails the French act is known for. Running for two, long 18-minute sides full of fake(?) vintage atmospheres and armchair jungle hallucinations, Beauté Des Mirages is an abstract journey into a beautiful (and sometimes scary) world of mirages. Al…
Nature Denatured and Found Again
5 CD Box. The five discs come in an oversized box with cover art by Marcus Kaiser and Yuko Zama. The box set also includes a 24-page full-color booklet containing additional photos by Joachim Eckl, Marcus Kaiser, Emmanuelle Waeckerle, and Michael Pisaro, and liner notes by Michael Pisaro and Joachim Eckl. This beguiling epic was born of composer Michael Pisaro’s desire to organize a series of sound walks along the Grosse Mühl River in Austria, a practice borrowed from the visual artist Joachim …
Tropical Gothic
It's 2018 and it's time for some new discoveries into Mike Cooper's limitless exploration in his collection of guitars. The title itself, Tropical Gothic references Cooper's beloved areas of "the South" with a Gothic, dark, remote interplay... he explains: ''Tropical Gothic includes, but is by no means limited to, a reflection on a region where European colonial powers fought intensively against indigenous populations and against each other for control of land and resources.'' On each side, Mike…
Birds Of Venezuela
Sub Rosa present a reissue of Jean C. Roché's Birds Of Venezuela, originally released in 1973. The bird on the cover is a potoo; this metal-looking bird is one of the sonorous curiosities of this mad nature, the sound that he produces essentially is a death song that David Toop heard on his 1978 expedition, but was unable to record, amazement playing its role.Jean C. Roché on his recordings: "The bird songs which I had recorded in the West Indies in 1969 made me inclined to find out more about t…
We are everyone in the room
"Two improvising laptop trios, Stilluppsteypa hailing from Iceland and Chicago's TV Pow, met for the first time in the fall of 2000 and embarked on a week-long tour, captured in part on this recording. As in most successful examples of this genre, the musicians mesh into a whole wherein individual accomplishments are impossible to quantify. The range of sounds and depth of detail produced by this sextet are remarkable, from the quietest clicks and rattles to deeply sonorous hums and ratchetings,…
Musique Con Crete
Starting with an artist residency Tasos Stamou visited the Greek island over the course of three summers, collecting field recordings, performing with local musicians, producing electronic compositions and gathering old records and tapes of traditional music of the region. The project resulted in the assembling of a unique sound collage which reflects his personal experience as a music visitor to this part of the Mediterranean. Tasos Stamou is an electroacoustic music composer, performer, altern…
Étant Donnés
A six-track album based almost entirely on samples (from Curtis Mayfield to John Carpenter). "The really striking thing, though, is the kinship between Pisaro’s approach here and his other music. Many of his previous compositions have taken simple, granular sounds as raw materials, building blocks to be arranged into larger constructions through a combination of the composer’s parameters and the performer’s choices. On this album’s sister work, Shades of Eternal Night, piano chords played by Rei…
Shades of Eternal Night
Field Recordings from Syros, Greece and Southern California in 2015 and 2017. Piano performed by Reinier van Houdt, recorded in The Wild Beast, CalArts, June 2015Inside image by Michael Pisaro / Thanks to Keith Rowe.The sounds come and go against a backdrop of silence and stillness; the silences aren’t long but there’s a definite sense of a canvas only partially filled. Frequently, sounds are allowed to reverberate and decay into nothingness. It’s perhaps this quality that most communicates a se…
Mosquitoes and Crabs
Chulki Hong, turntables, guitar, electronics. Will Guthrie, drums, percussion, electronics. Recorded by Taku Unami, Mullae Arts Village, Seoul, South Korea, 20-22 October 2016. Mixed and edited by Taku Unami.Will Guthrie is an Australian drummer/percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics. Born in 1976, Hong Chulki …
Dian Long
Another unique document of Kink Gong's, aka Laurent Jeanneau, collection of surreal soundscapes of augmented field recordings, this time turning into his love/hate relationship with China into a mesmerizing soundscape of unclassifiable music. Jeanneau on Dian L: "Before becoming Kink Gong I had different names, one of my projects, designed by cultural circumstances in China at the beginning of the 21st century, was Dian Long ('electric dragon' in Chinese). I landed in Shanghai in 2000 in …
South Africa recordings
Raw field recordings. Immersion. Listening beyond sound. Nature speaks languages. we can “hear” them, but do we listen, do we try to understand? floods, tornados, land erosion, global warming, et cetera - these are but the most obvious examples of nature speaking. These discs contain nature’s sounds with this particular intention/communication in mind. The field recordist in the role of a mediator. Aesthetic choices are but departing points. The quality of attention defines the quality of experi…
New Kiribati
Discrepant presents the first ever vinyl release of Kiribati, the very first instalment in the acclaimed Ambient Exotica Soundscapes by veteran English experimentalist Mike Cooper. ''This was the first release on my Hipshot c.d.r label in 1999. I wanted to create an album of imaginary soundscapes from imagined exotic places based on my travels in the Pacific Islands and South East Asia. Kiribati was the first in a series of three CDs of Ambient Exotica Soundscapes – played on lap steel, el…
![Field Recordings in Philippines [1953-1972]](https://cdn.soundohm.com/data/products/2024-05/R-7666728-1446390329-4655-jpeg.jpeg.500.jpg)
Field Recordings in Philippines [1953-1972]
Much needed archival recordings from this seminal figure. Jose Maceda [1917-2004] was an ethnomusicologist and composer from Philippines. Maceda dedicated to the understanding of traditional music of Philippines. Since 1953, he has conducted field research throughout the Philippines and in eastern and western Africa, Brazil, China, Indonesia, Malaysia, Myanmar, Thailand and Vietnam and has written extensively about the research for the publications. As a composer, Maceda contributed his in…
Komplex
The project was created over two years in Seyðisfjörður, Iceland and in Berlin, Germany, and is an evolving conversation between Döring’s improvisation on acoustic instruments such as clarinet and saxophones, and Korabiewski’s electronic live treatment and composition with Döring’s sounds. A third compositional element is contributed by the particular ambiences of the spaces in which the recordings took place, as Korabiewski and Döring came together to record at sites with personal and acoustic …
Tahta Tarla
*2022 stock* Original copy of the long out of print LP album. First pressing from back in 1993, Tahta Tarla is a collaborative recording based apparantly upon long wires strung through the woods with the wind activating some of these wires with each artist seeming to be in charge of the production of one of two sides. For Toniutti's half, the scrabbling textures and aeolian drones are mostly left unprocessed with bellowing rumbles, eeries echoing, and peculiar hisses that seem to come from nowhe…
Burmese Days
Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…
Fire And Frost Pattern
“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…
Vivmmi
LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume.
"VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…
Supersedure
Field recordings 1995-2007 by Seijiro Murayama : snare drum + objects and Éric La Casa: microphones + field recordings (1995-2007). Drawing by Tomoya Izumi. 'What makes one a musician, a composer? It happens only when one succeeds in giving life to music, a certain presence. I don't hesitate, even though I am not a writer, a painter etc., to say the same thing about them. For this composition, 'Supersedure', I met Eric. It seems to me that we share an artistic, but maybe also a general attitud…
Flak
**Edition of 400** 'Flak' is an excellent 10" release offering two diverse pieces. Side A is a heavy, densely layered drone piece comprised of harsh, grating sounds all over the sound field, but sliding from start to finish with remarkable constancy. It's a truly beautiful noise, rather like some of David Jackman's earlier work as Organum. Side B is a field recording, untreated, unfiltered, recorded outdoors, with a great hiss that is very much present in the mix. This second track seems to comm…