Folk /
Njitna !
Nanga Boko Records is very proud to present you "Njitna !" ("I'm Coming" in Bamoun vernacular langage of Cameroun), the official compilation of the finest early recordings (1979/1980) of the Cameroonian composer & musician Théodore Mounta, known on scene as "Ometh". In An Ethical Approach, 50 % Of The Profits Of This Release Go Straight To The Artist.
Deluxe hand-numbered edition, limited to 500, includes a bonus track never released on vinyl before! Each record comes with an insert that include…
Les Filles De Illighadad
Sublime recordings from rural Niger. Two very different sides of Tuareg music - dreamy ishumar acoustic guitar sessions, and the hypnotic polyphonic tende that inspires it. Guitarist Fatou Seidi Ghali and vocalist Alamnou Akrouni lead the troupe, named after the village. Recorded in the open air studio of the desert.
Na Tango Ya Covadia 1964-70
The compilation ‘Les Belgicains – Na Tango Ya Covadia 1964-1970’ (‘Les Belgicains’ during the time of Covadia 1964-1970) tells the remarkable story of the first Congolese student orchestras in Belgium. During that time Congolese referred to countrymen living in Belgium as ‘Les Belgicains’. The Congolese Rumba presented on this compilation blew a new, fresh wind through the musical landscape of Congolese popular music under the supervision of the legendary editor and producer Nikiforos Cavvadias …
Diré
2024 reissue. ‘Diré’, Idrissa Soumaoro new album, comes as a surprise to Malian and international audiences. Composer, singer, guitarist and master of the kamalen n’goni Idrissa Soumaoro presents here a beautiful collection of songs on his third album, Diré, named in honor of the town where he met his wife and where his first daughter, who is no longer with us, was born. In 1971, after his studies at the INA in Bamako, Idrissa was transferred to Diré to teach music at the lPEG (Pedagogical Insti…
Stories From Another Time 1982-1988
2LP version. The roots of Angolan popular music explored in the meticulous guitar studies of Mário Rui Silva 1980s albums. Whether on mesmerising acoustic ballads or hypnotic groove-led tracks, the music of Angolan guitarist, researcher and intellectual Mário Rui Silva has a beguiling, melancholy quality, woven into the dynamics of his deft guitar playing. Rhythmically complex yet supremely effortless, the music collected here stems from three albums Mário released in Luanda in the 1980s that re…
Sufi Ceremony: Rifa' Ceremony of the Eleventh Day of Rabi-L-Achien Honouring Abdul Hadir Beker
*2024 stock* Sufi, or Sufism, is often defined as "Islamic mysticism.” Sufism exists in both Sunni and Shia Islam. It is not a distinct sect, rather it is an association or fraternity for the achievement of religious enthusiasm and ecstasy by means of exercise undertaken in common. This 1959 recording is of a Rifa' Ceremony performed in South Africa. The Rifa’ association was originally found mainly in the Middle East eventually spreading to Malaysia and Africa.
Namian Sidibé
Big Tip! Another side of modern Malian praise songs: an intimate, stripped down, acoustic session from Namian Sidibé. From a rising generation of young Malian divas leveraging social media, Namian has built a following, publishing videos and dedications in song, accompanied by her cousin Jules Diabaté on acoustic guitar. Recorded at her home, with powerful yet restrained vocals that drift over melancholy acoustic guitar, Namian explores epic generational songs and poetry, brought into the Tik To…
Magg Tekki
Assiko Golden Band de Grand Yoff is the sprawling drum collective tearing up Dakar’s nightlife scene. Senegalese poet Djiby Ly (Wau Wau Collectif) is backed by fourteen different percussive instruments plus horns, winds, balafon, and the occasional accordion, combining Count Ossie’s spiritually elevated polyrhythms with Fela Kuti’s orchestra and Tony Allen’s groove. Based in the impoverished neighborhood of Grand Yoff and operating as a mutual aid group for the larger community, the band builds …
Nass El Ghiwane
Nasse El ghiwane cannot be confined to the people who formed this mythical group. The practice of the ghiwane is an ancestral custom that conferred on people known for their probity and modesty the ability to describe through song and speech the daily life, problems and hindrances of their fellow men. These troubadours, from douars to douars, transmitted their knowledge through poetry, song and theatrical play. Considered revolutionary or a social phenomenon, the mythical band that American dire…
Jrouli
*Edition of 300* What is fascinating with Rai is that it has never needed media, scenes or official and sponsored festivals in order to exist, progress and reinvent itself. Rai in the 21st century sustained its evolution via social media, the 3G and 4G networks and of course, the democratization of digital recording and electronic music in general. Cheba Wahida comes from that newer, incidentally very feminized, wave of Rai artists in the Oran region. Vice remains a central theme in the lyrics o…
Ouechesma
Chaoui is a genre of Berber music that originated in the Aurès region of Algeria. It is a mixture of Saharan and Atlas mountain music marked with dancing rhythms and is part of the oral living tradition of the Aurès region. The first recordings on magnetic tape date back to the 1930s when Aissa Jermouni’s music was introduced and published internationally. Over the years, Chaoui has given birth to various sub-genres. The genre was popularized in the 1930s and 1940s, and still generates a strong …
Tiddukla
Hassan Wargui is a self-taught musician, composer, songwriter, multi-instrumentalist, and an expert in the songcraft and poetry of the Tachelhit speaking Amazigh tribes of the Anti-Atlas mountains in the south of Morocco. He was born in 1985 in the rural community of Issafen, which lies between Taroudant and Tafraoute in the Anti-Atlas mountains of Southern Morocco. His music draws from the deep well of Amazigh, or Berber, cultures that have long been suppressed across North Africa after the reg…
The Imâra - The Dance of the Stars
* Edition of 300. Recorded by Charles Duvelle in Mostaganem (Algeria). * This version of the ‘imâra starts with the qahili introduction in the form of a prayer to the prophet, then the tawhid (the affirmation of divine unicity) : « lâ illâha illah llah ». This same dikhr (psalmody) quickens its pace, at first very slowly, then more and more rapid until the name of Allah is repeated to a binary rhythm. The fuqâra will shortly retain only hu (from Allahu) as it is gradually imposed by the qutb (…
Days full of Sound - Life in the Rainforest (2 CD + Booklet)
Tip! * Comes with a 40 pages booklet with photos. 300 copies * The territory inhabited by the Mbenzélé and Aka Pygmies is situated in the extre-me North of the Democratic Republic of Congo, over the Equator, in the north eastern (Mbenzélé) and north western (Aka) rain forests of Ouésso in the Shan-ga region, near the borders with the Central African Republic and Cameroon. The Pygmies still live according to their hunters-gatherers traditions, even though the ever increasing amount of conta…
Something Is Wrong: Songs From East Africa
Killer compilation -- selections from an HMV run of more than 400 78s -- recordings made in Uganda and Kenya from the mid‐1930s to the mid‐1950s. Part 2 encompasses this material circa 1952-1957. Three main types of performance are featured (not forgetting a lovely early Kenyan big‐band calypso, as if straight from the pen of Lord Kitchener). Most are minstrelsy, with songs ranging dazzlingly through subjects including loneliness and death, bastards and cut‐off trousers, trains of fire and no‐go…
Bellyachers, Listen: Songs From East Africa, 1938-46
This is part 1 of a 2LP set of vinyl versions of Honest Jon's Something Is Wrong: Vintage Recordings From East Africa CD compilation -- selections from an HMV run of more than 400 78s -- recordings made in Uganda and Kenya from the mid‐1930s to the mid‐1950s. Part 1 encompasses this material circa 1938-1946, entitled Bellyachers, Listen: Songs From East Africa, 1938-46. Three main types of performance are featured (not forgetting a lovely early Kenyan big‐band calypso, as if straight from the pe…
At Pioneer Works
At Pioneer Works' documents a 2019 performance from Tuareg band Les Filles De Illighadad (the daughters of Illighadad). Their music is a smart blend of Tuareg's desert guitar sound that originated from young men in exile in Libya and Algeria in the 1970s, and tende, a form of folk music that was traditionally dominated by women. The band was founded in Illighadad, a commune in Niger, by vocalist and performer Fatou Seidi Ghali, one of the only Tuareg women who plays guitar, and vocalist Alamnou …
Suwa Ikazuchi
A fantastic percussive album performed by the Osuwa Daiko Preservation Society and veteran jazz pianist Masahiko Sato. A great blend of avant garde and traditional music recorded at Osuwa Daiko's dojo in Okaya City, Nagano, Japan. The Suwa Daiko is a tradition of Kagura (sacred music and dance) and drums of the Suwa Taisha Shrine that enshrines the life of the Takeminakata (one of god in Japanese mythology). It is a folk performing art that is recorded in an ancient document of the "Koshin-etsu-…
Jilala
** First time these tracks appear on vinyl – Pressed on 180 Gram Black Vinyl. Limited Edition of 300 Copies ** Historic Moroccan Sufi Trance recorded in 1965 by artists/writers/poets Brion Gysin and Paul Bowles. Authentic Moroccan trance ritual music by contemporaries of Master Musicians of Jajouka.
Until Now, Jilala has been a much sought-after phantom in relation to their better-known musical and spiritual contemporaries, The Master Musicians of Jajouka. Culled from three and a half hours of…
Dagara - Gyil Music of Ghana's Upper West Region
** Limited edition LP release includes a four panel insert of notes and photos from the recording session ** Field recordings of Lobi traditional xylophone (gyil) music recorded by Hisham Mayet on location in Ghana's Upper West Region, West Africa in 2019. Featuring Aaron Bebe Sukura, considered one of the gyil's master musicians from this area. Long form trance music with acoustic instruments sounding like several minimalist orchestras getting to maximalist sonic peaks. The gyil music of the …