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Volume 3. The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniq…
Volume 2. The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniq…
Phillo Jazz winks at improvisational traditions Akita has always both honored and subverted. Jazz's spontaneity finds its noise equivalent - though the relationship is more conceptual than sonic. Where jazz improvisation operates within harmonic fram…
The playful title suggests psychedelic blue - chromatic synesthesia rendered in noise. Akita has always been interested in the intersection of sound and color, titles throughout his catalog evoking visual qualities. These 1992 sessions capture Merzbo…
The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniques. These…
Travelling suggests movement through sonic landscapes - each passage a journey into unknown territory. The title invites traveler's mindset: openness to unfamiliar sounds, acceptance of discomfort, willingness to be transformed by the journey. This 1…
A wry commentary on audiophile culture, Crash For Hi-Fi Tapes revels in deliberate destruction of fidelity. While enthusiasts pursue ever-more-transparent reproduction, Merzbow embraces distortion, clipping, and overload as expressive tools. The titl…
This alternate version of legendary Cloud Cock OO Grand material offers fresh perspective on one of Merzbow's most celebrated early-90s works. The title's surrealist absurdity reflects Akita's Dadaist engagement - language pushed beyond sense into pu…
The provocative title merges ecological and fetishistic imagery - characteristic Merzbow juxtaposition refusing easy interpretation. "Ecobondage" suggests nature constrained by human activity while carrying erotic connotations connecting to Akita's l…
Material H2 strips Merzbow's sound to elemental components - pure sonic matter awaiting transformation. The "H2" designation evokes hydrogen, the simplest element, suggesting return to first principles. Just as hydrogen combines to form more complex …
The title references the Japanese white-toothed shrew (Crocidura dsinezumi) - an early indication of animal themes that would become prominent following Akita's veganism adoption in 2003. The shrew exists in perpetual urgency, eating constantly or dy…
Continuing the percussive investigations begun in Volume 1, this installment pushes further into the liminal space between rhythm and chaos. Where the first volume established the conceptual framework, Environmental Percussion Vol. 2 explores its imp…
The "Environmental Percussion" series finds Akita exploring the rhythmic potential of non-traditional sound sources - objects, spaces, and acoustic phenomena pressed into service as percussion instruments. These experiments anticipate the more overtl…
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit…
Two versions of Miroglio's excellent composition for percussion ensemble, performed by Les Percussions de Strasbourd and released on Philips' silver covers "Prospective 21e Siècle" series. Black labels.
Original soundtrack to the 1981 film by Jean Jacques Annaud with avant-garde elements performed by Les Percussions de Strasbourg. With poster and cover art by Philippe Druillet.
Great avant-garde percussion music by a composer mainly known for his library work, a 1978 album on the short-lived Arc En Ciel's "Espaces" experimental music series with embossed sleeves.
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tr…
Following years of activity in the UK scene and beyond, and a debut tape in 2020 on don't drone alone, Rekem is proud to present the new release by Leeds based artist, Helen Papaioannou.
Kar Pouzi is Helen Papaioannou’s solo project of electronics, b…