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"In the quarter century since the members of AALY Trio were last in the studio together there have been countless performances and albums made by the core members of the band. The remarkable parallels that existed between the improvised music scenes in Stockholm and Chicago from 1995 to 2000 extended well beyond the collaboration with AALY and me. Those circumstances are no longer the same due to the shifting sands of the international scene: artists, venues, record labels, writers, radio DJs, a…
Imagine the world that opens up to you when you turn on the power button on your childhood keyboard. A forgotten, dreamlike, carefree, rainbow, unique world. Longing for such a world, three representatives of Polish pianism - Piotr Zabrodzki, Marcel Baliński, and Grzegorz Tarwid - come together to create a completely new sound quality from their obsolete keyboard instruments.
A rare gem from the vibrant European jazz scene finally resurfaces with the release of Grenoble ’88, a captivating live recording that unites two masters of post-bop expression: French saxophonist Barney Wilen and Catalan pianist Tete Montoliu. Captured in 1988 in Grenoble, France, this performance showcases the remarkable interplay between two artists whose lyrical sensibilities and sophisticated phrasing made them cornerstones of modern jazz on the continent.
Known for his poetic tenor sound…
*2025 stock* A cross-generation and cross-genre collaboration bringing together two musicians who share a common city of origin and who find a common music thread in their distinct backgrounds. This beautifully recorded set of piano and bass duets and solos from the summer of 2023 in Athens, Greece, features a mix of original compositions and improvisations.
*2025 stock* It’s not often that Aerophonic Records has put out recordings by bands that are first-time groupings. There are a few notable ones, including AR024 and 026 – Of Things Beyond Thule Volume 1 and 2 featuring Joe McPhee, Tomeka Reid, Brandon Lopez, and Paal Nilssen-Love. Another one was AR029 Stringers and Struts with Jeff Parker, Ingebrigt Håker Flaten, and Jeremy Cunningham. Those lineups and performances were just too stellar to let them pass without being documented (and those reco…
*2025 stock* The spark for this project was the release of the newly discovered 1965 Hasaan recording Metaphysics (Omnivore, 2021). Upon hearing these beautiful compositions by Hasaan, I immediately felt the need to transcribe and understand them. For the recording I felt compelled to present them alongside pieces by Monk and Hope, who, like Hasaan, stood out for their brilliant—yet unorthodox—writing and their highly personal approach to playing the piano. The two elder pianists also had a clos…
Stephen McCraven's Wooley The Newt was his first album under his own name, released on Marion Browns own Sweet Earth record label in 1979 (orignal copies are rare and go for $500). Working with Stephen and the carvery we have remastering the audio and restored the original artwork. Stephen is a master drumer and composer and has worked with Archie Shepp for many years,he has also played & recorded with many; Marion Brown, Mal Waldron, Reggie Wokman and Stanley Cowell to mention just a few. Steph…
Frode Gjerstad, Alexander von Schlippenbach, and Dag Magnus Narvesen's first trio recording is powerful convergence of avant-garde improvisation and deep jazz sensibilities. Gjerstad’s fearless saxophone work, Schlippenbach’s adventurous piano explorations and Narvesen’s dynamic drumming create spontaneous compositions that betray a deep mutual respect.
The music of Exhaust unfolds through real-time exploration, where quick reflexes and deep listening shape each performance. Nebbia’s powerful saxophone voice drives the ensemble with intensity, while Downes reveals a side of his playing that leans into raw immediacy and unrestrained expression. Lisle acts as both a catalyst and anchor, crafting fluid rhythmic structures that support and propel the trio’s intricate interplay. Their album moves through a vast spectrum of sound, shifting between me…
Hyperboreal Trio’s debut album unites the distinct voices of Signe Emmeluth, Ingebrigt Håker Flaten, and Axel Filip—three seasoned improvisers bridging the musical extremes of the north and south through raw, yet meticulously crafted pieces.
Listening closely to the duo of Elliott Sharp and Scott Fields one can hear a compact history of modern composition and improvisation. Although the duo has a sound all its own, under the surface you can sense traces of “New Music,” minimalism, free jazz, and blues.
In a spontaneous studio session, alto saxophonist Tim Berne met fellow saxophonist Masayo Koketsu and percussionist Nava Dunkelman for the first time, setting the stage for an improvisational encounter full of contrasts and surprising cohesion. Berne’s rich, dynamic tone, provided a grounded foundation, while Koketsu's innovative use of extended techniques and breathy, ethereal sounds—challenged the space with a more experimental edge.
Dunkelman, with her textural percussion, wove between the tw…
Saxophonist Paul Flaherty is New England's purveyor of the ecstatic jazz pulse. Through the years, Flaherty remained unshakable in the pursuit of soul healing and demon dashing through freedom music. Six pieces of alto and tenor saxophone steeped in the theme of loss and channeled through blasting improvisations that showcase his fabulous wailing and inferno of sound to stark bluesy melodies.
"January 20, 2005 was a cold night in Washington D.C. A dozen bands would perform at the Black Cat venue…
By inevitable coincidence, a street vendor in Buenos Aires became an instrument of providence, when he compelled attention of Christof Kurzmann, sitting outside a coffeehouse. His merchandise were small books of Hispanic writers, and the chosen one that ended up in the buyer’s pocket some eighteen years ago was a collection of poems by Argentinean poet Alejandra Pizarnik. Her works abound with music and sounds or absence of it, appreciating silence. For Kurzmann, this served as a sufficient reas…
“Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With this group/concept/project called Oiro Pena, circling as a creative vo…
This time we are presenting another great collaborator that has been a part of our community for many years. Marina Džukljev, pianist from Novi Sad, Serbia. She joined the trio TiTiTi a few years ago as a guest, on their debut record Štafelaj out on Zavod Sploh, and then later she performed with them on many occasions including the Jazz Festival in Cerkno, Ring Ring Festival etc. TiTiTi started as a trio of the Slovenian most prominent brotherly connection, a fiery free rhythm section – Vid and …
A new voice in contemporary improvisation emerges with the Trio of Bloom, uniting three visionary artists at the forefront of modern music: Craig Taborn (piano, electronics), Nels Cline (guitar, effects), and Marcus Gilmore (drums, percussion).
This ensemble is less a meeting of individual virtuosos than the flowering of a shared soundworld—an immersive space where texture, rhythm, and resonance intertwine in real time. Each musician brings a singular language: Taborn’s kaleidoscopic harmonic …
Sylvie Courvoisier & Mary Halvorson Present Bone Bells on Pyroclastic Records. Two visionary voices of contemporary music explore new dimensions of resonance, texture, and interplay.
"I grew up in a literary household with parents who paid close attention to the written word. My father was a Goethe scholar, and my mother often read to us, pointing out the beauty of the sound of words. I have always felt an affinity for poetry. I appreciate its emotional power to move us and to make us think less literally. Miles Davis stressed the importance of knowing the lyrics to standards, and I’ve always believed that understanding the meaning of the words provides an added dimension wh…
"I’ve always been captivated by the night sky, endlessly wondering about what lies beyond. Amidst the vast expanse of stars, there is a sense of balance and symmetry that fascinates me—an order within the chaos. The innate patterns of the constellations sparked my curiosity, prompting me to explore how these celestial forms might be translated musically.
In the summer of 2024, I developed a process that allowed me to collect pitch and numerical data from constellations. I overlaid the shapes of …