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Folk /

Long Time 'Til Tomorrow
**Edition of 300** First issue in the Drowned Lands series, assembled by Jason Meagher, is the debut duo recording by Wednesday Knudsen and Willie Lane. Long Time 'Til Tomorrow is a gorgeous instrumental collaboration by guitarist Lane and multi-instrumentalist Knudsen that will knock your Smartwool socks off. Recorded at Meagher's Black Dirt Studio, the album documents the first time the pair played together. They are, of course, well known to Feeding Tube fans. Willie's first three Cord Art LP…
Water & Rock Music Volumes 3-4
**250 copies** A single LP compiles another two installments in the Water & Rock Music series by Jon Collin, UK ex-pat guitarist currently based in Sweden. Once again, Collin has put together a riveting set of acoustic guitar pieces, these recorded around Stockholm between April and October, 2018. There is a wistful, bluesy quality to the playing and inventions here. John Fahey once told me that blues was 'about anger.' But this work seems suffused with delicately scrambling melancholia, like a …
Water and Rock Music Volume II
**250 copies** The second volume of Water and Rock Music by British guitarist Jon Collin is another solid gambol in the outdoors. For much of this it sounds almost as though Mr. Collin is wearing a pair of hip waders and is up to his ass in a stream, casting for notes the way Hemingway casted for trout. His string bending recalls Loren Connors at points, but he has a manual approach to filigree Loren has never displayed. Notes bend and hover, but they also flutter, and the combination of sounds …
There Is a Place
**300 copies** "A new reissue of this masterpiece by The Left Outsides, originally issued on cassette in 2015, then first put to vinyl in 2017, as the long-format follow-up to the classic The Shape of Things to Come LP. The current edition is demarcated by a glossy cover and metallic gold printing. Its music remains as timeless a gust of dark autumnal wind as any you'll ever hear. Some of the music here was written as part of the soundtrack to Gus Alavrez's 2009 noir-pastoral short, Stand and De…
A Pine Tree Shilling's Worth
"Proud we are to reissue the final piece of Willie Lane's original Cord-Art LP trilogy. It was recorded in various spots throughout Western Mass, in the years following the release of Guitar Army of One. Initially issued in 2016, in an edition of 350, this lovely session disappeared into the fog of the forest before most folks were able to catch its scent. Now it has re-emerged with re-interpreted cover art by Max Milgram, and sonics we think will please even the most finicky listener. A Pine Tr…
Do You Wanna Have a Skeleton Dream?
"Wow! Great new LP by the full trio version of Maine's Big Blood. Colleen, Caleb, and Quinnisa are all present and accounted for at every turn on this one! Unlike their last LP, The Daughter's Union (FTR 459LP, 2019) (which seemed like some sort of experiment involving glam-rock-readymades), Do You Wanna? is awash with crazily re-imagined girl group dynamics. Some of these tight-sparkly-dress recreations have a savage teenage authority, but others wiggle more like dreams stolen from the nodes of…
Au Cube
"There is a sense of mirth rising within me as I riddle these notes down. I'm here at the Cube Cinema in Bristol with John Stevens from Qu Junktions in the garden talking music, while Rhodri Karim whizzes through setting up gear for Matana Roberts and Kelly Jayne Jones. They are in situ for three days for another playthecube.  All the while I lounge back and time-travel back to Dec '17, picturing the times we all shared with the musicians you hear in these recordings. To slow things down a wee t…
Je Est un Autre
"This recording is not a 'best of', it is a reflection of Tori Kudo's evolution as a composer, from playing with seasoned musicians, to playing with people just starting out, from playing with meticulous scores, to playing call & response melodies written down, to the songs here on Je est un Autre: instant improvisations based on keyboard compositions that Tori plays for the group. Yes, that is it. He plays a recording of himself on the keyboard, with singing or humming sometimes and he leaves i…
Het Vlier, Een Hommel Op Aarde
“What you are listening to is the sound of a forgotten instrument. It has existed since the middle ages, but the earliest example still intact is from 1608. Once a staple in most households in the low countries, it is a true folk instrument, of the people, mainly played in the past by women who used their kitchen tables as a resonating surfaces to amplify & accompany traditional religious & secular tunes. Nowadays it seen rarely outside of museums in Brussels & other places you most likely have …
Matthew J. Rolin
**250 copies** "We're excited to release the debut solo LP by Matthew J. Rolin, currently a resident of Columbus, Ohio. Rolin cut his teeth with garage and psych outfits in Cleveland, appearing on vinyl by Shoreway and Nowhere before he found himself adrift and wandering in the direction of Chicago at the end of 2016. Matthew had always been a fan of Jim O'Rourke's brilliant Bad Timing LP (Drag City, 1997), and when he caught a set by Ryley Walker soon after arriving in the city, he decided to t…
Folkadelic Volume One
From the curators of the Mood Mosaic series, here comes a new collection of tracks that gave rise to the Psychedelic Folk scene in the late '60s. It contains 17 seminal tracks collected together for the first time. For lovers of Devendra Banhart, Espers, and Animal Collective among others.Tracklist:1 - Rena Sinakin - Make Music2 - Linda Perhacs - Moon and Cattails3 - Injun Joe - Indian Priest4 - Breakout - Warm Up My Lips5 - Terry Brooks & Strange - High Flyer6 - Synanthesia - The Tale of the Sp…
Do You Hear What I Hear?
Mark McGuire takes us on a kaleidoscopic journey through a winter wonderland with his soulful take on holiday favorites. From timeless classics like Joy to the World to a gorgeous rendition of Vince Guaraldi's Christmas Time Is Here, McGuire thrillingly updates these arrangements with his signature psychedelic guitar work. Here, he employs a wide spectrum of sounds and instruments to bring new ideas to these beloved chestnuts. Brimming with joy and festive cheer, Do You Hear What I Hear? is a mo…
Paysages Intérieurs Vielle à Roue
**very few original copies in stock!** Reinvented Hurdy Gurdy record by French musician Rémy Couvez, who made here something peaceful, contemplative with his instrument, no virtuoso moves, no useless agitation, just beautiful sincere music. The harmonies are really haunting, special. On some tracks, he is backed by synths and percussions. This album could easily rival with Morricone soundtracks. It would appeal to collectors of singular sounds for its minimal, drone music and eastern influences.…
Moonlight
The extraordinary creative partnership of New Haven, CT duo Kath Bloom and Loren Connors has haunted psych-folk fans since the early 80s. Kath taught herself guitar during shifts as a janitor at a New Haven cemetery, while Loren’s free-form idiosyncratic style had been developing since the late 60s. Between 1981 and 1984, the duo recorded two live and four studio albums, mostly self-released in tiny quantities.Early on, their music mixed folk and blues traditionals with a handful of Kath’s vulne…
Sand In My Shoe
The extraordinary creative partnership of New Haven, CT duo Kath Bloom and Loren Connors has haunted psych-folk fans since the early 80s. Kath taught herself guitar during shifts as a janitor at a New Haven cemetery, while Loren’s free-form idiosyncratic style had been developing since the late 60s. Between 1981 and 1984, the duo recorded two live and four studio albums, mostly self-released in tiny quantities.Early on, their music mixed folk and blues traditionals with a handful of Kath’s vulne…
II
**500 copies** "Following up on their eponymous debut LP, this Western Mass quintet has released a live album that expands their musical palette, while retaining the essential magic of their sound. Bill Meyer described Weeping Bong Band's music as a collision between Popol Vuh's Florian Fricke and Hash Jar Tempo (itself a collab between Bardo Pond and Roy Montgomery), and the same mix of drifty Germanic midnights and Bay Area Ballroom sizzle is present on Weeping Bong's sophomore slab.Recorded a…
Odds Against Tomorrow
After two albums and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest full-lenght, Odds Against Tomorrow. Taking its title from Robert Wise's 1959 film noir, Odds Against Tomorrow retrofits familiar folk / blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion o…
Pearls From the River
VHF presents the first time on vinyl for Pearls From the River, the all acoustic epics album from the “classic” Pelt trio lineup of Jack Rose, Mike Gangloff and Patrick Best. Recorded in a single March 2003 session in Virginia by Mikel Dimmick, this was a superb distillation of their interests at the time (both alone and together —Rose’s first solo records, the emergence of the Black Twigs as a busy working band, etc). Up the North Fork is a trio for banjo, baritone banjo, and cello —after the s…
For Octavio Paz
Ben Chasny's last ultra-indie label release before moving onto greener pastures with Drag City is finally available once more on vinyl thanks to Hermit Hut. Originally released in 2003 on the fabulous Time Lag label, we are now safe to bask in it's psych-folk sunlight again and let me assure you it's worth it. Ditching the voice almost altogether (save for a few wails), For Octavio Paz sees Chasny focussing on his primary skill - the guitar. This is a collection of some of his best solo guitar w…
Philos
Park Jiha’s debut album Communion - released internationally by tak:til last year - drew well deserved attention to the young Korean instrumentalist / composer’s vivid soundworld. The widely acclaimed album graced 2018 critics lists at The WIRE, Pop Matters and The Guardian. Her new album Philos - which she calls an evocation of her “love for time, space and sound” - is every bit as inventive, elegant and transcendent as her debut. While Park Jiha’s music is often contextualized by its kinship w…
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