Yu Yan Lao Gong
**Limited edition of 75**
Zhu Wenbo: language laboratory cassette player, tape Yan Jun: scissors, sticker, tape Recorded by Yan Jun in Studio h, Beijing, July 16th, 2020 Mastered by Francesco Covarino. Released November 8, 2021
Apatris
**Second edition repress**
Vasilis Liolios: percussion, tapes/revox A-77, objects, analog modular synth Aris Giatas: piano, prepared piano Yiannis Tsirikoglou: electronics Max/MSP 4 electroacoustic compositions for tapes, piano, percussion & electronics.Composed and recorded by Eventless Plot, May-August 2020. Mastered by Yiannis Tsirikoglou
Boca de Piedra
**Limited edition of 75**
Daniel Bruno: trombone, electronics Javier Bustos: experimental lutherie, electronics Recorded by Eric Kamatsu at Estudio El Cubo, Buenos Aires (Argentina), on November 11th, 2019.Mixed and mastered by Daniel Bruno and Javier Busto. Released January 11, 2022
Swarm
New release for Warble, Berlin-based duo by Brad Henkel and Miako Klein. Trumpet and recorder in their elemental form (tubes and air) envelop the space with a magnified environment of harmonizing and clashing timbres. Whistling overtones, percussive thumps, shrieking voices. Walls of sound, nervous twitches, burrowing moles.
Schallschatten
Tip! “For the first duo release, Birgit Ulher stays close to her primary instrument, the trumpet. She plays that, as per usual, in combination with a radio, speakers and a voice changer. Early February 2020, she recorded a duet with Petr Vrba, also on trumpet and electronics, during a two-day met in Hamburg. Both musicians have quite a reputation when it comes to playing improvised music. Well, maybe improvised music covers only partially what they do. The addition of electronics and objects mak…
Impermanence
Tip! “When choosing a title for an audio document of improvised music, you really can’t go wrong with Impermanence; it’s not exactly original, in terms of either the specific genre or music as a whole, but it will never not be accurate. In the case of Violeta García (a cofounder of the splendid TVL Rec imprint) and Émilie Girard-Charest’s first meeting as a duo, the word accumulates a more unique meaning because of the two musicians’ chosen instruments. Cellos are often associated with their abi…
Knotted Threads
Tip! "I met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a …
Oxygen Room
“Oxygen Room is a wonderfully moody, at points downright haunting/uneasy trip into primally slurred and ritual tipped improv. The four-track CD appears on Slovenia’s Inexhaustible Editions, and I must say it’s a most compelling and often eerier ride of an album – really taking the improv form down a fairly original and distinctive path.The CD comes presented in a white six-panel digipak – this features on its cover and first inside flap two different green circles made up of different shapes, th…
The Gratitude Of Sediment
An adventurous sonic exploration of the voice, cello and electronics.
A large component of Audrey Chen music is improvised, is completely un-processed and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of an analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.
Noir Paradis
Mathieu Werchowski's latest album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.
Airs Trouves (2LP)
Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.
Mariachi
Absolutely stunning solo electric guitar improvisation captured in the moment of pure focussed solo improvisation. If you were to buy one solo guitar album year make it this one.
Sonic Gnostic
A truly stunning piece of work, Aspen Edities’ latest - Eyvind Kang’s “Sonic Gnostic” - radically bridges the worlds of minimal composition, rigorous experimentation, and improvised forms, in ways that locks Kang in the mind as one of America’s most original thinkers in the contemporary landscape of sound.
Radio Format
While we may live in an oversaturated time of hi-definition, microwave-pulse paced images and video snippets, one format that has remained in play since the early 1900’s is that of radio. A format perhaps overlooked most in its ability to not only act as a conduit of audio, but also that of a uniquely non-visual live performance, facilitating a direct audio-only portal from performer to the imagination of the listener.Radio is a place where live collaboration and conversation can occur not just …
Mutant Stomps
These American legends of outsider avant-garde need little introduction. Since becoming core members of the Los Angeles Free Music Society five decades ago, they have retained their focus, determination and unmatched originality, influencing generations and never seizing to advance further avenues of progress. Mutant Stomps is a result of Smegma’s living room recording sessions at their pink house in Portland. All tracks were produced 2012–2013, with one dating back to 1975 for good measure. The…
Live At Zebulon
Airway began as a solo project of Los Angeles Free Music Society member Joe Potts. The first release was the Airway 7-inch, which featured subliminal messages to coincide with an art exhibition in Tokyo. Since their August 1978 live debut at the LACE Gallery, the group has performed many concerts with different large lineups, always with Joe Potts’ subliminal message experiments as a central feature. Airway’s “Live At LACE” LP, first released in 1978, and introduced to Japan by Takuya Sakaguchi,…
Between The Surface And Tomorrow
Three brand new spaced-out transatlantic duo explorations, available in November on 7" vinyl from Astral Editions. A stunning art object of sound and vision. credits released November 12, 2021 Ashley Paul - guitar, voice, bells, clarinet, keyboard - in London Jeffrey Alexander - guitar, wooden saxophone, moog, electric piano - in Philadelphia
Friday March 23rd 2012, Dominion Tavern
Cassette reissue of a legendary LP, recorded live in Ottawa at the Dominion Tavern on March 23, 2012 during Damo's Canadian tour. Originally released in an edition of 100 on the band's own Birdman Sound label, this set finds the peripatetic Can singer (who, like Chuck Berry before him, tends to play with instrumental backing by local talent) in some of the best company he has yet found. TBWNIAS (in septet format this evening) lay down thick slabs of the distended heavy guitar psych with which th…
Like One Long Dream
A powerful collision of musical personalities -- American saxophonist (and Dutch resident) John Dikeman invited avantgarde trumpeter Jaimie Branch, bassist Luke Stewart (Irreversible Entanglements) and drummer Aleksandar Skorić to form a new band project. This quartet presents its own definition of contemporary improvised jazz; with no distinct leader and with tight and supportive interplay, they demonstrate the independent musical voice of each own. Album cover by Jaimie Branch. Personnel: John…
Illusory Expansion
Crazy Doberman is a curious outfit, a rotating collective of musicians that come and go for recordings and live performances. The group is centered around Drew Davis, Tim Gick, and John Olsen of Wolf Eyes. Illusory Expansion is far from their first dance – it is more like their 20th release – and features a total of 16 musicians in a free-improvisational jam session. There is a hint of a Bitches Brew vibe herein, but Crazy Doberman is more experimental and not overtly jazz. Other reference poi…