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2025 stock Wolfgang Muthspiel and his trio with Scott Colley on bass and Brian Blade on drums reaches a new creative peak on Dance of the Elders – the group’s follow-up up to the much lauded Angular Blues, which The Times called a “quietly impressive album”. Here Wolfgang’s successful stride continues, with his unique compositional signature on the one hand and the particularly vibrant interchanges with his trio colleagues on the other. The guitarist’s writing and approach to jazz is heavily fol…
On Lontano, Anja Lechner (cello) and François Couturier (piano) expand the expressive horizons of the duo format, weaving a tapestry of original compositions, improvisations, and deeply personal interpretations. Recorded at Sendesaal Bremen and produced by Manfred Eicher, the album draws inspiration from a remarkable array of sources-echoes of Bach, the folk laments of Argentina, the lyricism of Henri Dutilleux, the cinematic touch of Anouar Brahem, and the haunting minimalism of Giya Kancheli.
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2025 stock There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem. For a decade he was a member of Nik Bärtsch’s Ronin, in which his bass guitar was frequently th…
Newly designed packaging with original artwork. Comes in a hard box cover with a 12-page booklet. There exists a clear before and after Solo Concerts Bremen/Lausanne. On those evenings in March and July 1973, in those European concert halls, Keith Jarrett wasn't simply playing piano. He was conjuring something magical and unrepeatable - note by note - in that unique dialogue between artist and instrument that only the greatest improvisers truly understand.
Today, fifty years later, ECM Records t…
Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbreaking album marked Metheny's first collaboration with jazz luminaries from multiple generations, including bassist Charlie Haden, saxophonists Dewey Redman and Michael Brecker, and drummer Jack DeJohnette.
Drawing equally from the freewheeling spiri…
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David Murray - Saxophone Kahil El'Zabar - Percussion / Kalimba / Voice
Recorded at the 10th OCT-LOFT International Jazz Festival, B10 Live, Shenzhen October 27th, 2023
Despite a 40-year age gap and the vast distance between Japan and Greece, pianist Masahiko Sato and guitarist Giotis Damianidis reveal themselves as kindred spirits on Thousand Leaves. Capturing their very first meeting—recorded live on February 2, 2024, at Jazz Spot Candy in Chiba, Japan—this album is a testament to the power of improvised music to dissolve boundaries of geography and generation. The rapport between Sato and Damianidis is so immediate and intuitive that one might imagine a much…
Drummer Joey Baron has played with such unorthodox types as John Zorn, Wayne Horvitz, and Tim Berne, so it's not surprising that his own sessions are equally diverse and ambitious. This date presents an unusual instrumental lineup and a freewheeling, constantly changing musical menu. Baron heads a trio with saxophone and trombone; the absence of bass, keyboards, or guitar results in intriguing voicings and the pieces are solely dependent on the interaction of his drumming with Ellery Eskelin’s s…
This is not a recording for the fainthearted, the straitlaced, or the stylistically correct. Bass trombonist David Taylor has assembled a multi-faceted self-portrait out of pieces he selected, inspired, and composed. His eclecticism demonstrates how meaningless the old stylistic boundaries are for a contemporary artist. Taylor is known for his work with such artists as Duke Ellington, Barbra Streisand, Frank Sinatra, Aretha Franklin, The Rolling Stones, and Quincy Jones. He also premiered compos…
It is a monumental task to interpret the music of Jimi Hendrix on the flute. The incredible flute virtuoso Robert Dick has managed to do it with ease, finesse, and soul. There is almost no sound that he cannot create on the flute with his amazing technique. Chords, slides, colors, drum and bass sounds, all had to be created acoustically. There are no electronically altered flute sounds on this recording.
This recording represents a statement that Robert Dick has long dreamed of making. Like man…
The spontaneous exploration of musical ideas can be exciting, rewarding, and challenging for both the performer and the audience; jazz musicians demonstrate this constantly. Most of the participants in this recording project have had extensive experience in jazz. In their work here, they are exploring the conceptual similarities and connections between improvised music and concert music, an extension and development of both European and American traditions.
Each of the written compositions (Some…
When it came time to prepare for this recording, I was intrigued by the possibilities of a quintet consisting of three winds, bass, and drums. My earlier projects had been either in the trio, quartet, or traditional jazz quintet format-now I wanted to write for a group that could play expressive chamber music, swing hard, and improvise on a high level.
As envisioned, the compositions would combine inspiration from numerous sources to create something relevant to the present, reflecting today's c…
The New York Composers Orchestra is a big band formed in 1986 by its artistic directors Wayne Horvitz and Robin Holcomb with the idea of giving new life to a classic format and to further the tradition of new music bridging the worlds of notated and improvised music.
... the music evokes Aaron Copland and Igor Stravinsky as much as Count Basie and Charles Mingus; the playing is not just precise but committed to making the music jump. -The New York Times
The fullness and clarity of the six solos and six duets that comprise Mostly Ballads set them apart from the typical encounter of post-Parker jazz musicians with "the tradition." Standard songs, once the improviser's training ground, fell out of favor in the sixties as jazz became freer on the one hand and more tolerant of rock on the other; far too many players viewed pop tunes merely as opportunities for broad comedy or rote displays of musicianship. But Steve Kuhn, a post-Parker improviser wi…
2025 stock We’re very happy to announce that the record Elin Forkelid Plays For Trane is released on Sail Cabin Records on September 18, available on CD, 2 LP Vinyl (180g) and all major digital platforms. The record features Elin’s own personal take on the music of John Coltrane and features some of Sweden’s greatest jazz musicians.
Elin Forkelid, saxophones / David Stackenäs, guitar / Mattias Ståhl, vibraphone / Ville Bromander, bass / Jon Fält, drums
*2025 stock* Pianist-composer Vijay Iyer follows his 2021 ECM disc Uneasy — the first to showcase his trio featuring bassist Linda May Han Oh and drummer Tyshawn Sorey — with Compassion, another album in league with these two gifted partners. The New York Times captured the special qualities of this group, pointing to the trio’s flair for playing “with a lithe range of motion and resplendent clarity… while stoking a kind of writhing internal tension. Crucial to that balance is their ability to c…
Sail Cabin Records are very proud to release the new album from SOL SOL, titled “What Year Is It?”! It will be available on CD and digital platforms on January 28. (Vinyl edition will be released later this year.) SOL SOL is a Swedish jazz group featuring some of Sweden’s top jazz musicians, playing their highly original music, written by Elin Forkelid and David Stackenäs. This is their second album as a group. (Their first album “Unaccustomed Soil” was released 2019 on Signal and Sound Records.…
2008 release ** "For fans of Lounge Lizards this is a must-have, as we have two of the main musicians of this legendary band, tuba player Marcus Rojas and trumpeter Steven Bernstein. The line-up is completed by the excellent Danish drummer Kresten Osgood. The album begins with a moving howl from Marcus Rojas on the tuba, but this is just an introduction to Charles Brackeen's prayerful composition 'Prince of Night'. Then we have songs by the band members and Thelonius Monk, Charles Mingus, Hank W…
A vibrant blend of Finnish jazz-rock, featuring intricate arrangements, modal harmonies, and memorable melodies. The result is an immersive, forward-thinking listening experience