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2009 release ** "Lucio Capece and Sergio Merce play music together since 1993. They started out as members of a saxophone quartet dedicated to playing early and baroque polyphonic music (Guillaume de Machaut, Perotin, Josquin des Prés, Frescobaldi, J.S.Bach). A few years later they were part of Avion Negro, an ensemble dedicated to play its own music; there they worked on long music structures, combining improvisation and composition. In 2002 Merce and Capece started playing together as a duo. M…
2025 stock With “studio reihe neuer musik”, WERGO created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, WERGO now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.
“studio reihe” now continues with a work by Igor Stravinsky:
Stravinsky's last ballet composition “Agon. Ballet for Twelve Dancers” was written over a period of three years (1954–1957). During…
1998 release ** "This Piano Thing is, in some ways, an answer to questions and problems raised by my composition Piano Mechanics . These problems deal both with an evolution of piano technique and a redefinition of the piano as a machine for the ‘synthesis’ of ‘new’ sounds. When Piano Mechanics is performed live in concert, the unusual acoustical effects emerging from a solo unamplified and unaltered piano form an impression to the audience that some trickery is taking place. In almost every per…
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …
1993 release ** "Linea d'ombra is the CD from more than twenty years ago with which the author inaugurated his personal journey as an interpreter-composer on the border between the languages of jazz, classical music and rock. At the time, Roberto Verti wrote about it in the presentation of the CD: “A musician with a cult background who moves between the moods of the new age and the high craftsmanship of the academy, between the La Scala scene and minimal, jazz; plays with flutes and combines t…
1990 release ** "Rova Saxophone Quartet’s 1990 recording of music composed by Steve Adams, Fred Frith, Henry Kaiser, Larry Ochs and Jon Raskin. With music by Rova, Henry Kaiser (g), and Fred Frith, this was an outgrowth of a successful local concert series. It’s one of the few sax quartet albums that utilizes studio and sampling technology as an artistic tool."
Sopa Boba is a Belgian/Dutch, electronic, modern classical project. The idea behind the form is a so-called Oratorio from the present age which unfolds a dramatc tale within a sociopolitcal framework. The compositons incorporate a neo-classical style string quartet, harsh modular sytnhs and spoken word vocals.
That Moment is an adaptaton of the eponymous text by Moldavian writer Nicoleta Esinencu. The startng point of That Moment takes place in a real fact, which happened in present-tme Moldavia…
*300 copies limited edition* Two records came out in 1988 that forever changed the perception of "experimental" or "serious" music produced in Portugal. These were "Plux Quba" by Nuno Canavarro and "Música de Baixa Fidelidade" by Tózé (António) Ferreira. Both were released by the same label - Ama Romanta -, an influential independent imprint closely linked to avantgarde pop band Pop Dell'Arte. Because those records appeared in what could be perceived as an "alternative pop" framework, they rescu…
Ignacio Cordoba, an improviser and composer from Madrid based in Copenhagen, and Agata Ciurkot, a Polish pianist, improviser and composer residing in Berlin, first met in the fall of 2017 at the Rhythmic Music Conservatory in Copenhagen. Both navigating across jazz, free-improv, and contemporary composition, Agata was drawn to Ignacio's mastery of the sound produced by his machines and effects. In the summer of 2018, Ignacio travelled to Berlin to visit Agata, and they recorded “Ethereal, Basal”…
Big Tip! “Oto no Hajimari wo Motomete” is the NHK Electronic Music Archives. The NHK Electronic Music Studio was established in the mid-1950s as the world's most advanced electronic music studio. The sound origins started in 1993 as a memorial to the studio's creator, Hiroshi Shiotani. Currently blasting ahead towards the 70th anniv. of electronic music in Japan in 2025! This limited LP version was planned to commemorate the 70th anniversary and forward next generations. A second series is pla…
Brand new release of NHK Electronic Music Studio. This issue is early electronic works of Somei Satou made in this studio. Most of them have reissued on CDs and LPs, but Rarangenjo (tr.3) is unreleased work.
Big tip! The Kiyosato Museum of Contemporary Art was located in Kiyosato, Yamanashi prefecture from 1990 to 2014. It was a private art museum with a permanent exhibit based on a collection of unrivalled scale. The museum also collected and mounted exhibitions on the work of radical contemporary composers, including John Cage. The museum’s primary informant on music was sound designer Yutaka Hirose, one of the pioneers of Japan’s environmental music (kankyō ongaku) movement in the 1980s. In 1992,…
*2024 stock* Moondog And His Friends was originally released in 1954 on the Epic label as a 10 album and is resplendent with the same sparse yet rhythmic percussion as is found on his various other albums. Despite the And His Friends credit there is little mention of any of them on the original sleevenotes, save for a mention for his wife who performs on the oo, a triangular instrument that sounded similar to a harp. There is no doubt that Moondog was considered musically different at the time h…
*2024 stock* Debut album, originally released in 1956. The blind Kansas native showcases his talent for the minimal & avant-garde here, w/ compositions driven by percussion & Japanese-inspired melodies, complimented by street sounds, recitations, & animal noises. Bizarre even for today's standards, it's a wonder this was released over a half-century ago.
*110 copies limited edition* (lamentations) for éliane is a long form work for prepared euphonium that Barbier has created over the last four years utilizing under explored avenues of instrumental modification and acoustic irregularities inspired by the work of Éliane Radigue and John McCowen. In Paper blown between the spaces in my ribs, they explore intersections of vanishing sonic ecologies, sonifications of the interior world of untouched instruments, and a search for the safety and stabilit…
“I hate all the words” by Luca Scarabelli and Michele Lombardelli’s Untitled Noise, the eight instalments in the celebrated Die Schachtel’s “Decay music” series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche: Misery, the awareness; The Time, the suspension of disbelief; and Heaven, the existential atonement through detachment. The sounds and the voice proceed alternately, overlapping, where each, in its progression, asserts itself autonomo…
Limited split LP, black vinyl in poly-lined inner sleeve. Edition of 500 units Trigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's o…
*2024 stock* Incredible collection of Scott Morrison's audio visual works. Presented in a gatefold monochrome printed and matte laminated jacket with insert cards.
*Edition of 50* "Synthetic worlds erected by experiments with topology can be spaces of liberations and decoys. First you set up the rules of the world, then you build architecture and finally place a crowd to inhabit it and test the environment. They are bordered by walls wider than higher and connected by doors leading back in again instead of taking one out. These paradoxes are just two examples of a multitude of traps set up by Viktor Timofeev. They form the structure of his visual art and s…