Jazz /
Legacies For Our Grandchildren - Live In Hollywood, 1995
Previously unpublished live recording, under exclusive license from the Horace Tapscott Family. The first opportunity to listen to Horace’s working quintet from the '90s! Includes a 16-page booklet with liner notes by the original producers of those recordings: Don Snowden and David Keller, photos by Warren Berman and some rare documents.
Volumes II - Fiction Musicale Et Chorégraphique - Création Pour Grand Orchestre Et Corps Actants
*In process of stocking* 'Volumes II—Fiction Musicale et Chorégraphique is an ambitious, large-scale composition by the French double bassist/composer Benjamin Duboc for orchestra, voice, and physical movement. The composition unfolds in a long sequence of highly disparate parts, beginning with ambient noises and a spoken prelude before moving into more overtly musical passages. The orchestra commences with a sustained, droning chord marked by a slowly developing, internally unstable drift of pi…
Lampen
Lampen is Kalle Kalima and Tatu Rönkkö. Kalle plays guitar, Tatu plays percussions and sampler. Together they're Lampen, a duo making highly addictive "post jazz" with a musical heart far beyond genre. Call it what you will, but the main point is listening, and there's a high season for that coming as Lampen is set to release their debut album on We Jazz Records on "Kintsugi Gold" vinyl and digitally. Kintsugi (金継ぎ, "golden joinery"), also known as kintsukuroi (金繕い, "golden repair"), is the Japa…
Atonal Drums
Available for distribution for the first time! The new album by drummer producer Teppo "Teddy Rok" Mäkynen continues where his trio 3TM was last spotted: "Atonal Drums", out on Helsinki's We Jazz Records, lives someplace in & around the new spots where acoustic jazz and electronic music spill into each other in ways previosuly unheard. Each vinyl copy is unique and comes "edited" by Teddy Rok with personalized signatures and extra bespoke stickers glued in.
Ode To O
Ode To O is the second release by the OGJB Quartet that features four leaders in their own right, saxophonist Oliver Lake, cornetist Graham Haynes, bassist Joe Fonda and drummer Barry Altschul. As with their first release, Bamako, each member has contributed compositions to the new recording which also features two collective improvisations.
The album combines tracks based on gutbucket rhythms with others full of exploratory abstractions. The album title, Ode To O, refers to Ornette Coleman and …
Solo: Reflections And Meditations On Monk
Wadada Leo Smith comes to the music of Thelonious Monk from a childhood admiration of the artist. As a pre-teen he was already playing trumpet and composing and instinctively knew that Monk's understanding of music and sound would influence his own creativity. Smith believes that the quintessence of Monk can best be found in his solo work. The same can be said for Smith who has produced two previous solo collections including Creative Music—1 (1972) and Solo Music: Ahkreanvention (1979), both on…
Bamako
OGJB — Oliver Lake, Graham Haynes, Joe Fonda, and Barry Altschul — characterize themselves as a “leaderless” quartet. In that spirit, the compositions featured here serve as sketches to be built and elaborated on (and often entirely reconfigured), not as templates or structural frameworks. Unison passages are tightly executed, yet with just enough raggedness to their edge that the individualism of each man’s expression remains paramount, reflecting the overarching theme of this project: the kind…
Najwa
Wadada Leo Smith´s new album Najwa features four compositions in tribute to past masters of creative music, Ornette Coleman, John Coltrane, Ronald Shannon Jackson and Billie Holiday, as well as the title composition "Najwa" in remembrance of a love lost. Compared to Smith´s prior recordings, the presence of four guitarists and Bill Laswell´s electric bass create a unique sound world and fluidity for the music. Although Wadada Leo Smith has worked with electric guitars in the past, including in h…
Tara's Song
This is the first recording of Ahmed Abdullah´s Ebonic Tones, featuring trumpeter Abdullah, baritone saxophonist Alex Harding and violinist Billy Bang in an unusual, yet highly effective front line and bassist Alex Blake and drummer Andrei Strobert as the solid rhythm section. Tara´s Song is a musical journey through a wide array of styles helping us experience and appreciate what Abdullah himself calls "Jazz: The Music of the Spirit". In addition to Abdullah´s own compositions, the ensemble int…
Sacred Ceremonies
*Including a 52 p. booklet.* Sacred Ceremonies represents a meeting of three true giants of contemporary creative music. On this three-CD boxed set, Wadada Leo Smith joins forces with the barrier-breaking electric bassist Bill Laswell and the late, great master drummer Milford Graves in three separate one-day sessions. The boxed set comprises a duo CD featuring Smith and Graves, a duo CD featuring Smith and Laswell and a trio CD featuring Smith, Laswell and Graves. Sacred Ceremonies brings toget…
Trumpet
*Including a 44 p. booklet.* Trumpet is a unique extended collection of solo trumpet music. Fourteen new compositions by Wadada Leo Smith are included on this recording and spread over three CDs. The Album was recorded during a beautiful summer week in July 2016 at St. Mary's Church in the town of Pohja on the southern coast of Finland. it is a culmination of Smith's solo trumpet work to date, which totaled six albums prior to Trumpet. That legacy begins with his very first album as a leader, 19…
Hunter on the Wing
Piano, handmade electronics, tenor sax, couple strings. I was after something tangible. Sounds you could roll around in your palm and consider different, complex, and flawed textures. Feel the weight, maybe even smell them. This desire is probably a reaction to the dissociative nausea from the constant simulacra of these early 2020s. Like deliberately going barefoot to feel yourself grounded in a real place, as I read Andrea Needham did when facing charges for disarming a warplane. Anyway, my me…
With(Exit) To Student Studies, Revisited
Temporary Super Offer! 'Cecil Taylor’s whole career was a wave-front of exploration. The analogy with light is apposite enough. He evolved so fast most of us never quite caught up and relied instead on a few safe generalisations that momentarily applied around 1962 and only occasionally thereafter. Taylor rarely referenced the space programme, and admitted towards the end of his life that he had found the moon landings “banal”. Like Sun Ra, he was a cosmonaut of sound, breaking free of gravity a…
At Slugs’ Saloon 1966, Revisited
Temporary Super Offer! 'Among the jazz innovators, Albert Ayler is still considered a solitary figure to this day. From 1964 on he pursued his vision with firm determination. Like no other artist he used well-known melodies from military, marching, blues, gospel and minstrel show music as a starting point, and from these biographical earworm references he set out with the greatest expressiveness into an unconditionality that caused productive disturbance, which his music still does. On the one h…
Scream For Peace - Biennale de Paris 1969
Between May 1968 and the end of 1969, Paris became the Mecca of new jazz. Many American musicians, struggling to make a living from their activity in the USA, went to live in Paris. Thus: Don Cherry, Sunny Murray, Marion Brown, Anthony Braxton, Alan Silva, the Art Ensemble of Chicago… By their side, the French musical avant-garde gained confidence and emancipated itself with Jef Gilson, Michel Portal, Bernard Vitet, François Tusques, Jean-François Jenny-Clark, Henri Texier, Jacques Thollot… Unde…
How Long This Time? Live 1970
*All tracks previously unreleased. Stereophonic sound.* Featuring the classic KTG frontline of Marc Charig, Nick Evans and Elton Dean with rhythm section appearances by British jazz luminaries Jeff Clyne, Trevor Tomkins, Roy Babbington and Bryan Spring. These six previously unreleased live studio tracks were recorded for broadcast purposes in January and August of 1970, between the group’s two now seminal British jazz/rock releases for the Polydor and Vertigo labels respectively, 1969’s ‘You Are…
The Hilversum Sessions
Our Swimmer present a reissue of Albert Ayler's The Hilversum Sessions, originally released in 1980. "Recorded in the Dutch city of Hilversum, The Hilversum Sessions presents Albert Ayler in all his blowzy, testifying glory, fronting a quartet that includes trumpeter Don Cherry, bassist Gary Peacock, and drummer Sunny Murray. The repertoire includes five Ayler originals, notably his signature tunes 'Angels,' 'Ghosts,' and 'Spirits.' It's easy to forget how starkly original Ayler was, given the u…
Scylla
This fourth record by the long-standing improvising ensemble Rempis/Abrams/Ra, and the third featuring now-regular band member Jim Baker, was recorded in a watershed moment for these musicians during a pandemic that had gutted lives across the planet. After 15 months of being closed to the public, the band's home base Elastic Arts had re-opened for live events. And Rempis decided to relaunch his weekly Thursday-night concert series, a hub of the Chicago scene since 2002, with a performance by th…
Apparitions
Patrick Shiroishi returns with his second Notice album, a duo with double bassist Kyle Motl. “Apparitions” opens this album of the same name, and we are greeted with wispy and amorphous trails of wind-blown textures, as if the very first layer of an abstract painting fell to the floor of an old house and followed the contours of the walls and door frames, under shafts of light and in-between the fine cracks of floors. This is an album full of expressive and poetic phrasings, jittery movements an…
Some Time
Tip! *In process of stocking.* Adrianne Munden-Dixon and Leo Chang’s “Some Time” presents stuttering physical exchanges between Munden-Dixon’s violin and electronics and Chang’s amplified piri. These pieces are tense and tightly-woven, yet constantly unraveling and reforming. Chang’s “ampiri” is a Korean double reed instrument running through electronics and played in unconventional and non-traditional ways. Recontextualising the instrument “quasi-autodidactically” aligns with Chang’s approach t…