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"You wake up and find a room full of things, but no music. Music has to be reinvented every day. You take your instrument and play - and there it is. Others come and talk about "influences" and f... jazz and clusters and all their helpless keywords. Joe Williamson and Olaf Rupp met in Berlin, Prenzlauer Berg in 1999 and played just from their simple inner impulse. They wanted to produce the sound that had to be produced. And why shouldn't they? Every craw does it. And every rusty garden door."Ol…
**75 copies** Another entry in Polonius' Last Transmythological Acrobats Series by the mysterious aggregator Seif Gaber. Players on this release include Matteo Pennesi, Luigi Monteanni, Seif Gaber, Lorenzo Rivosecchi, Giancarlo Brambilla. Recorded June 2019 at Standards, Milan, Italy.
**75 copies** Another entry in Polonius' Last Transmythological Acrobats Series by the mysterious aggregator Seif Gaber. Players on this release include: Ivan Beljin, Linsey Wellman, Seif Gaber, John Peippo, Damjan Markovic, Chris Love, Patrick Bonne. Recorded April and May 2019 in Ottawa, Ontario, Canada.
"It is raw material rather than tool. Polished metal body or beslavered tube. Just tenor sax at the end of its pilgrimage. It is sculptural object - assemblage without original function rather than a museum artefact of musical viruosity. Heavy metals flowing through the sewer from the concert hall. Small scrap dried by sunlights. Bubbling, squealing and rustling. Circular breathing - as if you have been blowing glass. Objects shaped by breath. Sébastien Branche as a sculptor and a bricolier."Séb…
**Orange vinyl, includes poster** Tlamess (Sortilège) is Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian director Ala Eddine Slim (Festival de Cannes' 51st Quinzaine des Réalisateurs, BFI London, ADF Argentina, Geneva GIFF, Rome Medfilm Festival, Marrakech International Film Festival). Combining hypnotic feedbacks and synthesizer orchestral work, drifting ambient with shamanic beats, the Tlamess (Sortilège) original soundtrack was…
The UK’s network of crumbling sound mirrors - an early form of radar - supply cues for blues experimenter Mike Cooper and pivotal improvisor Mark Wastell (Company) in an inquisitive collaboration on Wastell’s Confront Recordings. The strange, austere relics of WWI were erected between 1916 and the 1930s and are found dotted along the South East and North East coastline of England, sometimes in farmer’s fields who’ll let you in for a look if you ask nicely (out to my guy in Boulby).With Cooper ma…
Following the short-lived Truth Club with Trefor Goronwy (who later went on to work with This Heat and The Camberwell Now), Fote was formed in 1981 with the trio of Robert Haigh, Deborah Harding, and Trevor Reidy. Releasing two 12" EP's along with one track featured on a split 7" with Truth Club, Fote's entire studio recordings consisted of just 8 tracks. With angular constructs of post-punk, free-form improvisations, and wicked time signatures, these tracks shredded boundaries one can still hea…
One of the most mythical experimental groups of all time, Musica Elettronica Viva was formed in 1966 by a group of American composers in Rome, its nucleus comprised of pianist Frederic Rzewski, sound improviser Alvin Curran and the improvisatory keyboardist Richard Teitelbaum. Taking cues from John Cage and David Tudor, MEV employed open, limitless structures, using found instruments, toys, a homemade synthesizer and the first Moog to reach mainland Europe. Improv and critical listening practice…
**200 copies** Lebanese saxophonist Christine Abdelnour brings an impressive, extended instrumental vocabulary to Joachim Nordwall’s cryptic electronics in this live recording made at Ystad Konstmuseum for Sweden’s Firework Edition Recordings.Falling deeply within the label’s taste for sounds that exist on the liminal edge of perception, A Higher State of Body and Mind sees Abdelnour coaxing spittle-inflected small sounds and bestial whimpers from her brass tool while Nordwall colours the negati…
**250 copies** Ruben Machtelinckx has a new quartet. It is not a coincidence that the guitar is central, in particular the steel-string with its typical western sound. 2019 was a fruitful year for Ruben Machtelinckx (BE). This project is the last part of a triptych: in the spring Poor Isa, his duo with Frederik Leroux, released its debut album; in the summer he came out with the cassette Sualme with field recordings, improvisations and compositions; the winter appears to be the proper season for…
"The improvising trio Monopiece lists its instrumentation as guitar, percussion, and electronics, but electronics describes far more than one third of its texture, since both guitar and percussion are amplified and electronically processed. On this release they are joined by the Dutch vocal artist Jaap Blonk in recording spontaneously generated music, edited and subtly processed to reflect the communal nature of its creation without interrupting the strong, improvised narratives of each piece.In…
**200 copies** "Phase Eclipse is the debut of a duo featuring electronics musician Lea Bertucci and vocalist Amirtha Kidambi (both play other instruments, but not on this album). Even to say Bertucci’s on electronics is somewhat misleading, as her instrument on the album is, primarily, a reel-to-reel tape machine, which she uses to manipulate live recording of Kidambi’s vocals. The result is somewhat reminiscent of Peter Evans Quintet, where Sam Pluta plays a similar role as Bertucci does here. …
**150 copies** "Astral Spirits describes prolific Russian, Saint-Petersburg-based sax player Ilia Belorukov and Portuguese-Catalan, Barcelona-based drummer Vasco Trilla as “two under-sung heroes of free improv”. Both Belorukov and Trilla like to experiment with different objects and sounds in order to reinvent and enhance the sonic range and imagination of their respective instruments - the alto sax, fluteophone, Belorukov's electronics and Trilla's assorted percussion instruments. Laniakea was …
Post-metal avantgarde power force Sumac - based around Aaron Turner (Isis, Old Man Gloom) - follow up their collaboration with legendary Japanese guitarist and singer / performer Keiji Haino on Thrill Jockey - American Dollar Bill - Keep Facing Sideways, You Are Too Hideous To Look at Face On (2018), with another monolith, heavy and experimental at the same time.Personnel: Keiji Haino - guitar, voice, flute, taepyeongso; Aaron Turner - guitar; Nick Yacyshyn - drums; Brian Cook - bass. Recorded a…
Outstanding. **Jac Berrocal’s first remarkable albums in fully remastered form on 200g vinyl, contained within a beautiful box and individual metallic covers and 24 page, deluxe book** Every serious fan of avant-garde jazz knows that, for a great many years, France was a central axis for the global scene - a safe haven and source of support for countless visionary voices from the United States and other points abroad. Until recently, what has remained relatively under observed, is the country’s …
**100 copies** Derek Baron and Zoots Houston experiment with an array of objects and junk.Resonating metal surfaces, chains, paper, thin strips of wood, a broken radio, small battery powered oscillators and a floor tom. Passing cars outside the window. Silence.One microphone recording it all in Chicago, December 2015.
"Tom Cora made his musical debut as drummer on a local US television programme. In the mid 1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron Tuned Metal Ensemble and began constructing instruments for it.In 1979 Cora moved to New York City w…
We announce the joyous return of the spacecraft known as IQ+1 to Planet Earth. After more than six years, which its members spent on experiments, improvisational side-missions, solo excursions, and hunting for material, we can finally welcome a third mission, following on from the highly acclaimed Tváří v tvář (2011) and IQ+1 (2013).The current line up – George Bagdasarov, Veronika Hladká (Pio), Jaroslav Tarnovski (Gurun Gurun, Wabi Experience, Jipangu), Petr Vrba (Rouilleux, Poisonous Frequenci…
Trigger is an acoustic wind instrument trio working in the context of experimental music. Together they aim for the creation and shaping of a homogenous overall sound. The three instruments function as generators of noise and sound and blend together in a complex sound mass, which is permanently moving, changing and renewed.By using advanced playing techniques such as circular breathing, multiphonics and a vast palette of air sounds the instruments are removed from their traditional context and …
Max Eastley: arc (electro-acoustic monochord)Fergus Kelly: invented instruments, found metals, electronicsMark Wastell: tam tam, metal percussion, piano frameRecorded at Studio 3, Stoke Newington, London on 8th March 2017 by Rupert Clervaux. Edited, mixed and mastered by Fergus Kelly. Produced by Mark Wastell.