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2003 release (RARE) ** "Matthew Sperry was a great bass player and human being. He had an absolutely original approach to prepared double bass - like no one else, really second only to Barry Guy. He had a strong technical command of the instrument as well. He played on some Tom Waits albums, but was focused on improvised music."
2013 release ** ""Colors in Water and Steel" is a collaborative musical album by Richard Bonnet and Hasse Poulsen. This album is known for its radical and experimental musical style, incorporating preparations, effects, and improvisation on guitars. It was released under the label Hôte Marge (Futura Marge). The collaboration between Hasse Poulsen and Richard Bonnet in this album showcased their innovative approach to music, creating a unique sonic experience that combined elements of improvisat…
2014 release ** "Trees brings together an unusual quintet of string trio—viola (Ernesto Rodrigues), cello (Guilherme Rodrigues) and double bass (Gianna de Toni)—with soprano saxophone (Christophe Berthet) and electric bass/objects (Raphael Ortis). The five tracks contain a deep range of sounds from all of the instruments: Sparse textures evoking creaking wood and the rustling of dry leaves (Ancient Trees); long bowed tones from the cello and double bass and suspended harmonics (Whistling Trees);…
Reissue, Remastered, Stereo, 180g. on British Jazz Explosion series. Off Centre, the 1969 debut from The John Cameron Quartet, stands as a vivid and essential snapshot of late 60s British jazz, now reissued on vinyl for the first time in decades by Decca. Led by renowned pianist, arranger, and composer John Cameron, the quartet features an all-star lineup: Harold McNair (flute, tenor sax), Danny Thompson (bass), and Tony Carr (percussion). Originally released on Decca’s progressive Deram imprint…
2025 stock Divine Madness is a captivating archival release from the visionary Russian composer and pianist Sergey Kuryokhin, presented by Old Heaven Books. This collection spans four tapes, offering a rare glimpse into Kuryokhin’s experimental genius, where avant-garde jazz, improvisation, and electronic experimentation collide. Known for his fearless creativity and theatrical performances, Kuryokhin’s work here embodies the raw, unbridled energy of his artistry—sometimes chaotic, always mesmer…
2025 stock In 2014, Tatsuya Yoshida participated in the first Tomorrow Music Festival, and his improvisation with Mamoru on the night of the performance was the first time the two musicians collided, and the improvisation, which lasted less than 30 minutes, brought the audience's perception of “improvisation” to a new level. The last two improvisations in Ruins Alone: Tomorrow's Ruins were recorded live at that time.
2025 stock “Regarding the title of the album what I found by looking further is ‘Inside Out’. To explain in a few words from Hungarian: at the base, there is ‘itt’ = ‘here’, and ‘ott’ = ‘there’. From ‘itt’ derives ‘ide’ = ‘from there to here’, from ‘ott’ follows ‘oda’ = ‘from here to there’, so there is a dynamic in ‘ide’, which there is not in ‘itt’, which is stable. ‘Kint’ is ‘outside’. ‘Idekint' therefore means, that we are outside and we invite to be outside (while ‘Odakint’ would mean that …
2004 release ** "Hemophiliac is an experimental musical act. This group is billed as improvisational music from the outer reaches of madness. Mike Patton does voice effects along with John Zorn on saxophone and Ikue Mori on laptop electronics. Volume 6 of John Zorn's 50th birthday party series of concert CD's (ten volumes in total) is the first fully commercially available showcase for the trio's mad improv collision."
2007 release ** "Improvisations between jazz, minimalism, cosmic influences and acid rock; few are the possible comparisons, above all probably Sunburned Hand Of The Man. The music creates a decidedly hypnotic but also tribal effect, all immersed in a spatial atmosphere in which dilated and rarefied sounds are lost around percussions that oscillate between hypnosis and obsession."
2010 release ** "The duo's music is rarefied, in the sense that it's highly personal and hardly rife with echoes of the familiar. Such is the other worldly aspect of "First Marriage" that it's barely possible to tell which instrument is responsible for what. This has the effect not merely of confounding expectations but also of establishing the territory in which both players are naturally at home. Their dialog, as is so often the case in this highly specialized form of improvisation, is as purg…
2010 release ** "over 2 years in the making, to much togethers is the follow up album to ashley paul’s 2008 ‘d.o.l’ release. patiently crafted and paced to much togethers continues on ashley’s unique path of ‘song’ style. combining clattering strings, (her custom green-box string set up), psycho acoustic sustain and decay, bowed metal, expressive saxophone, subtle and ear grabbing sense of color and distant voice all slowly creating mood and thought provoking miniatures, that succeed in fitting …
2025 stock New music from Paul Flaherty, with Sam Gas Can and White Limo. Pressing of 500 copies, cover art by Joshua Burkett. Like all of the greatest live "festival" records -- Woodstock II (Cotillion '71), Mar y Sol (Atco '72) & 1968 Memphis Country Blues Festival (Blue Horizon '69) -- Mystery Triangle is an especially exceptional souvenir for those people who were there when it happened. But unlike dud compilations, Mystery Triangle provides a truly fine sonic gush for even those of us who w…
Stardust is a rare live recording that reunites three pioneers from the dawn of Japanese jazz: Masayuki Takayanagi (guitar), Ryozo Sugiura (vibraphone), and Hideto Kanai (bass), captured at Yokohama’s Stork Piano Lounge in December 1979. Unlike the intense, driven performances Takayanagi was known for in his “New Direction” and “Second Concept” projects, this session offers a relaxed, intimate atmosphere-full of warmth, camaraderie, and spontaneous musical dialogue. Listeners can even catch the …
A vital document of late-period Japanese jazz innovation, Holy Holy captures Masayuki Takayanagi in a moment of creative transition. Recorded live on December 8, 1985, at Aketa no Mise, this session features Takayanagi’s razor-sharp guitar in dialogue with two double basses: Nobuyoshi Ino and Toru Saitoh. The result is a soundscape of overwhelming depth and intensity, where the deep, undulating resonance of the twin basses intertwines with Takayanagi’s incisive lines.
On Holy Holy, the trio reim…
2009 release (VERY RARE) ** "Drummer Tyshawn Sorey is a very interesting young player. In only a few years, he's made a substantial impact on the East Coast scene, playing with saxophonists Anthony Braxton, Steve Coleman, and Steve Lehman, trumpeters Wadada Leo Smith and Dave Douglas, pianist Vijay Iyer, and many others. As that list of collaborators and employers should imply, Sorey is a cerebral and introspective player whose work frequently eschews traditional swing for a more fractured, impr…
Elisabeth Flunger - bass drum Dominic Lash - double bass Kathryn Williams - bass flute "Recording the Dissenting Voices confirmed the extent of their divergence from The Future That Never Was. Music always has something to do with the sonic architecture of instruments, but it is also about the fantasy with which musicians like Dominic, Elisabeth and Kathryn choose to play." - Christopher Fox
A cornerstone of avant-garde jazz, B-X0 NO-47A captures Anthony Braxton at a pivotal moment in his career and in the history of the Association For The Advancement Of Creative Musicians (AACM). Recorded in Paris in 1969 and newly restored from the original master tapes, this classic session finds Braxton leading a quartet of fellow AACM visionaries: trumpeter Leo Smith (before adopting the name Wadada), violinist Leroy Jenkins, and drummer Steve McCall.
The group’s instrumentation is strikingly …
** Apologies for the high price-we had to pay a truly absurd amount just to secure copies for you. We were as surprised as you, but couldn’t let this masterpiece slip away. ** Deluxe gatefold sleeve. A meditative and boundless free jazz exploration, Orient was a highlight in Don Cherry's extensive discography and is a must-hear document for all lovers of spiritual music and free jazz - Newly restored and remastered from the original tapes for this deluxe Record Store Day 2025 edition, Orient fea…
Tip on sleeves with matte varnish finish. Branches captures the electrifying first meeting of two uncompromising improvisers: Evan Parker, the legendary UK saxophonist and pioneer of multiphonic, trance-state improvisation, and Bill Nace, the American experimentalist known for his radical guitar and taishōgoto explorations. Recorded live at London’s Café OTO on May 25, 2024, this set documents the instant chemistry between two artists who had never played-or even met-before that night.
Nace, clo…