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*300 copies limited edition* Crossing borders between traditions, sonic territories, and instruments, musicians Tomáš Niesner and Aldana Duoraan created their first collaborative album Plot. The sound of khomus meets guitar melodies simplified into pentatonic scales, intertwining in a dialogue that remains playful while moving between meditative passages and bewitching, hypnotic moments. Solid yet ever-changing, these melodies explore a delicate relationship between the present interactions, the…
On Io Pur Respiro, pianist Elias Stemeseder and bassist Thomas Morgan sculpt a live duo language where Gesualdo, 1930s standards and original pieces blur into a quietly radiant continuum, guided by an unerring sense of melody, space and equilibrium.
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …
Bogotá based Tropical futurists Rizomagic unveil their interplanetary mission to combine futurist technology with cosmic patterns, traditional rhythms and the woozy manipulations of pitched-down Cumbia Rebajada. Rizomagic are Edgar Marún and Diego Manrique, who met in 2020 while studying double bass and composition (respectively) at university in their hometown of Bogota. After finding a shared musical taste, they started producing music together during the first lockdown, swiftly producing and …
Cinna Peyghamy unveils new album fusing Persian tombak and modular synthesis. Five years in the making, "Music For Tombak & Synth" bridges heritage, technology, and personal identity. The project, initiated in 2019 during Peyghamy's master's thesis research on contact microphones, was conceived as a means to reconnect with his Persian roots while exploringexperimental sound design. In the album, Peyghamy seamlessly blends the traditional Persian tombak with modular synthesis and digital sign…
Upon their arrival in Brazil after the traumatic Atlantic crossing, enslaved populations from West Africa sought to reconstruct their sacred cultural and spiritual systems within a profoundly hostile environment. Five centuries later, the vitality of terreiros (ritual grounds) across the country bears witness to a living and adaptive religion that continues to evolve while remaining deeply rooted in ancestral traditions. Today, Candomblé is celebrated throughout Brazil and increasingly recognise…
Huge Tip!!! Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events. After several years of research, and several visits to the retired community, we are happy to present our ne…
Modern Obscure Music presents The Bubble of Love, a new collaborative album by Pedro Vian together with Ustad Nawab Khan and Naved Nawab Khan — the 9th and 10th generation of a distinguished santoor lineage from Rajasthan, India.
Tip! One of the longest standing figures amidst the Discrepant wolfpack, the unstoppable alias of sound collector Laurent Jeanneau returns to the fold 2 years after 'Tanzania II' with this 2.0 update of the elebrated 'The Lisu' sort-of-mixtape released way back in 2014.
Based on recordings of music from the Lisu communities in China and Thailand captured on site, this mix shows Gong more like a selector or dj, restricting electronic processing to a bare minimum in order to convey different histo…
*300 copies limited edition* The first resonant space Zosha Warpeha played in was the Emanuel Vigeland Museum in Oslo, Norway. Built as a mausoleum, its walls reach up into a gradual archway, creating an environment where sound expands and reverberates for twelve seconds before decaying into silence. Warpeha was greeted only by dim lights when she entered, and it wasn’t until she had spent several minutes listening that she was able to make out the frescoes that covered every inch of the room: g…
Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.
At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…
Between innocence and anger, a record of witness. Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument)…
*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…
LAHAR is the new musical work of Bandung power duo KUNTARI, Indonesia. A deeply atmosferic, bone-melting session of ancestral doom sounds delivered by the contemporary Indonesian primal music specialists. LAHAR is a Javanese term which was adopted in geology to describe a violent type of mudflow or debris flow composed of a slurry of pyroclastic material, rocky debris and water. The material flows down from a volcano, typically along a river valley. Lahars are often extremely destructive and dea…
Tip! *2026 much needed repress!!* Thorn Wych is a musical instrument maker and musician based in the Lancashire town of Bacup, specialising in work made from tree branches. Particular to her interest are UK native trees; so far Wych Elm, Lime, Wild Cherry, Oak, and Yew. With these unique instruments, crafted in her backyard workshop, she creates music that evokes memories of an unknown world—out of sync with time and place and beyond the boundaries of the material realm.
Her pieces consist main…
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…
Kishun is a duo: Ishikawa Ko, player of the shō (mouth-organ), and Nakamura Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”. Gagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and …
2024 repress! Limited edition LP including 16-page inserts with words in Japanese and English from Meitei and design by Kitchen. Label founder Ricks Ang * It began with ‘Kwaidan’, a simmering study on the lost art of Japanese ghost story-telling. Then there was ‘Komachi’, baptized in the earthly winds and static that define its comforting sonics. On ‘Kofū’, Meitei masterfully closes his trilogy of lost Japanese moods with an engaging interrogation of artforms and aesthetics as a provocation — o…
After a recent output on Moon Glyph, Nicolas Gaunin is back on Artetetra with a new digital EP of tender digital folklore hymns for personal mini-worlds. Known for his composition style centered on interlocking polyrhythms and bidimensional sound fonts advancing the field of a possible 2.0 exotica, in Huti ゲーム Gaunin momentarily abandons his customary musical vocabulary to experiment with an atypical ‘ensemble’ approach: percussions interweave with string samples and synthetic choirs. This chang…