Jazz /
Hip Ensemble
Wewantsounds is delighted to reissue Roy Haynes' 1971 LP 'Hip Ensemble,' recorded in New York for Bob Shad's Mainstream Records and featuring Hannibal Marvin Peterson, George Adams, Teruo Nakamura and Lawrence Killian. Together the musicians create a superb mix of jazz funk and spiritual Jazz showcasing Haynes powerful drumming and creativity. "Hip Ensemble" is reissued here for the first time on vinyl since 1971, in its original gatefold artwork with first generation photos and includes the bon…
Roboquarians, Vol. 2
Connect to your favorite listening device, crank up the volume, and prepare for the ultimate avant-punk experience! Brooklyn-based 577 Records is honored to present the Roboquarians’ first recorded album, Roboquarians, Vol. 2. The new release comes from the hearts of up-and-coming sax talent Ayumi Ishito, lively drummer Kevin Shea, and gifted guitarist George Draguns. When Ayumi received a request from Shea and Draguns to collaborate, she became part of the intriguing backstory of this work of…
Quartet Music Vol. I: LuMiSong
The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…
The Ancients
Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker and William Parker formed by Parker to play concerts in conjunction with the Milford Graves' “A Mind-Body Deal” exhibition at the Institute of Contemporary Art, Los Angeles, and now a working group. Across 2LPs of side-length long-form improvised sets recorded at 2220 Arts & Archives in LA and The Chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by t…
Mondays At The Enfield Tennis Academy
2024 repress. "Mondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet, is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA's Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest …
Yikes
Tim Berne - alto saxophoneTom Rainey - drumsGregg Belisle-Chi - guitar
All music composed by Tim Berne Party Music BMI except Julius Hemphill by Julius Hemphill.Subito Music Publishing (ASCAP).Mixed and mastered by David Torn.Vinyl artwork + design Steve Byram.CD artwork + design TJ Huff (huffart.com).Digital artwork is a collaboration between Steve Byram and TJ Huff.
Tracks 1-10 recorded April 20th 2024 by Greg DiCrosta at The Studio at Firehouse 12.
Tracks 11-18 are a live concert recorded Mar…
Christopher Dammann Sextet
"Christopher Dammann Sextet is a debut record, but it’s by no means a first effort. Bassist, composer, and improviser Christopher Dammann has been making records for about fifteen years, first as a member of 3.5.7 Ensemble and more recently as the leader of Restroy. Throughout that time, he’s also gigged persistently in Chicago, notably as a regular substitute for Brian Sandstrom in the long-lived free improv collective Extraordinary Popular Delusions, and from Charlottesville, VA (between 2010-…
Waterfall
Sun & Rain is a fully collaborative quartet that thus far has practiced a painstaking process of co-composing music together. Because of this extreme sense of collaboration and only working on the music when all four members were physically together, the album Waterfall took six years to compose. Beginning in 2014 the band gathered at Laplante’s residence in Vermont for semi-annual rehearsal retreats. These were not particularly relaxing retreats, as the band held themselves to a rigorous work e…
Blood Burden
Blood Burden is the debut album from Brooklyn-based saxophonist, composer, and bandleader Alfredo Colón. Deeply rooted in the blues tradition, Alfredo brings harrowingly raw emotion in the form of barely-contained chaos to Blood Burden — a meditation on the interplay of Dominican folklore and Catholic imagery and ethos, and an ode to his immediate family members in the face of intergenerational trauma. Recorded at Figure 8 studios in New York with Lex Korton on piano, Steve Williams on bass, and…
In Concert, Bochum 2022
Recorded at Kammerspiele (Schauspielhaus Bochum), October 31, 2022, mixed and mastered by Peter Böhm.Frank Gratkowski — clarinets Maria Gstättner — bassoon Martin Siewert — guitars, electronics Sara Kowal — harp Joanna Lewis—violin Laura Strobl—viola Melissa Coleman—cello Peter Herbert — double bass Els Vandeweyer — vibes, percussion Gerry Hemingway — drums, percussion Georg Graewe — piano
Time Machine
Huge Tip! Double LP, Gatefold edition. Born on November 23rd, 1944 in Paris, France, Frédéric Rabold already played with his father in American Army Clubs at age 16. In 1965, Rabold joined the Axel Lauser Quartet, three years later he finally founded his own band, the Frédéric Rabold Crew. In the following years he collaborated with guitarist Martin Ederer, singer Lauren Newton, as well as avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangel…
We Are On The Edge (A 50th Anniversary Celebration)
Special edition box. An iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge in April, and Erased Tapes are honoured to announce the vinyl edition of this exceptional body of work. Led by surviving founding members Roscoe Mitchell and drummer Famoudou Don Moye, these brand new recordings involve a staggering array of contemporary artists ranging from across the jazz, experimenta…
Peace Chant - Raw, Deep and Spiritual Jazz Vol.7
Double LP, Gatefold edition. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence. For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable. Focused on rare recordings from German musicians …
First Step
Big Tip! Born in Donauwörth, a small town in Bavaria in 1951, Götz Tangerding studied piano to concert level at the Leopold Mozart Conservatory in Augsburg. In the 1970s, he started to make a name for himself on the local Munich jazz scene and traveled through East Europe with drummer Rudi Roth. In 1976, he came to New England Conservatory of Music in Boston to study compositions with George Russell and Jaki Byard with whom he played in the New York Big Band in 1978. In 1980, he returned to Muni…
Berlin Concert
Trost Records proudly announces the latest release in its ongoing cooperation with Berlin’s legendary FMP label, with the long overdue reissue of two classic live albums by the singular alto saxophonist Noah Howard, a key figure in New York’s free jazz revolution during the 1960s. Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton, while Schizophrenic …
Schizophrenic Blues
Trost Records proudly announces the latest release in its ongoing cooperation with Berlin’s legendary FMP label, with the long overdue reissue of two classic live albums by the singular alto saxophonist Noah Howard, a key figure in New York’s free jazz revolution during the 1960s. Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton, while Schizophrenic …
Trillium R
2024 Stock. Minor signs of wear from long-time storage. Live recording of the fully-staged Anthony Braxton opera Trillium R - Composition No. 162 -- An Opera in Four Acts/Shala Fears for the Poor (dedicated to Nelson Mandela). Liner notes by Anthony Braxton. Trillium is the name I have given to a preconceived series of thirty-six autonomous one-act operas that will hopefully be completed in the next ten to fifteen years. I have conceived of this effort as an “opera complex” that allows for the i…
Ovules
Ovules is a series of improvisations performed by ZAÄAR in various spaces over the kingdom of Belgium. Ovules is a triptych inspired by Tchouang-Tseu's fable “The Dream of the Butterfly” (莊周夢蝶) about dream and reality reciprocity. Ovules is a surrealist jazz manifestation due to a collaboration between labels WV Sorcerer Productions and Subsound Records and the preacher of the band's first proper studio album. ZAÄAR is a Belgian collective, twin project of Neptunian Maximalism, the cosmic free-j…
Staged
To begin with, there was only me, and John Stevens. Not in person, of course - this was 2021, many years after he died. But I had this plugin that I liked, designed to spice up drum loops, and I wondered what would happen if I put free jazz drumming into it. I sourced a solo recording of Mr Stevens, and was very taken with the results. I put some layers on top, and contacted Richard Harding to add some Chapman Stick. A couple more layers, and I had a track I was very taken with. So taken, in fac…
Cecil Taylor Unit, Live At Fat Tuesday's February 10, 1980 First Visit
"This, the third release from the sequence of remarkable performances by Cecil Taylor’s Unit recorded at Fat. Tuesday’s in New York from 8-10 February 1980 (the previous two are It Is In the Brewing Luminous [Hat Hut], and Live At Fat Tuesday’s, February 9, 1980 [ezz-thetics 101]), is a further illumination of the transformational premise which conceptualized and catalyzed Taylor’s music, from creative impulse to spiritual and self-defining fulfillment." – Art Lange