Experimental / Modern Classical

*2026 repress* Recorded at St Georges Church, Carrick On Shannon, Leitrim on a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland. Track 1/Side A: 'Pour Upon The Sky' is a story told by the two voices of cello and organ. Influenced by the rhetorical style of 18th century vocal music, the inspiration for this piece came naturally to Eimear who has a background in early music and has performed alongside the organ in a variety of s…

Brussels string quintet BOW in its most extensive document to date: three days of unplanned, unedited improvisation in the small stone church of Vinalmont, between chamber intimacy and free improvisation, on three CDs.

Milanese guitarist Alessandra Novaga's third LP on cinema, after Fassbinder Wunderkammer and I Should Have Been a Gardener: tense compositions for guitar inspired by the films of Andrei Tarkovsky and the music of Bach.

Dramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that…

The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I spent a lot of time while working on this album thinking about impermanence and endings, which led me to change my understanding of “vanitas” and “memento mori.” These concepts arise allegorically across classical antiquity and Buddhist thought, amo…

** Limited Edition Dark Green Vinyl 2LP Gatefold with a 20 page booklet. Comes with an exclusive coil bound 52 page A4 landscape score book to full album ** The new album from Sarah Davachi on her own Late Music imprint is a collection of nine extended compositions for chamber ensemble and solo pipe organ.  "The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alon…

** 4xCD edition, housed in a rigid outer slipcase Box with a 16 page booklet, with 16 tracks and features all 4 interpretations of Long Gradus, spread across 4 discs** A new longform commissioned work for any ensemble of four similar instruments. The definitive string quartet version of 'Long Gradus' is available as a 2LP and CD, and the collection of all four arrangements (strings, woodwinds, brass & organ, choir & electronics) is presented as the 'Long Gradus: Arrangements' 4CD set. 'Long Grad…

Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…

2026 Repress. In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recording, realized without electronic alteration, invites deep listening, unspooling at an unhurried pace in a luminous acoustic field. Lamb’s music here is uncompromising in its patience: the two musicians linger in the borderlands of pitch and timbre, ca…

Five pieces for justly tuned piano and electronics. After a trilogy of long-form records, Pitre shortened the pieces, which gave him more harmonic room to move rather than less.

Ignacio Cordoba, an improviser and composer from Madrid based in Copenhagen, and Agata Ciurkot, a Polish pianist, improviser and composer residing in Berlin, first met in the fall of 2017 at the Rhythmic Music Conservatory in Copenhagen. Both navigating across jazz, free-improv, and contemporary composition, Agata was drawn to Ignacio's mastery of the sound produced by his machines and effects. In the summer of 2018, Ignacio travelled to Berlin to visit Agata, and they recorded “Ethereal, Basal”…

The Kiyosato Museum of Contemporary Art was located in Kiyosato, Yamanashi prefecture from 1990 to 2014. It was a private art museum with a permanent exhibit based on a collection of unrivalled scale. The museum also collected and mounted exhibitions on the work of radical contemporary composers, including John Cage. The museum’s primary informant on music was sound designer Yutaka Hirose, one of the pioneers of Japan’s environmental music (kankyō ongaku) movement in the 1980s. In 1992, the muse…

**CD edition** In a Word, the sixteenth installment of the intergenerational collaboration series FRKWYS, brings together postminimalist composer Daniel Lentz with vocalist and sound artist Ian William Craig for an album that embraces erosion and the fertility of the loam left behind. A document of shared transformation, Lentz’s elegant piano figures and Craig’s trembling tenor are wilted, warbled, and looped through manipulated tape machines in a real time composition that evokes a strange warm…

Another Timbre presents Me Hollywood by Oliver Leith. 5 chamber works by UK-based composer Oliver Leith, performed by Explore Ensemble. Cover drawing by Susan Te Kahurangi King. ‘Me Hollywood’ sees a hired ensemble soundtrack their patron's evening. He is hoping, or, knows even, that the music will elevate each banal gesture. Films will eventually be made about him, so he’s just making it happen now, his life is filmic, it just needs a score, he drinks, he sings, he plays the piano, he cares for…

“Vox Flora Vox Fauna” is an invocation in which Ece Canli channels the voice of Earth itself. A ritual of breath, rebirth, bone, and buried memory. Like the most transcendent moments of Dead Can Dance, the soundscapes are primitive, tribal, atmospheric, and utterly cathartic: echoes of a wounded planet, mourning and resisting at once. They unleash the raw force of Gaia, vibrating through ancient rhythms and spectral chants that seem to rise from the soil itself. In an age of collapse, this is mu…

Lmited to 150 units Annie Bloch’s luvt is a quiet reorientation of the organ: away from its monumental image and ritualised spaces, towards the delicate mechanics of touch, air and friction. Across seven compositions marking her debut on OOH-sounds, the Cologne based organist and composer turns to the chest organ, a small and mobile counterpart to its larger relative, traditionally used to accompany Baroque music. On luvt, Bloch limits herself to just three stops of wooden pipes, using the instr…

“Iker Munduate is an artist and musician who brings a delicate sense of composition and design... Inspired in part by new age music, Its rippling melodies and frictionless glide recall the futuristic utopias of Detroit Escalator Company and the interior reverie of Nobukazu Takemura" - Derek Walmsley Continuing from where he left it 2 years ago after a sold out debut LP released on Hegoa, Iker is back with his follow up “Sinkronia”. A gripping take on Eastern and Western minimalist traditions inf…

“The Reinvention of Romance,” a new work for percussion and cello that examines the care and empathy that emerge when two lives share space. Over the course of 90 minutes, a series of repeating patterns creates a peculiar kind of harmony in which two musicians are rarely “playing together” but are nonetheless intimately bonded. The Knoxville-based duo Two-Way Street (Ashlee Booth and Adam Lion) commissioned Hennies to compose “a very long piece;” for this recording they step into its two intertw…

Since the early 1970s, Jacqueline Humbert has collaborated as performer, visual artist, and designer with leading innovative artists, filmmakers, choreographers and composers worldwide. Her approach to vocal performance has influenced many composers, and the works in Chanteuse represent a new and exciting extension and reinterpretation of the "song" genre. Humbert on the release: "Chanteuse is a collection of new or previously unreleased songs, many of which were written for me by a broad range …

*200 copies limited edition* The seventh record from the Open to the Sea project (Enrico Coniglio, Saverio Rosi and Matteo Uggeri), Beyond the Emotional Flood, was created between Venice, Amsterdam and Milan over a five-month period in 2023, during which the three musicians experienced, separately yet synchronically connected, moments carrying an intense emotional weight. Channeling these experiences into the four Acts that structure the album's 10 tracks allowed them to sublimate the emotional …

A blackbird at dawn inspired a living score: Natalia Beylis’ work, ‘Around Here, The Birds Plant The Trees’, is a 52-minute longform journey about land stewardship grown from the sounds and textures of a single field in Leitrim, Ireland. This recording of 'Around Here, The Birds Plant The Trees' captures the piece as it existed on Friday 12 December 2025. I mention a specific date, because the score for this work is constantly shifting and provides a new variation each time it is played, echoing…

*100 copies limited edition* Across two decades of restless exploration, Haptic—the trio of Steven Hess, Joseph Clayton Mills, and Adam Sonderberg—has earned a reputation for meticulously assembled recordings and compelling live performances that veer from rigorous minimalism to densely textured, immersive sonic environments. Consistently blurring the lines between different genres and disciplines, their experimental practice has expanded to include installations, soundtracks, and unique site-sp…

More than 30 years since their first release, French Regard Extrême are back with a new album, their third on Steinklang. Stylistically, Eco Solemnis builds upon the foundation established on previous albums: medieval music and orchestral neoclassical with elements of martial industrial. In comparison to the previous album of new music, 2021's Ars Veterum, Eco Solemnis incorporates more prominently the neoclassical elements of earlier Regard Extrême, but without abandoning the medieval, even mon…

Keiji Haino's ritualistic 1995 album features nine untitled pieces of voice and percussion. The Japanese avant-garde master creates meditative spaces through drones, cymbal crashes, and gargled vocals, building esoteric rituals that explore the inner sounds of existence on Tzadik.

On Amelia, Laurie Anderson turns Amelia Earhart’s final flight into a 22-part dream-report: chamber strings, electronics and spoken word trace a route from Oakland to disappearance, where navigation data, weather reports and ghostly lullabies fold into one drifting, time-bent monologue.

*300 copies limited edition* A few years ago, we released the acclaimed Serrisme CD together with our friends in Hoeilaart. That record brought together sounds, photography and texts by Jan Matthé, Christina Vantzou, Christophe Piette, and Lieven Martens; singing Hoeilaart’s historic glasshouse table grape cultivation, a tradition initiated in 1865. Today, we are excited to present our second collaboration, this time centered around a local nature reserve. This new edition is initiated by compos…

Stunning collection of quiet and soft piano pieces by the legendary German keyboardist Hans-Joachim Roedelius co-founder of seminal krautrock bands as Cluster and Harmonia. Inspired by the monumental work of Eric Satie, the album was originally released in 1991. Roedelius exhibits an unexpected subtlety on the keys which lighten these pieces lovingly and pointedly. It’s hardly surprising that the name of the album is a reference to the term ‘pianissimo’, which means to play softly. These are aft…

Langlais is a composer and trained piano tuner, and this is reflected in the close attention to acoustics and tone has fed into the creation of these exquisite pieces for two prepared and alternately tuned pianos, with the results then treated to further edits and digital processing.Beautiful spectrums of sound, presented in silk-screened art sleeve by artist Damien Tran.

"I first came across Jeff's mysterious "Reggae Foes" 45 in the mid-2000s at the legendary Logos book/record store in Santa Cruz, California (RIP) - the kind of generic sleeve and label that gives you nothing more than a font and some scant shards of text to go by (luckily this text was "A Flying Saucer Came Down and Burnt My Baby's Neck"). What I heard upon bringing it home felt like some kind of alternate-timeline post punk calypso, unknowingly adjacent to the deconstructions occurring at the B…

Teiji Ito's The Shamanic Principles explores spiritual dimensions of sound - fourth Tzadik release documenting composer's journey into sacred music and ritual performance

XI Records is very pleased to announce the release of a 2 CD set of Michael Winter’s music organized by guitarist Elliot Simpson. Each CD features a single composition, demonstrating different sides of Winter’s work. The first, Counterfeiting in Colonial Connecticut, is a socially-engaged piece written for Simpson and in honor of George Floyd. The second, a lot of tiles (trivial scan), derives music from a set of mathematical tilings (often referred to as tessellations). The album art features r…

In 2017 Jeremiah Chiu & Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother/daughter duo Jannika/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies…

*Limited edition of 300 copies.*  Face is a synthbathed meditation on decay and acceptance and shows the typical Jogging House sound in which warm soundscapes are mingled with soft and playful melodies. Boris Potschubay is a German musician based in Frankfurt am Main. Besides his own music, Potschubay curates his own label, Seil Records which forms a home for Hainbach, KMRU among others. Jogging House debuted in 2011 and brought us more than a dozen releases in the meantime. Listening to all the…

*2024 stock* Moondog And His Friends was originally released in 1954 on the Epic label as a 10 album and is resplendent with the same sparse yet rhythmic percussion as is found on his various other albums. Despite the And His Friends credit there is little mention of any of them on the original sleevenotes, save for a mention for his wife who performs on the oo, a triangular instrument that sounded similar to a harp. There is no doubt that Moondog was considered musically different at the time h…

*2024 stock* Debut album, originally released in 1956. The blind Kansas native showcases his talent for the minimal & avant-garde here, w/ compositions driven by percussion & Japanese-inspired melodies, complimented by street sounds, recitations, & animal noises. Bizarre even for today's standards, it's a wonder this was released over a half-century ago.

A 50-minute composition for string trio by the Japan-based musical pioneer and experimentalist. Commissioned by Anton Lukoszevieze of Apartment House, who perform it beautifully. Brief interview with Anton Lukoszevieze Why did you choose to commission a piece from Jim O'Rourke for Apartment House, and how did you know his work?   I have known of Jim for a long time, mainly through his work with Merce Cunningham’s dance company, who I also performed with at the very end of their time. But I had n…

*70 copies limited edition* Blickwinkel releases Wilderness, the fifth instalment in Ameel Brecht’s cassette series exploring the theme of sleep. This closing volume delves into the world of dreaming and what it does to our minds, and for the first time in Brecht’s oeuvre features newly composed parts for (bass) clarinet. "Sleeping and dreaming in your childhood: the first dreams you remember, the whole wildness of it; dreams of flying, and of disappearing, the strangeness of blue twilight, wor…

Post-rock chamber orchestra feeling […] slow and pastoral.

Four chamber works by the Slovak composer Adrián Demoč, whose previous  CD ‘Ziadba’ was extremely well-received.  Apartment House again on three of the tracks, with one piece played by a Czech ensemble. The title track is the third of Another Timbre’s quarantine commissions.  Stunningly beautiful music.Interview with Adrián Demoč by Lukáš Borzik: Let’s start at the end of the disc, with the final track – the duo for violin and double bass, because I know you’re particularly fond of it. What is i…

The electroacoustic composition Sonance for the Precession was commissioned by Williams College Museum of Art (WCMA). The piece furthers  Neil Leonard's practice in large scale sound installation, with recent commissions by documenta, Venice Biennale, and Fujiko Nakaya of Experiments in Art at Technology. The original composition, created for the quad adjacent to WCMA, played from the dome of the historic Hopkins Observatory, the oldest working astronomical observatory in the United States. The …