Jazz /
Concerts By The Sea
Funky groove master Les Demar's legendary live recordings have been sampled by numerous artists and DJs, and have captivated jazz funk listeners and rare groove freaks alike with their raging drum breaks and intense grooves. Recorded at Concerts by the Sea in Redondo Beach, California, in August 1978, the eight-piece big combo's frenetic night is back in its original 1970s release!
The fusion-like 'Quetzal' (A1), which starts with an opening MC and cheers, quickly raises the tension, followed by…
Transcendental Watusi!
Funky groove master Les Demar's legendary live recordings have been sampled by countless artists and DJs, and have captivated jazz funk listeners and rare groove freaks alike with their raging drum breaks and intense grooves! Recorded in August 1978 at Concerts by the Sea in Redondo Beach, California, the eight-piece big combo's frenzied night is back in its original 1970s release!
A sharp jazz-funk "Manfred S" (A1) that starts from a drum break that just asks you to sample, a ballad "Once Upon …
Nice Guys
*2024 stock. Deluxe packaging* Nice Guys is an album by the Art Ensemble of Chicago, recorded in May 1978 and released on ECM the following year—their debut for the label. The quintet features trumpeter Lester Bowie, saxophinists Joseph Jarman and Roscoe Mitchell and rhythm section Malachi Favors Maghostut and Famoudou Don Moye.
Urban Bushmen
*2024 stock* Urban Bushmen is a live double album by the Art Ensemble of Chicago recorded at the Amerika Haus in Munich over two days in May 1980 and released on ECM in March 1982. The quintet comprises trumpeter Lester Bowie, saxophonists Joseph Jarman and Roscoe Mitchell and rhythm section Malachi Favors Maghostut and Don Moye.
I Had A Fever When
Arto Lindsay is an influential American guitarist, singer and record producer. He was a member of the pioneering no-wave group DNA in the late 70s. He can be heard as singer and guitarist on the first album of the Golden Palominos and as guitarist on the debut of the Lounge Lizards, which was dismissed as fake jazz. He later founded the group Ambitious Lovers with Peter Scherer.
He has an unmistakable soft voice and an often loud, self-taught guitar corruptions that consists almost exclusively …
Karma
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
Thembi
Pharoah Sanders recorded the songs that comprise Thembi in the winter of ’70/’71, in between sessions with Alice Coltrane that would eventually become her masterpiece Journey In Satchidananda LP. The same compelling spirituality that embued Coltrane’s masterpiece with a mood of stately calm and grace pervades Thembi. ‘On Thembi, that was the first time that I ever touched a Fender Rhodes electric piano. We got to the studio in California — Cecil McBee had to unpack his bass, the drummer had to …
Gratitude
In March of 2023 composer, arranger & alto saxophonist Cassie Kinoshi premiered a commissioned suite of music in front of a sold out crowd at London’s Southbank Centre. She wrote the piece – gratitude – for her flagship large ensemble seed., in a special augmented formation that also featured turntablist NikNak and the London Contemporary Orchestra (LCO). Followers of UK Jazz know Kinoshi from her previous work with seed. (including the Mercury Prize-nominated album Driftglass, released by jazz …
A Field Perpetually At The Edge Of Disorder
*2024 stock*I n his review of Exta, the critic Brian Olewnick commented that “there's a tendency on the part of [John Tilbury's] younger companions to defer a bit to him”, adding that, in his view, this was not “necessarily a bad strategy”. In this encounter, their first as a trio, John Edwards and Mark Sanders do not defer to Tilbury at all, and it proves to be perhaps the best strategy of all. This is a vigorous music of equals, the democratic clamour of three distinct personalities committed …
Japan 2019
PNL Records and Audiographic Records are thrilled to announce the release of the seven CD boxset, Paal Nilssen-Love & Ken Vandermark: Japan 2019. This co-production includes live recordings by this long-standing duo from their 16-date concert tour of Japan, as well as new collaborations with legendary Japanese musicians: Akira Sakata (reeds/voice), Masahiko Satoh (piano), and Yuji Takahashi (piano).
The Nilssen-Love/Vandermark is an internationally acclaimed percussion/reed duo and has been in c…
Terremoto
Tip! To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful. Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylo…
Quetzalcoatl
Tip! Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chili. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming…
After discovering the jazz of Herbie H…
Watching A Dog. Smiling
*300 copies limited edition*New release on NoBusiness from two of the best reed instruments' veterans.
Mats Gustafsson – slide flute, flute, baritone sax and live electronicsLiudas Mockūnas – sopranino, soprano, reedless soprano, overtone, bass sax and contrabass clarinet
Gnu High
A vinyl reissue, in Ecm new audiophile Luminessence series, for Kenny Wheeler’s sensational ECM leader debut. Recorded in New York in 1975, and produced by Manfred Eicher, Gnu High brought Canadian trumpeter Wheeler to a new level of international acclaim, for both his impassioned playing and his profoundly lyrical writing. Here Kenny is fronting an extraordinary quartet, with Keith Jarrett, Dave Holland and Jack DeJohnette, all masterful improvisers who had shaped their intuitive collective und…
The New Quartet
As well as being the great vibraphone innovator of the era, Gary Burton is known for his unparalleled intuition as a talent scout. In 1973, The New Quartet introduced Abraham Laboriel: this was the first recording of the bassist who would soon become one of the most in-demand session players across all genres. “It must be emphasised that Laboriel sounds like a major artist in the making with his astonishing bass work,” wrote Melody Maker. Guitarist Mick Goodrick also emerged as a player to watc…
Saudades
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Old And New Dreams
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
Live at the Hillcrest Club 1958
This record marks a turning point in jazz history. It may be the earliest recorded example of what Ornette Coleman later called "free jazz," and it represents the first rumblings of the revolutionary movement which eventually shifted jazz thinking away from bebop. This double LP includes the complete show recorded live at The Hillcrest Club of Los Angeles in 1958.
Ballet Etudes
Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism.…
Live in Paris - 1971 (The ORTF Recordings)
"Don Cherry delves into Turkish rhythms, accompanied by his long-time Don Cherry Trio members: Turkish drummer Okay Temiz and South African bassist Johnny Dyani. The vinyl LP is manufactured in Istanbul under the guidance of Mr. Okay Temiz, the only living member of this iteration of the Don Cherry Trio. The LP has been remastered from original material housed in BYG Records' vaults by Okay Temiz & Mert Ucer and licensed from BYG Records, France.
This LP features the recording by the Don Cherry …