Return of the SAD 1024, Vol. I & II
During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…
Return of the SAD 1024, Vol. II
During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…
Return of the SAD 1024, Vol. I
During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…