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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
*300 copies limited edition* Orfeu Da Conceição was originally a stage play in three acts by poet and lyricist Vinicius De Moraes with music by Antonio Carlos Jobim. Premiered in 1956 in Rio de Janeiro. The play put the basis for the classic films Orfeu Negro. Needless to remember that Jobim and De Moraes were two seminal figures in Brazilian music, two modernists whose work was a major influence for generations to come. In fact Orfeu Da Conceição can be considered the beginning of their songwri…
Remastered, Mono, 180 gram. Released in the late fifties, A Night In Tunisia is a Jazz milestone and prime example of Blakey's exceptional rhythmic prowess. This album is not all about drumming though; it leaves much space for great melodical interplay by fellow musicians Sam Dockery on piano, John Griffin and Ferris Benda on saxophone, Bill Hardman on trumpet and Jimmy De Brest on double bass.
Art Blakey is one of the inventors of the modern bebop style of drumming. Known as a powerful musician…