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During a 50+ year career across the spectrum of music saxophonist Larry Stabbins has worked with most of the important figures at the cutting edge of European Jazz and Improvisation from Mike Westbrook to Keith Tippett and Tony Oxley and Germany’s Peter Brotzmann, as well as with Robert Wyatt and Jerry Dammers Spatial AKA. Alongside this he played in the seminal pop group Weekend and formed Working Week with guitarist Simon Booth, a project that took a melange of latin, soul and jazz into the wo…
2007 release ** "Pangolinorchestrà is a hybrid between a village band, ICP-tet, Liberation Music Orchestra, Albert Ayler Band, Jimi Hendrix Experience, N.E.E.M., Screamin Jay Hawkins, Jannacci and assorted Bennink-stuff. “Ex-perimento #5” - recorded at the “Centro Stabile di Cultura” in San Vito di Leguzzano and produced by the same Center in cooperation with Idee Nere and Stella Nera - gives a good image of a band whose forte should be the action directed from above the stage."
Right out of the gate one feels the energy and excitement between Japanese trumpeter Natsuki Tamura and NY drummer Jim Black, each pushing the other through strong instrumental character and outrageous technique over nine Tamura compositions recorded in the studio in Switzerland, their first recording in 25 years since their 1999 Buzz Records album White and Blue.
Propelled by the confidence and intimacy that a familial relationship brings to two improvisers, imbued by each player's masterful technical skills and creative drive, the husband and wife duo of pianist Satoko Fujii and trumpeter Natsuki Tamura expand their catalog with this set of magnificent dialogs, sometimes quirky, always powerful and implicitly lyrical.
Massacre was a guitar trio formed by Fred Frith, who moved to New York after the break-up of Henry Cow, with Bill Laswell (b) and Fred Marr (dr). The album was greeted with surprise and acclaim at the time as the work that steered Frith towards an aggressive, sharp-edged sound based on improvisation. The trio disbanded after one album and reformed in 1998, replacing Charles Hayward on drums, and this time the album is reissued at the correct pitch, as intended by the artist, after being released…
2017 release ** "Building beats and sounds with electronics is a huge part on the record. The drums and the electronics prime the whole album without being reduced to a straight beat. Patrick Schimanski moves from abstract sounds to micro rhythms to straight beats (saturated by any background you can think of) and back again. The drum sound has a percussive tone to it as well: There are bells and congas and more like it. Patrick Schimanski is working a lot with different theaters around Germany …
The Northwoods Improvisers return with a new album, Fanfares the latest effort with a quintet/sextet lineup that includes veterans Mike Johnston (bass, bass recorder, wood flutes, percussion) and Nick Ashton (drums, percussion) and reunites them with a fierce front line of saxophones with Dominic Bierenga (tenor/alto/soprano saxophones, flute, percussion) and Donovan Boxey (alto/soprano saxophone, clarinet, melodica, wood flutes, percussion) and introduces the strings of Jack O'Brien (cello, bas…
After decades in the vault, Entropy Stereo has unearthed one of the most unique and obscure Faruq Z. Bey recordings for you. It was Faruq's dying wish that these recordings become available. We are pleased to present Faruq Z. Bey's Atlan-Tan Suite featuring Faruq Z. Bey on saxophone, Jaribu Shahid on bass, Tony Holland on saxophone, Marlene Rice and Gwen Laster on violins, and Robert Allison on vibes. Meticulously recorded by Ron Decorte and mastered by Warn Defever. We made this live document a…
Recorded August 18, 1969 in Paris with Archie Shepp on soprano, Grachan Moncur III on trombone, Dave Burrell on piano, Sunny Murray on drums plus Arthur Jones, Beb Guerin and Earl Freeman.
Restored & remastered from the original tapes Pressed on 180-gram black vinylInsert featuring insightful essay by author & music journalist Kevin Le GendreLP original gatefold sleeve & artwork faithfully reproduced
Tip! A compelling live performance from Munich's Waldkirche Planegg uniting Udo Schindler's inventive bass clarinets, Erhard Hirt's textural guitar and computer interactions, and Ove Volquartz's resonant low reeds, weaving a rich tapestry of spontaneous, intricately layered improvisations infused with subtle electronic nuances.
"None of the musicians need to be introduced to anyone Alexander von Schlippnebach is one of the founding fathers of free improvised music, a great expert on the music of Thelonious Monk and an exquisite piano master, Barry Altschul co-founded Anthony Braxton's first great quartet, a friend and musical companion of Sam Rivers, Chick Corea, Roswell Rudd, Dave Liebman, Barre Phillips, Kenny Wheeler, Andrew Hill, Sonny Criss, Hampton Hawes, and Lee Konitz and one simply of the greatest drummer in j…
2012 release ** "The second release from two of the most fearless and creative improvisers on the planet, guitarist Craig Green and drummer Dave King. Moontower is not so much an object or fixed location as it is a state mind or stream of consciousness channeled from the energy that these two sonic sculptors posses. Recorded and mixed over two days at the vintage audio temple, The Hideout which is nestled along the Mississippi River in King’s hometown of Minneapolis. Coincidentally, Green is fro…
2006 release ** "The Homesweepers was born in 2006: the trio Maier/Pacorig/Pascolo has released the album Overgrown Babeling for the Palomar records label, in which they confront the traditional form of the European improvisation trio."
Horace Silver had been delivering hard bop classics for over a decade when he moved into more groovy territory in the late-’60s on albums including Serenade to a Soul Sisterfeaturing two different quintets performing a set of Silver originals from the high-octane ‘Psychedelic Sally’ to the groove waltz title track to the tender ballad ‘Next Time I Fall In Love’. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g …
1989 release ** "Métarythmes de l’Air, a ten year-old band, consists of the prolific composer Christian Leroy, he is also an occasional keyboard and percussion player, contrebassist José Bedeur, a graduate from Huy Music Schaol, and Philippe Saucez, who has made a name for himself in classical clarinet playing. The trio has recently turned into an octet, with five new musicians, classical, contemporary, jazz or free-jazz: Jeannot Gillis (violin), Ivo Van Der Borght (percussions), Adelsan Defrise…
2009 release ** "Millefleurs is a vocal ensemble led by Christoph Schiller. More precisely: an experimental choir. Imagine a dozen vocalists in the vein of Phil Minton and Joane Hétu joining forces. It’s a nice surprise. Twelve pieces, each featuring a different line-up of singers (between one and ten). Abstract, textural, guttural pieces without words. It gets long (70 minutes), and with two or three selected tracks edited out the album would have been tighter and better sustained the listener’…
Released in 1967 with personnel including Lonnie Liston Smith (piano), Ronnie Boykins (bass), and Grady Tate (drums), Now Please Don’t You Cry… marked the beginning of Roland Kirk’s groovier explorations that would eventually lead him to record Blacknuss (1971). It’s vintage Kirk in a pared-down setting and is considered an essential Kirk album. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
2020 release ** "Isabelle Duthoit makes her throat jump like a madwoman, Thierry Waziniak grinds on the skins with rage and circumspection, Pascal Bréchet makes his electrocuted guitar implode and shred, Franz Hautzinger articulates by belching into the mouthpiece, detonating the vibrations of the air in the bell of his trumpet. What is astonishing is the precise alternation of interventions, which makes them play more as a three-piece than a four-piece, as each imposes brief silences, which ind…
Madronas’ debut LP Erogenous Biome is an amorphous, murky, cathartic offering. A duet of modular synthesizer and winds that’s equal parts doom and devotion, it’s the sound of a majestic butterfly emerging from it’s slimy chrysalis just in time to catch the sun setting on the end of days, a bewitching, heavy ceremony, a power-wash of both mind and spirit. Tracked in one continuous take at Brooklyn’s Heavy Meadow studio, individual tracks were gleaned from the purge and eschew predictable structur…