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Two cassette releases by Mexico City experimentalist Rolando Chia, heard by almost no one on their original release, now appear on vinyl for the first time. Batelages and Entrega - sound collage, concrete texture, avant-garde guitar - two lost chapters of the Latin American underground,
Ultra rare re-press in a handful of copies on clear vinyl with paste-on cover of the already ultra limited (20 copies) 1987 LP by the Aachen band wonderfully fusing noise with German psychedelia.
Very rare second album of mysterious psychedelic electroacoustic/noise music by the wonderful Kangaroo Kourt (later Mauve Sideshow and several different names), self-released on Castle Records in 1987 with hand-painted title on back sleeve. Fantastic.
Very rare third album of mysterious psychedelic electroacoustic/noise music by the wonderful Kangaroo Kourt (later Mauve Sideshow and several different names), self-released on Castle Records in 1990. Fantastic.
Philatélie proudly unveils Paradoxal Innovations, the groundbreaking new double cassette release by visionary artist Uton, the enigmatic Finnish producer known for his immersive sonic exploration.
In Finnish language Alkeis is not exactly a full word, but functions more like a prefix, meaning rudimentary or primitive. It communicates well the habitus of the crude oscillations that are inspected here: the smallest possible, single-cell organism devoid of thought, driven by instinct.
Liskoaivo is a finnish word for "lizard brain", the region of the brain that regulates our primitive reactions.As sophisticated as oscillators and modular synthesis might be, at the core lies an unexplainable u…
Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…
Essential 1959 electronic music / musique concrète album on Folkways documenting the soundtracks to a pioneering multimedia environment in San Francisco in 1957. With insert.
Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.
*30 copies limited edition* Objects, violin, optigan, loops, location recordings, electronics, fails videos, thrift store cassettes. recorded, edited, and mixed at No Spray 205, San Francisco. Thanks to Chris Cooper, Lala Lu, Jon Lee.
*30 copies limited edition* Ross: synths, tapes, field recordings, effectsYpsmael: field recordings, feedback, broken amp, effects.Cover image by Ross Scott-BuccleuchMastered by Grant Richardson
*2026 stock. 50 copies limited edition* Thailand based Field Recording & Experimental recording artist Tossapol contributes 2 beautifully assembled side long compositions for un poco fría editions. Beautifully rich with dialog - captivating in-situ field recordings situate the listener in a highly detailed urban dialog through an expansive yet condensed exploratory narrative.
Here - with a similarly parallel fashion, Tossapol thoroughly conducts the tone and timber of strings and wood; using sto…
*2026 stock. 50 copies limited edition* Drumless kick pedal & crank plug nc contact mic through pignose amp. tracked live & direct to tascam dr-03 linear pcm handheld recorder summer 2024. linear-edited & assembled to cassette 4-track in the early winter months of 2024 - yakima, wa usa. mastered by Grant Richardson @ Hex Audio labs
*2026 stock. 50 copies limited edition* RMSS is a Finnish noise project that draws inspiration from the heavier side of mental heath issues. The Relapsi compositions navigate a raw and visceral soundworld - through the dimly lit, bleak & icy corridors of the furthest depths and darkest recesses of the mind ...
- originally self-released in 2023 by Finland based noise composer - RMSS. Little known about this enigmatic Finnish artist - other than the fact that those highly sought after self releas…
*2026 stock. 50 copies limited edition* Nothing in the everyday dies because everything is dead already: the repetitive buried under its own repetition, hidden beneath the surface. Is carrying chaos within oneself sufficient to give birth to a star?
*2026 stock. 50 copies limited edition* Effectively over a decade long trajectory…originally released in 2013 as a digital-only edition… Now a newly reworked edition - Mastered by Grant Richardson at Hex Audio Labs
from Paul, circa 2019 “….Three noisey unreleased tracks from 2013. Digital Only fundraiser EP to help finance future releases. Feral Parts 1 & 2 were directly recorded to tape and transfered from tape to digital. These tracks were originally intended for a fanzine, but in the end I be…
'Aleación y Submersión' by B. Molina is an exploration of sound, electrical vibration, collapse, control, and instinct. Carried across twelve compositions, physical and psychological thresholds of sound get submerged, corroded and remain dissolving. Integrating electroacoustic investigation, industrial ambience, and a starkly emotional minimalism, this album takes you downstream into the abyss, both weightless and heavy, immersed in the dialectics of representation.
Recorded between Montréal and…
*300 copies limited edition* With "Dadayama", His Majesty The Baby presents a work that stands at the crossroads between music, sound poetry and the theatrical spirit of the historical avant-gardes. The project unfolds as a conceptual suite built from fragments, quotations, soundscapes and vocal interventions that openly engage with the traditions of Dadaism and Surrealism. The album is the result of a long creative process coordinated by Francesco Paolo Paladino, who also oversaw the artistic p…
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.