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Matchless Recordings presents a double selection CD of recordings from "Freedom of the City - festival of radical improvised musics", London, England on 7th May 2001.
CD 1 features:
Bark! with Rex Caswell - electric guitar, Phillip Marks - drums and Paul Obermayer -electronics.
Eddie Prévost - perussion solo.
Seymour Wright - alto saxophone, Yann Charaoui - snare drum, vocals, John Lely - piano, electronics.
CD 2 features:
Eddie Prévost Trio with Tom Chant - soprano saxophone and John Edwards -…
Limited edition of 300 copies. Heavy Vinyl. Schnack is the Live-Duo of improvising musicians Paul Hubweber (Cologne) and Uli Böttcher (Wiesbaden). The play a fascinating and restless mix of trombone noises and real time sampling and electronics.Paul Hubweber began with trombone studies in 1971 mainly concentrating on improvised music.He has developed his own special "trombone voice" and his musical focus. It is the special affinity for the balladic and the noisy, i. e. the non-separable combinat…
Sakada is: Mattin (computer feedback), Rosy Parlane (computers and radio) and Eddie Prevost (percussion). "Undistilled was recorded at live performances in London and Rotterdam in 2002. Components are a restricted range of percussion (Eddie Prevost), electronic sounds confected earlier for intuitive, tweaked release (Rosy Parlane), and nervous hyper-attention to every noise present, allowing spontaneous digital transfiguration of some (Mattin). The product is a formidably dense mesh of textures …
Australian Ross Bolleter's new disc features five compositions. Four of them are solo works: "Unfinished Business" for ruined piano; "Under Rookwood" for double bass; "Labyrinth Tango" for accordion; and "Piano Dreaming" for ruined pianola. "That Time (Simulplay II)" is for a duo of prepared piano and double bass. Of course, with Ross, this thumbnail description tells not much of the story. So we'll let Ross say a few words. Step on down.
"During the drought that never ended at Nallan Sheep Stat…
The original MEV (Allan Bryant, Alvin Curran, Frederic Rzewski, Joh Phetteplace), recorded in the spring of 1968 in Rome. "Vault find recordings of a MEV concert from Spring of 1968, featuring the original lineup of Allan Bryant (synthesizers), Alvin Curran (percussion, trumpet), Frederic Rzewski (percussion), and Jon Phetteplace (cello, percussion). Booklet reprints prime Bryant rants on church/state separation ('TH' 10 GRAETST AMERICNZ WR AGENST ORGANYZD RLIJN (OR)'), questionable medical prac…
Matchless Recordings presents an historic recording. Eddie Prévost's Silver Pyramid performed by Music Now Ensemble directed by Keith Rowe in London in 1969. Includes Cornelius Cardew, Lou Gare, Keith Rowe and others. The music is continuous. Time codes have been inserted at intervals to assist retrieval. Pre-Scratch Orchestra Ensemble formed by / for the occasion of the four day 'Music Now' event at the Roundhouse, 1969. The motley crew perform Eddie Prévost's 'composition' 'Silver Pyramid'. En…
Mike Cooper: For the past 40 has been an international musical explorer, performing and recording, solo and in a number of inspired groupings and a variety of genres. Initially a folk-blues guitarist and singer songwriter his work has diversified to include improvised and electronic music, live music for silent films, radio art and sound installations. He is also a music journalist, writing features for magazines, particularly on Pacific music and musicians, a visual artist, film and video maker…
1997 release ** "Japanese bassist Tetsu Saitoh stands out as a new hope from across the ocean. He's the new ray in the sea of bodies that play the same standard fare. These two recordings, released on his own Scissors label, outline the here and now in his present body of work. On "M'uoaz", Tetsu is surrounded by an all-star cast, which includes saxophonist Michel Doneda and percussionist Alain Joule. [Vocalist Antonella Talamonti joins the trio on one track.] The music is rather sparse. Joule i…
"La Grima (Tears) was performed on August 14, 1971, at the Genyasai festival in Sanrizuka, Japan. The first six minutes or so of this performance can be heard on the omnibus LP Genya (released on CD in 2004). This CD presents the complete, unedited version of the performance.As if to slash through the audience's scornful, jeering reaction to Takayanagi's opening remarks, the group launched into a fiercely convulsive performance. Despite having a variety of objects thrown at them, Takayanagi and …
1998 release ** The Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each sea…
Matchless Recordings presents the first solo recordings from Lou Gare, founding member of AMM, recorded at Firefly Studios, Thowleigh, Devon, England on 13th and 20th April 2005.
The album includes four tracks performed by Lou Gare - tenor saxophone.
"Toward the end of his fine short essay for Laminal, AMM's 30th Anniversary set, Jim O'Rourke asks in relation to the experience of simultaneously hearing the record and viewing the accompanying photograph of AMM's The Crypt, "where was the saxophon…
Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.
"The set documents two concerts - 1, recorded at Iklectik in London in Septembe…
Recorded in May of 2002, almost a year after Fennesz' surprisingly successful (commercially) release, Endless Summer, one might have expected that this pairing would produce an intriguing collision of opposing forces. On the one hand you have all the pop-influenced, steamily melodic and erotic explorations that Fennesz had developed in the prior years. Countering that, one could readily imagine Keith Rowe as saboteur, finding rifts in the smooth mass to deviously penetrate and deflate. This does…
Matchless Recordings presents a live concert by Eddie Prévost and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on the 6th of January, 2004. The album includes eight tracks performed by John Tilbury - piano, prepared piano and organ and Eddie Prévost - stringled barrel, tam-tam, percussion.
"Some of their music is delicate and pointillistic with wide spaces between sounds, but there are also rich, thick webs and, as indicated, Cage/Kleeube Goldberg thunkity-thunk machin…
Matchless Recordings presents a live concert by Evan Parker and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on Monday 3rd August 1998. The album includes three tracks performed by Evan Parker - tenor & soprano saxophones and John Tilbury - piano.
"These musicians have chosen to eschew the given media of jazz, from whence Evan Parker received much of his initial inspiration, and the classical world from which John Tilbury received his early and formative training, in o…
Matchless Recordings presents a live concert by Hubbub recorded on September 2002 at Le Grand Mix by Jean-Pierre Bouquet. The album includes two tracks performed by Jean-Luc Guionnet - alto & soprano saxophones, Edward Perraud - drums, percussion, Jean-Sébastien Mariage - guitar, Frédéric Blondy - piano, Bertrand Denzler - tenor saxophone.
Hubbub works on the sound matter and creates an expanded space inhabited by stripes, interlaced designs, resonances, tanglings, points and strokes, at the bor…
Matchless Recordings presents a live concert by Hubbub recorded at Centre Culturel André Malraux, Vandoeuvre-les-Nancy, France on December 4th 2001.
The album includes two tracks performed by Frédéric Blondy - piano, Edward Perraud -drums, Jean-Sébastien Mariage - guitar, Bertrand Denzler - saxophone, Jean-Luc Guionnet - saxophone.
Hiss is an improvisational quartet made up of one Englishman and three Norwegians with an instrumental line-up that is unremarkable enough, but with a sound that is fairly unique. Keyboardist/electronicist Pat Thomas is a veteran of the British free improv scene while guitarist Ivar Grydeland, bassist Tonny Kluften and percussionist Ingar Zach -- though the latter three are younger -- are mainstays of the Norwegian free jazz and improv cultures. The reasoning behind the Arabic-sounding track tit…