Roughly a year before its release, and following the success of her debut Fly or Die album, branch whisked her incredible quartet across Europe for a string of performances. Across that November 2018 tour, the group stretched a songbook in-process to its limit, improvising en modo deconstructivo, tugging at the music’s edges and relentlessly morphing the sound of a four-fold liberation machine that included branch (trumpet), Chad Taylor (drums), Jason Ajemian (bass), and newcomer Lester St. Louis (cello), who had recently replaced Tomeka Reid.

Most of bird dogs of paradise was recorded in studio at Total Refreshment Centre over three days, and live at Café OTO over two nights that same week – at the tail end of the tour. The album itself captures a very significant moment in the arc of branch's band. St. Louis’s presence had provided a fresh injection of virtuosic curiosity, and the interplay between him and Ajemian rejiggered the crew’s string-driven multi-rhythmic plonk swing while also refreshing their alternately aggressive and melodious heavy-bite bowing with an expanded pocket. It was a highly fertile foundation for branch to experiment and explore, reach for the nether regions of her instrument, and continue to focus and refine her flagship ensemble into a wholly original sound.

bird dogs of paradise also introduced the wider world to branch’s singing voice. “prayer for amerikkka pt. 1 & 2” - written and first performed by branch in Paris on the night of the 2018 US midterm elections - has since become a rallying cry for those who share her sense of justice in a world controlled by those who are seemingly unconcerned with it. And on “love song" (for assholes and clowns), branch shows us her cards with a wink and a smile. “So much beauty lies in the abstract of instrumental music,” branch says in the album’s original liner notes, “but being this ain’t a particularly beautiful time, I’ve chosen a more literal path. The voice is good for that.”